The Doors - Absolutely Live
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Category: Music CD
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CD Details
Artist: The DoorsEdition: Music CD
Format: Live
CD Release Date: 1996-10-15
Music Label: Elektra / Wea
Soundtracks:
- House Announcer
- Who Do You Love
- Alabama Song
- Back Door Man
- Love Hides
- Five to One
- Build Me a Woman
- When the Music's Over
- Close to You
- Universal Mind
- Petition the Lord with Prayer
- Dead Cats, Dead Rats
- Break on Through
- Lions in the Street
- Wake Up
- A Little Game
- The Hill Dwellers
- Not to Touch the Earth
- Names of the Kingdom
- The Palace of Exile
- Soul Kitchen
Music reviews of Absolutely Live
Music Review: Close to essential
Rating: 4 Stars
The Doors' live performances are, of course, legendary. I have found that this is more for Morrison's antics - inciting riots, indecently exposing himself, etc, then the music. But the music itself is pretty good, displaying the Doors as a loose blues band - much like on LP's such as Morrison Hotel and L.A. Woman. If nothing else, fans should have this for the amount of otherwise hard-to-get material, including the worthwhile blues "Close to You" and the moody psychedelia of "Universal Mind", which quotes "My Favorite Things". There is also an electrifying performance of "Break on Through" - along with an even more intense "Five to One" and the lengthy finale "Soul Kitchen", it's the only real hit they play. Don't be fooled by the "No. 2" subtitle (which I believe was applied because "Dead Cats, Dead Rats" uses the organ part) and the fact that it's about twice as long as the studio version, it's still "Break on Through". As for the blues songs, they rule: a funky "Who Do You Love?", a menacing "Back Door Man". But the real reason to get this is for the infamous "Celebration of the Lizard", that sidelong beat poetry reading-meets-jam pitched for Waiting for the Sun that Jim couldn't pull off in the studio because of his alcohol problems. I think it's one of their finest achievements myself: Jim's dark, disturbing lyrics are his best of the kind since "The End", and the group adds several layers of mysterious intrigue to it with Manzarek's moody organ and Densmore's tribal drumming matching Jim's dramatic intonations. Plus the dynamic shifts add a lot of power. Of course, if you hate the Doors, this will fuel the fire. The big downside is an interminable "When the Music's Over" that goes from a lengthy, kinetic groove on the studio version (one of their best, by the way) to total bombast that's just an excuse for Jim to scream his head off; there are other fillers such as a brief "Whiskey Bar", but they're no big deal. If you ask me, any Doors fan should have this one. It's pretty high up there.
Description of Absolutely Live
This 1970 double LP proved to be about as good an approximation of the singular methodology of a Doors concert as was possible in the pre-video era. Alternately short and to the point (like the AM radio hits "Touch Me," "People Are Strange," and "Hello, I Love You," among those featured here) and long and meandering (like such open-ended excursions as "When the Music's Over" and "The Celebration of the Lizard"), Morrison and crew displayed the full slate of their estimable powers as both musicians and motivators--continuing to daringly break through whatever sonic and thematic doors they opened. --Billy AltmanGeneral CDs
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