Abraxas

Santana - Abraxas

Abraxas
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CD Details

Artist: Santana
Brand: SANTANA
Edition: Music CD
Format: Original recording remastered
CD Release Date: 1998-03-31
Music Label: Sony
Soundtracks:
  1. Singing Winds, Crying Beasts
  2. Black Magic Woman/Gypsy Queen
  3. Oye Como Va
  4. Incident At Neshabur
  5. Se A Cabo
  6. Mother's Daughter
  7. Samba Pa Ti
  8. Hope You're Feeling Better
  9. El Nicoya
  10. Se A Cabo (Live)
  11. Toussaint L'Overture (Live)
  12. Black Magic Woman/Gypsy Queen (Live)

Music reviews of Abraxas

Music Review: Santana plus Gregg Rolie equals magic!
Rating: 4 Stars

This second album from Santana is the first Santana album I had ever heard, and is the one that got me interested in their first and third albums. Notice I didn't say any albums after Gregg Rolie left the group! I am a very big fan of Rolie's singing, songwriting, and organ playing, and I may be the only one that says this, but I think Santana has never truly recovered since Gregg Rolie and Neal Schon left to form Journey. Don't get me wrong--I still love Santana. But I've seen the 2002 edition of the group, and I think every one in that 1970 version was replaceable except Rolie. They actually have THREE guys replacing Gregg now: One to play the keyboards, and two to sing his old parts. There may be FOUR guys altogether, if they have another guy to write some of the new songs. But back in the day, Gregg did all of the singing and songwriting of the English-language songs, plus he was one of the best organists I have ever heard--an ability he certainly carried over into Journey. I think some of the most powerful and emotional songs of Santana's were the ones Gregg wrote and sang--songs on this album like "Mother's Daughter" and "Hope your Feeling Better", and songs from their first album like "You Just Don't Care", "Persuasion", and "Shades of Time". For a band known for jamming, those were some fairly decent and concise pop songs, performed Santana-style. Gregg's vocals had so much conviction, as though he was really feeling the words that he wrote--his bluesy delivery and soulful organ reminding me of 'another' Gregg--Gregg Allman from the Allman Brothers Band. You could almost say that the early-seventies Santana sounds a lot like the early-Allman Bros. Band with latin percussions. You could also draw a comparison of Carlos Santana's jazzy-Gibson SG guitar tone to the guitar sound and style of early Dickey Betts--an dramatic and emotional sound that at times bordered on "heavy metal", but never went fully in that direction.

As far as Santana's instrumental songs, They're an awful lot like Jeff Beck's: They can either be incredibly beautiful or incredibly boring. On this album, I found "Samba Pa Ti" to be one of his most beautiful to date--a romantic guitar instrumental that proves that love songs don't have to say anything at all (reminds me a lot of Jeff Beck's, "I Can't Give Back the Love I Feel For You".) On the boring side, there is "Incident At Neshabur", which starts out sounding exciting and dramatic, but it drags on and falls apart towards the end.
Of course, you have the FM hits "Blackmagic Woman" and "Oye Como Va" and some minute-or-two long, pointless "conga" filler music: "Se A Cabo" and "El Nicoya", and that's pretty much the album. But again, the bright spots for me are all the songs Gregg Rolie either sang or wrote: "Hope Your Feeling Better", "Blackmagic Woman", and "Mother's Daughter". It was he, in my opinion, that made the early Santana "tick", and made the group the multi-dimensional group it was. His talents are surely lacking in the new Santana. I would love to see Rolie and Carlos work together again somehow, but its been over 30 years. There was as much chemistry between them as Robert Plant and Jimmy Page, and I could really hear it on this album. Something really bad must have happened to keep them apart all this time. I wouldn't even mind seeing Gregg Rolie back in Journey, but he was never appreciated in that group once Steve Perry took over the lead vocals and songwriting duties--once Journey decided they needed an attracive, sexy "front man" to bring them the popularity and the female fans they so desired. I understand Gregg Rolie has a new solo CD out, and is struggling to make it on his own. But it's just a shame that someone with as much singing, songwriting, and playing talent as he has, was never meant for much commercial success with two very popular San Francisco groups. Santana did continue to make great pop songs in the mid-to-late 70s and early-80's and they're still my favorite San Francisco band. I just think they sounded better, as they did here, with Gregg Rolie as their main singer and songwriter.

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Description of Abraxas

Released in 1970, Abraxas, Santana's second album, sees the band expanding its already wildly diverse Latin rock sound by adding deeper elements of blues and jazz to the sizzling mix. Abraxas is home to two more of the group's signature monster hits: the hypnotic, rhythmically hectic interpretations of Tito Puente's "Oye Como Va" and Fleetwood Mac's "Black Magic Woman."

Sundazed's exact vinyl replica of this calienté classic is sourced directly from the original Columbia masters.


Santana's 1970 follow-up to their Woodstock-propelled smash '69 debut found leader Carlos Santana further expanding his San Francisco group's already broad musical boundaries. To wit: two hit singles that emanated from opposite ends of the spectrum--"Black Magic Woman," originally written and recorded by English blues-rock guitarist Peter Green and Fleetwood Mac, and New York Latin percussionist/dance music king Tito Puente's infectious "Oye Como Va." Tying blues, rock, and salsa together in one pancultural package, Abraxas also featured such standout tracks as "Gypsy Queen" and "Singing Winds, Crying Beasts." The latter underscored the growing Eastern sensibilities of guitarist Santana. --Billy Altman

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