Surfer Girl/Shut Down, Vol. 2

The Beach Boys - Surfer Girl/Shut Down, Vol. 2

Surfer Girl/Shut Down, Vol. 2
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CD Details

Artist: The Beach Boys
Edition: Music CD
Format: Extra tracks, Original recording reissued, Original recording remastered
CD Release Date: 2001-03-13
Music Label: Capitol
Soundtracks:
  1. Surfer Girl
  2. Catch A Wave
  3. Surfer Moon, The
  4. South Bay Surfer
  5. Rocking Surfer, The
  6. Little Deuce Coupe
  7. In My Room
  8. Hawaii
  9. Surfers Rule
  10. Our Car Club
  11. Your Summer Dream
  12. Boogie Woodie
  13. Fun Fun Fun
  14. Don't Worry Baby
  15. In the Parking Lot
  16. "Cassius" Love Vs. "Sonny" Wilson
  17. Warmth Of The Sun, The
  18. This Car Of Mine
  19. Why Do Fools Fall In Love
  20. Pom Pom Play Girl
  21. Keep An Eye On Summer
  22. Shut Down Part 2
  23. Louie Louie
  24. Denny's Drums - (mono)
  25. Fun, Fun, Fun - (mono, bonus track, single version)
  26. In My Room - (bonus track, German version)
  27. I Do - (bonus track)

Music reviews of Surfer Girl/Shut Down, Vol. 2

Music Review: Some Brian Brilliance, Some Filler
Rating: 4 Stars

In the early 1960's, Capitol Records was forcing 3 or 4 albums a year from Brian and the Boys, so there is some inevitable filler amidst brilliance such as "Surfer Girl", "Catch A Wave", "In My Room", "Little Deuce Coupe", "Fun, Fun, Fun", "Don't Worry, Baby", and "The Warmth of the Sun." In fact, the tunes on this CD are either great or filler, very little mediocrity.

Great songs on this two-fer which are not on the greatest hits cds would be underrated gems such as "Hawaii", the gorgeous Brian solo ballad, "Your Summer Dream", and the anthemic "In The Parkin' Lot." Dennis Wilson (the only BB who actually surfed) gets to sing lead on the rockin' "Surfer's Rule", which lays down a lyrical challenge in its coda to the then hugely popular Four Seasons. "I Do" is an expansion of "County Fair" from the Surfin' Safari album. It has some of the most romantic lyrics of any Beach Boys song. "The Surfer Moon" is lyrically silly but, musically, an interesting ballad which features Brian duetting with himself. At this point, Brian was singing all the ballads and letting Mike Love sing all the uptempo hits. Dennis, like Ringo Starr in The Beatles, would be given an album track to sing on almost every album.

Throwaway tunes here would be sophomoric fluff like "South Bay Surfer", and the instrumentals ("The Rockin' Surfer", "Boogie Woodie", "Shut Down, Pt. 2", and "Denny's Drums.") "This Car Of Mine" is a junker, "Pom Pom Playgirl" is slightly interesting with some complex key changes, but a trifle at only about 1:25 long, and "Keep An Eye On Summer" is pretty but is one of Brian's least interesting ballads, featuring the conventional rock and roll ballad chords (I-vi-ii-V). It sounds as if it was churned out to meet a deadline, but it is superior to the version of the tune appearing on Brian's recent Imagination cd.

"Cassius" Love vs. "Sonny" Wilson is a weird recreation of a Beach Boys rehearsal with Mike Love and Brian ragging on each other's singing voices with really lame, sophomoric, and dated putdowns. The interesting thing here is that the putdowns reflected the true feelings of the participants, as Mike and Brian have always had an intense love-hate relationship, full of mutual fear and jealousy. "Cassius" and "Sonny" were from Cassius Clay (soon to become Muhammad Ali) and reigning heavyweight champion Sonny Liston, who were about to fight for the heavyweight title (Clay/Ali won). But even more embarrassing is "Louie, Louie" with the worst lead vocals ever laid down by Mike Love or anybody else. Confirms all of Brian's putdowns. On the other hand, "Why Do Fools Fall In Love" is a fantastic remake of the Frankie Lymon & The Teenagers 1956 classic doo-wop tune. Brian puts in his most complex production to date, using for the first time Phil Spector's production techniques, studio, and musicians (a practice which would be used for the entire Pet Sounds album). There is a stunning moment where all the instruments suddenly drop out and the group does about 15 seconds of amazing acapella work before the instrumentation kicks in again. Gives me goosebumps every time.

Interesting Note: "Don't Worry, Baby" was intended by Brian to be the follow-up for The Ronettes to "Be My Baby", hence the similiar drum intro and title lyric. But Phil Spector was too proud to accept tunes from Brian, who he admired but considered an upstart. So, thankfully, the BB's recorded it, and it later became the B-side to "I Get Around", making for one of the best singles ever done by anyone.

Unfortunately, Capitol, as they did in 1990, has issued this music in lame, primitive 1960's 3-track stereo (usually with double-tracked voices coming out the side channels with the instrumentation left in mono in the center channel) instead of either using Brian's original mono mixes, which packed more power (listen to how the mono single version of "Fun, Fun, Fun" shuts down the wimpy stereo mix.), or doing modern stereo remixes of all the material. But even this flaw cannot prevent one from enjoying the greatness present on this two-fer which is a great value, with about 16 great songs. Buy and enjoy hearing the genius, romanticism, and beautiful voice of the young Brian Wilson in his early bloom.

More Surfer Girl/Shut Down, Vol. 2 free music reviews:
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Description of Surfer Girl/Shut Down, Vol. 2

Their 1963 chart-topper (#7) and their car-crazy release from 1964 on 27-track extravaganza! A single version of Fun, Fun, Fun , a German version of In My Room and I Do are the bonus tracks.
Surfer Girl may have been the band's third album release, but it was the first to bear the imprimatur of founder and creative mainstay Brian Wilson as producer, and the difference is palpable from the confident opening tracks onward. That one-two combo, "Surfer Girl" and "Catch a Wave," also effectively serves as the blueprint for much of the Beach Boys' subsequent sound. On the former, Wilson's falsetto soars over a tender, yet musically sophisticated, ballad, while the latter features Mike Love's trademark twang urgently proselytizing SoCal surf, both over band harmonies that seemed to grow tighter and more adventurous with every cut. That artistic axis is revisited yet again on "Little Deuce Coupe" and "In My Room," the latter ballad showcasing Wilson's full artistic arsenal and giving an early glimpse into his introspective soul. The curiously titled "Shut Down, Part II" (a de facto sequel to an earlier hit EP) sought to further the band beyond its ironic sea-and-sun fetish (none but Dennis Wilson ever surfed) into the burgeoning hot-rod subculture as well. The results were understandably uneven, but the high points remain nothing short of spectacular, including the Love-propelled "Fun, Fun, Fun," Wilson's knowing nod to Phil Spector, "Don't Worry Baby," and the underrated "The Warmth of the Sun." Bonus cuts include the single mix of "Fun, Fun, Fun," a German-language version of "In My Room," and the previously unreleased, largely experimental "I Do" by Wilson and Love. Brian offers up a brief commentary on both albums in the notes, while David Leaf (author of the pioneering bio The Beach Boys and the California Myth) documents the music track-by-track. --Jerry McCulley

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