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Reginald Kell: Complete American Decca Recordings
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CD DetailsComposer: Wolfgang Amadeus Mozart Composer: Ludwig van Beethoven Composer: Robert Schumann Composer: Carl Maria von Weber Composer: Johannes Brahms Composer: Camille Saint-Saens Composer: Alec Templeton Composer: Antoni Szalowski Composer: Claude Debussy Composer: Paul Hindemith Composer: Igor Stravinsky Composer: Bela Bartok Composer: Walter Mourant Composer: Reginald Porter-Brown Composer: Darius Milhaud Composer: Ralph Vaughan Williams Composer: George Frederick Handel Composer: Arcangelo Corelli Composer: Fritz Kreisler Composer: Maurice Ravel Edition: Music CD Audio: English (Original Language) Format: Box set, Original recording remastered CD Release Date: 2005-09-13 Music Label: Deutsche Grammophon Soundtracks: Music CD 1- I. Allegro
- II. Adagio
- III. Rondo. Allegro
- I. Allegro
- II. Larghetto
- III. Menuetto-Trio I/II
- IV. Allegretto Con Variazioni I-IV/Adagio-Allegro
- I. Allegro
- II. Andante
- III. Minuetto In Canone-Trio In Canone Al Rovescio
- IV. Allegro
Music CD 2- I. Allegro Maestoso
- II. Menuetto I-Trio
- III. Adagio
- IV. Menuetto II-Trio
- V. Finale. Allegro
- I. Allegro Con Brio - Mieczyslaw Horszowski
- II. Adagio - Mieczyslaw Horszowski
- III. Tema. 'Pria Ch'Io L'Impegno'. Allegretto-Allegro - Mieczyslaw Horszowski
- I. Andante - Mieczyslaw Horszowski
- II. Menuetto - Mieczyslaw Horszowski
- III. Rondeaux. Allegretto - Mieczyslaw Horszowski
- I. Zart Und Mit Ausdruck
- II. Lebhaft, Leicht-Coda: Nach Und Nach Ruhiger
- III. Rasch Und Mit Feuer-Coda-Schneller
Music CD 3- I. Allegro Con Fuoco
- II. Andante Con Moto
- III. Rondo. Allegro
- I. Allegro
- II. Adagio
- III. Andantino-Presto Non Assai, Ma Con Sentimento
- IV. Con Moto-Un Poco Meno Mosso
- I. Allegro - Mieczyslaw Horszowski
- II. Adagio - Mieczyslaw Horszowski
- III. Andantino Grazioso - Mieczyslaw Horszowski
- IV. Allegro - Mieczyslaw Horszowski
Music CD 4- I. Allegro Appassionato
- II. Andante, Un Poco Adagio
- III. Allegretto Grazioso
- IV. Vivace
- I. Allegro Amiabile
- II. Allegro Appassionato
- III. Andante Con Moto-Allegro
- I. Allegretto - Brooks Smith
- II. Allegro Animato - Brooks Smith
- III. Lento - Brooks Smith
- IV. Molto Allegro - Brooks Smith
- I. Improvisation: Tempo Rubato-Espressivo - Brooks Smith
- II. Modal Blues: Tempo Di Blues - Brooks Smith
- III. In Rhythm: Moderato - Brooks Smith
- I. Allegro Non Troppo - Brooks Smith
- II. Larghetto - Brooks Smith
- III. Allegro - Brooks Smith
Music CD 5- Premiere Rhapsodie For Clarinet And Piano
- I. Massig Bewegt
- II. Lebhaft
- III. Sehr Langsam
- V. Kleines Rondo, Gemachlich
- I. Sempre Piano E Molto Tranquillo
- II. MM=168
- III. MM=160
- I. Verbunkos (Recruiting Dance). Moderato, Ben Ritmato
- II. Piheno (Relaxation). Lento
- III. Sebes (Fast Dance). Allegro
- La Plus Que Lente
- La Fille Aux Cheveux De Lin
- Reverie
- Le Petit Berger
- Ecstasy
- The Pied Piper
- Blue Haze
- Dance Of The Three Old Maids
Music CD 6- I. Ouverture. Vif Et Gai
- II. Divertissement. Anime
- III. Jeu. Vif
- IV. Introduction Et Final. Modere-Vif
- I. Adagio 'Lovely On The Water - Brooks Smith
- II. Andante Sostenuto 'Spurn Point' - Brooks Smith
- III. Larghetto 'Van Dieman's Land' - Brooks Smith
- IV. Lento 'She Borrowed Some Of Her Mother's Gold' - Brooks Smith
- V. Andante Tranquillo 'The Lady And The Dragon' - Brooks Smith
- VI. Allegro Vivace 'As I Walked Over London Bridge' - Brooks Smith
- Siciliana And Gigue
- Adagio
- Allegro
- Giga
- Rondino Uber Ein Thema Von Beethoven
- Piece En Forme De Habanera
- Petite Piece
- Roundelay
- Berceuse
- Jamaican Rumba - Brooks Smith
- Caprice Viennoois Op.2
- Liebesleid
- Liebesfreud
- Stars In My Eyes
- Schon Rosmarin
Music reviews of Reginald Kell: Complete American Decca RecordingsMusic Review: Mr. Kell - AT LAST!!! Rating: 5 Stars
When I studied clarinet in university (late 1960's, early 1970's), Kell was almost suppressed. I am not sure whether that was done intentionally or not. But we were all told that it was "hard" to get a good recording of Kell, because they were almost all "old" and "scratched up" 78s. I don't remember if there were any 33 & 1/3 LPs out on his later 1950's recordings, but the whole attitude was: "You WILL NOT be interested in Reginald Kell!" Well, that did not stop me, but with the twists and turns of life, I never got back to trying to find any recording of his work, until I learned DG had published this 6 CD set, off original Decca masters, as I understand it.
Yes. There is his tone. It is, to me, a deep, throaty, "big band" tone, and there is also the vibrato. I have intensely studied the horn for over 50 years, and I have perfected my tone and it is my tone. I am too old a bear to try to change that. BUT, his breathing, his articulation, his phrasing, etc., those can and will benefit me, and they are benefiting me, if for no other reason, than I get to hear his take on many of the pieces I have studied and performed all my life.
Personally, I LIKE HIS TONE, because of what he was trying to do with it (try and project his tone as a human voice through the horn). But it seems that when I studied clarinet, every teacher was almost paranoid about his tone. There are also his water color / pencil works of visual art, where he tried to give to the hearing-impaired some kind of subconscious or even unconscious awareness, via their eyes, as to what his playing sounded like. Now, I do not know if he knew this, but if you take, say, a mid-range "F" scale on the piano, and take those notes up 40 octaves, you no longer have sound, but VISIBLE LIGHT!
Perhaps he did consciously know this when he executed his water color / pencil works (which I believe are STUNNING, no other word describes them), or, perhaps he did. If he did not consciously know, did his intuition some how guide him when he did the visual art? I don't know.
But if you put ALL the pieces of Mr. Kell together, his performances on the clarinet, what he was trying to do, his visual art, and I suspect other aspects of him, I believe you come up with a real genius, and, over all, the BEST Clarinetist of the 20th Century.
Young folks need to hear him now, so if they are serious about the clarinet, as I was, am, and will be, they can factor Mr. Kell into what they want to do with the horn. This is as it should be. I know I will do such factoring myself, now that we can REALLY LISTEN TO HIM.
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