Mozart - Le nozze di Figaro / Tomlinson ? Rodgers ? Cuberli ? A. Schmidt ? Bartoli ? RIAS ? Berlin Phil. ? Barenboim

Mozart - Le nozze di Figaro / Tomlinson ? Rodgers ? Cuberli ? A. Schmidt ? Bartoli ? RIAS ? Berlin Phil. ? Barenboim

Mozart - Le nozze di Figaro / Tomlinson ? Rodgers ? Cuberli ? A. Schmidt ? Bartoli ? RIAS ? Berlin Phil. ? Barenboim
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CD Details

Edition: Music CD
CD Release Date: 1991-06-25
Music Label: Elektra / Wea
Soundtracks:
Music CD 1
  1. Act One, Scene 1-2
  2. No 1. Duettino: 'Cinque...dieci...venti...': Act One, Scene 1-2
  3. Recitativo: 'Cosa stai misurando': Act One, Scene 1-2
  4. No 2. Duettino: 'Se a caso madama la notte ti chiama': Act One, Scene 1-2
  5. Recitativo: 'Or bene, ascolta e taci!': Act One, Scene 1-2
  6. No 3. Cavatina: 'Se vuol ballare, signor Contino': Act One, Scene 1-2
  7. Recitativo: 'Ed aspettaste it giorno fissato': Act One, Scene 3
  8. No 4. Aria: 'La vendetta, oh, la vendetta!': Act One, Scene 3
  9. Recitativo: 'Tutto ancor non ho perso': Act One, Scene 3
  10. No 5. Duettino: 'Via resti servita, madama brillante': Act One, Scene 3
  11. Recitativo: 'Val la, Vecchia pedante': Act One, Scene 3
  12. No 6. Aria: 'Non so piu cosa faccio': Act One, Scene 3
  13. Recitativo: 'Ah son perduto!': Act One, Scene 6-7
  14. No 7. Terzetto: 'Cosa sento, tosto andate': Act One, Scene 6-7
  15. Recitativo: 'Basilio, in traccia tosto di Figaro volate': Act One, Scene 6-7
  16. No. 8 Coro: 'Giovani lieti, fiori spargete': Act One, Scene 6-7
  17. Recitativo: 'Cos e questa commedia?': Act One, Scene 6-7
  18. No. 9 Coro: 'Giovani lieti, fiori spargete': Act One, Scene 6-7
  19. Recitativo: 'Ev viva!': Act One, Scene 6-7
  20. No 10. Aria: 'Non piu andrai farfallone amoroso': Act One, Scene 6-7
  21. No 11. Cavatina: 'Porgi amor qualche ristoro': Act Two, Scene 1
  22. Recitativo: 'Vieni, cara Susanna': Act Two, Scene 1
  23. Recitativo: 'Quanto duol' mi, Susanna': Act Two, Scene 1
  24. No 12. Arietta: 'Voi, che sapete che cosa e amor': Act Two, Scene 1
  25. Recitativo: 'Bravo! che bella voce!': Act Two, Scene 1
  26. No 13. Aria: 'Venite, inginocchiatevi': Act Two, Scene 1
  27. Recitativo: 'Quante buffonerie!': Act Two, Scene 1
Music CD 2
  1. Recitativo: 'Che novita!': Act Two, Scene 3
  2. No 14. Terzetto: 'Susanna, or via sorite': Act Two, Scene 3
  3. Recitativo: 'Dunque voi non aprite?': Act Two, Scene 3
  4. No 15. Duettino: 'Aprite, presto aprite': Act Two, Scene 3
  5. Recitativo: 'Or guarda il demonietto!': Act Two, Scene 3
  6. Recitativo: 'Tutto e come il lasciai!': Act Two, Scene 3
  7. No 16. Finale: 'Esci omai, garzon malnato': Act Two, Scene 3
  8. Recitativo: 'Che imbarrazzo e mai questo!': Act Three, Scene 1-3
  9. No 17. Duettino: 'Crudel! perche finora': Act Three, Scene 1-3
  10. Recitativo: 'E perche fosti meco': Act Three, Scene 1-3
  11. No 18. Recitativo ed Aria: Act Three, Scene 4
  12. Aria: 'Vedro mentre io sospiro': Act Three, Scene 4
  13. Recitativo: 'E decisa la lite': Act Three, Scene 5
  14. No 19. Sestetto: 'Riconosci in questo amplesso': Act Three, Scene 5
  15. Recitativo: 'Eccovi, oh caro amico': Act Three, Scene 6
  16. Recitativo: 'Andiam, andiam, bel paggio': Act Three, Scene 7
  17. No 20. Recitativo ed Aria: Act Three, Scene 8
  18. Aria: 'Dove sono i bei momenti': Act Three, Scene 8
Music CD 3
  1. Recitativo: 'lo vi dico, signor': Act III, Scene 9: 'lo vi dico, signor'
  2. Recitativo: 'Cosa mi narri': Act III, Scene 9: 'Cosa mi narri'
  3. No 21. Duettino: 'Che soave zeffireto': Act III, Scene 9: No. 21 Duettino: 'Che soave zeffiretto'
  4. Recitativo: 'Piegato e il foglio': Act III, Scene 9: No. 21 Duettino: 'Che soave zeffiretto'
  5. No 22. Coro: 'Ricevete, oh padroncina': Act III, Scene 9: No. 21 Duettino: 'Ricevete, oh padroncina'
  6. Recitativo: 'Queste sono, madame': Act III, Scene 9: 'Queste sono, madame'
  7. No 23. Finale: 'Ecco la marcia, andiamo': Act III, Scene 9: No. 23 Finale: 'Ecco la marcia, andiamo'
  8. No. 24 Cavatina: 'L ho perduta, me meschina': Ac tIV, Scene 1: No. 24 Cavatina: 'L'ho perduta, me meschina'
  9. Recitativo: 'Barbarina, cos'hai?': Act IV, Scene 2 & 3: 'Barbarina, cos'hai?'
  10. Recitativo: 'Presto av vertiam Susanna': Act IV, Scene 4: 'Presto av vertiam Susanna'
  11. No 25. Aria: 'Il capro e la capretta': Act IV, Scene 4: 'Il capro e la capretta'
  12. Recitativo: 'Nel padiglione a manca': Act IV, Scene 5-7 'Nel padiglione a manca'
  13. No 26. Aria: 'In quegl'anni, in cui val poco': Act IV, Scene No. 26 Aria: 'In quegl'anni, in cui val poco'
  14. No 27. Recitativo ed Aria: Act IV, Scene 8: No. 27 'Tutto e disposto'
  15. Aria: 'Aprite un po' quegl'occhi': Act IV, Scene 8: 'A prite un po'quegl' occhi'
  16. Recitativo: 'Signora, ella mi disse': Act IV, Scene 9 - 10: 'Signora, ella mi disse'
  17. Recitativo: 'Giunse alfin il momento': Act IV, Scene 9 -10: 'Giunse alfin il momento'
  18. Aria: 'Deh vieni non tardar': Act IV, Scene 9 -10: 'Deh vieni non tardar'
  19. Recitativo: 'Perfida, e in quella forma meco mentia?': Act IV, Scene 9 -10: 'Perfida, e in quella forma meco mentia?'
  20. No 29. Finale: 'Pian pianin le andro piu presso': Act IV, Scene 9 -10: No. 29 Finale: 'Pian pianin le andro piu presso'

