Susan Anders - Harmony Singing By Ear at Music Hills.com

Music CD 1

Introduction & Scale Theory
Chord Theory
Harmonizing Theory & Measuring
The Scale Vs. Triad Ditty
Harmonzing 'Chapel Of Love'
'Chapel' Refrain
Music 2-Part 'Chapel - M On Left, UH On Right
Singing A Part An Octave Below
Measuring, Finding An Upper-Upper Harmony (UUH)
Finding UUH Of 'Chapel'
Music: 3-Part 'Chapel' - M & UH On Left, UUH On Right
Harmonizing 'Sweet Dreams'
Slow 'Sweet Dreams' Verse Two
Music: 2-Part 'Sweet Dreams' - M On Left, UH On Right
Inversions Theory
Harmonizing 'Clearly' Line One
Harmonizing 'Clearly' Lines Two Through Four/Call-Response Harmonies
Slow Verse Two Of 'Clearly'
Music: 2-Part 'Clearly' - M On Left, UH On Right
Harmonizing 'Angel' Verse One
Harmonizing 'Angel' Chorus
Slow 'Angel' Verse Two And Chorus
Music: 2-Part 'Angel' - M On Left, UH On Right
Harmonizing 'Bring It' Verse One Lines One & Two
Harmonizing 'Bring It' Lines Three & Four
Slow 'Bring It' Verse Three
Music: 2-Part 'Bring It' - M On Left, UH On Right

Music CD 2

Verse One Line One/Blue Notes
Verse One Lines Two Through Four
Slow 'Centerpiece' Verse Two
Music: 2-Part 'Centerpiece' - M On Left, UH On Right
Conclusion To First UH Section
Lower Harmonies Introduction
Measuring Down
Finding The LH On 'Chapel' Refrain
Slow Chapel
Music: 3-Part 'Chapel' - M & UH On Left, LH On Right
Verse One 'Sweet Dreams'/3rd To 4th Movement
'Sweet Dreams' Lines Two Through Four
Slow Verse Two 'Sweet Dreams'
Music: 3-Part 'Sweet Dreams' - M & UH On Left, LH On Right
'Clearly' Introduction
Harmonzing 'Clearly' Verse One
Slow Verse Two Of 'Clearly'
Music: 3-Part 'Clearly' - M & UH On Left, LH On Right
Harmonizing 'Angel' Verse One First Half
'Angel' Verse One Second Half
Harmonizing 'Angel' Chorus
Slow 'Angel' Verse Two And Chorus
Music: 3-Part 'Angel' - M & UH On Left, LH On Right
Harmonizing 'Bring It' Verse One Lines One & Two
'Bring It' Verse One Lines Three & Four
Slow 'Bring It' Verse Three
Music: 3-Part 'Bring It' - M & UH On Left, LH On Right
'Centerpiece' Verse One Lines One & Two
'Centerpiece' Verse One Lines Three Through Six'
Slow 'Centerpiece' Verse Two
Music: 3-Part 'Centerpiece' - M & UH On Left, LH On Right
'One Of Us' Intro To Block Chord Harmonies
'One Of Us' Verse

Music CD 3

'One Of Us' Verse 2nd Half
'One Of Us' Pre-Chorus: Call-Response, 9th Chords
'One Of Us' Chorus: Parallel Harmony
Slow 'One Of Us' Pre-Chorus And Chorus Two
Music: 2-Part 'One Of Us' - M On Left, UH On Right
'One Of Us' Verse: Block Chord Harmonies
'One Of Us' Pre-Chorus: Call-Response
'One Of Us' Chorus: Parallel Harmony
Slow 'One Of Us' Pre-Chorus And Chorus Two
Music: 3-Part 'One Of Us' - M & UH On Left, LH On Right
'Renee' Verse: Chromatic Harmonies
'Renee' Chorus: Parallel Harmony
Slow 'Renee' Verse And Chorus Two
Music: 2-Part 'Renee' - M On Left, UH On Right
'Renee' Verse: Block Chord Harmonies Above The M
'Renee' Chorus/Parallel Harmony Below The M
Slow 'Renee' Verse And Chorus Two
Music: 3-Part 'Renee' - M & UH On Left, LH On Right
Polishing Your Harmony Part
Measuring Up
Measuring Down
Measuring Up Part 2
Measuring Down Part 2
Hearing The 3rd To 4th Adjustment
Chapel Of Love/LH=F, M=B Flat, UH=D, UUH=F
Sweet Dreams (Are Made Of This)/LH=B, M=D, UH=F Sharp
I Can See Clearly Now/LH=G, M=C, UH=E
Angel From Montgomery/LH=B, M=D Sharp, UH=F Sharp
Bring It On Home To Me/LH=A, M=C Sharp, UH=E
Centerpiece/LH=F Sharp, M=B, UH=D
One Of Us/LH=G, M=G, UH=E
Walk Away Renee/M=C Sharp, LH=E (Above M) UH=A

Music reviews of Harmony Singing By Ear

Music Review: Not a great range
Rating: 3 Stars

Description of Harmony Singing By Ear

Harmony Singing By Ear uses two complementary methods to teach singers how to harmonize by ear. After reviewing some music theory basics, instructional sections walk you through how to find the upper and lower harmony parts for eight songs. Those same harmonies are sung on fully produced music tracks. On these tracks the vocal parts are panned to different speakers--singers can pan to one speaker and just hear their part, pan to the middle and hear both parts, or pan to the other speaker to practice with one or two other parts. In this way, beginning harmonizers can control how much or how little of the other voices they hear, making it easier to stay on their part. More confident harmonizers can sing without the guide vocals. Singers who simply want to learn and sing the harmony parts can skip the instructional tracks, go right to the music tracks, and pan their speakers to the right to learn the harmony part for each song.

Though much of Harmony Singing By Ear focuses on the how-tos of parallel harmonizing above and below a melody, singers will also learn about call-response, blue note, chromatic and block chord harmonies. Music tracks without vocals are also included so singers can practice their parts "without the training wheels". Plus, there's a supplementary section of exercises to build one's harmonizing skills. The songs range in style from pop to R&B to folk to modern rock to jazz.