Music reviews of Mozart - Le nozze di Figaro / Tomlinson ? Rodgers ? Cuberli ? A. Schmidt ? Bartoli ? RIAS ? Berlin Phil. ? Barenboim

Music Review: A "Figaro" for the 1990s!
Rating: 5 Stars

Who knows what wonderful recordings of this oft-recorded opera will be made in the next millenium? Perhaps there will be a version which surpasses Giulini's, Bohm's, Davis's, or Solti's. Until then, Daniel Barenboim's version of "Figaro" is the latest great recording, and my second favorite, after Bohm's heavenly version. I haven't heard Claudio Abbado's, which also includes Cecilia Bartoli as Cherubino, and is the more famous of the two versions in which the glorious mezzo has appeared, but, in spite of having lesser known names, Barenboim's cast is quite stunning. Lella Cuberli has a beautiful voice in the role of the Countess, and Joan Rodgers is a nimble and lyrical Susanna. Tomlinson is a more comic Figaro than I've heard on other recordings, but his personality makes the proceedings glow. The Count is more laid back than is usual, but this gives him a certain dignity which is often lost on the fuming, stomping "Signor Contino." All of the other singers are strong as well, especially Basilio, whose Act IV aria is truly a highlight. The ensembles tightly propel forward in that miraculous Barenboim manner, and the playing of the Berlin Philharmonic is nothing less than spectacular--not as detailed as their playing with Bohm, but more spirited and stylish. All in all, Barenboim's "Figaro" combines a unique personality with a strong adherence to the music. I haven't heard any praises of this version from the critics (it's not mentioned in the Penguin Guide), but I recommend this set as the finest digital recording of the opera I have heard so far.

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