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Leoncavallo: Zazŕ
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CD DetailsComposer: Ruggero Leoncavallo Composer: Alberto Franchetti Conductor: Maurizio Arena Conductor: Pietro Argento Orchestra: RLB Symphony Orchestra Performer: Mariella Adani Performer: Vinicio Cocchieri Performer: Ermanno Lorenzi Performer: Lynne Strow Piccolo Performer: Maria Grazia Piolatto Performer: Angelo Romero Performer: Guido Rimonda Performer: Nino Carta Performer: Sevario Burzano Performer: Giovanni Gaznerolli Performer: Silvana Mazzieri Performer: Sofia Mezetti Performer: Angelo Mosatti Performer: Luciano Saldari Performer: Lynne Strow Edition: Music CD Format: Import CD Release Date: 2004-03-30 Music Label: Gala Soundtracks: Music CD 1- ZazĂ , opera: Act 1. Introduzione
- ZazĂ , opera: Act 1. So che son capricciosa e sventatella
- ZazĂ , opera: Act 1. Salute, ragazzi
- Zazà , opera: Act 1. Buona sera, mia Zazè
- ZazĂ , opera: Act 1. Lo sai tu che vuol dire un uom che fugge
- ZazĂ , opera: Act 1. Augusto, buona sera!
- ZazĂ , opera: Act 1. Toh! Sei tu, mammĂ
- ZazĂ , opera: Act 1. Ebben, ZazĂ ?
- ZazĂ , opera: Act 1. Un uomo sol restavaci da questo lato
- ZazĂ , opera: Act 1. Dufresne, contarvene voglio una bella!
- ZazĂ , opera: Act 1. E' un riso gentil
- Zazà , opera: Act 1. Non so capir perchè, se m'ami tu
- ZazĂ , opera: Act 1. Signore, entrate
- ZazĂ , opera: Act 1. Su, ZazĂ !
- Zazà , opera: Act 1. Non vi seduce ripetere il duetto insieme un pò?
- ZazĂ , opera: Act 2. E' deciso: tu parti per questo gran viaggio?
- ZazĂ , opera: Act 2. Quando vai a Parigi e la sera ritorni
- ZazĂ , opera: Act 2. ZazĂ , ZazĂ , non t'attristare
- ZazĂ , opera: Act 2. Or tempo e baci per guadagnare
- ZazĂ , opera: Act 2. Fa presto, Natalia!
- ZazĂ , opera: Act 2. Ecco gli stivaletti, signora
- ZazĂ , opera: Act 2. ZazĂ !... Adesso dove corre quelle saetta?
- Zazà , opera: Act 2. Non c'è? Perchè vorrei
- Zazà , opera: Act 2. Ah, ah, ah! Che quadretto! E' molto, è poco
- ZazĂ , opera: Act 2. Cascart mio camerata, mi piace il riverderti
- ZazĂ , opera: Act 2. Buona ZazĂ del mio buon tempo, ascolta
- ZazĂ , opera: Act 2. Peggio se questa dolce illusion non dura!
- ZazĂ , opera: Act 2. No, non dovea tradirmi!
Music CD 2- ZazĂ , opera: Act 3. Preludetto - Coro interno
- ZazĂ , opera: Act 3. Oh mio piccolo tavolo ingombrato
- ZazĂ , opera: Act 3. Ecco son pronta, Milio
- Zazà , opera: Act 3. Lei dunque è la signora Dunoyer?
- ZazĂ , opera: Act 3. Chi sarĂ questa donna?
- ZazĂ , opera: Act 3. Signora... guardate: una bambina
- ZazĂ , opera: Act 3. Angioletto, il tuo nome?
- ZazĂ , opera: Act 3. Mamma?! Io non l'ho avuta mai!
- ZazĂ , opera: Act 3. E' finita! Ammogliato
- ZazĂ , opera: Act 3. Voi, signora, aspettavate
- ZazĂ , opera: Act 4. Figliuola mia... Mia ZazĂ !
- ZazĂ , opera: Act 4. ZazĂ , piccola zingara
- ZazĂ , opera: Act 4. Eccoti, amore e vita!
- ZazĂ , opera: Act 4. Tu non m'amavi piĂą
- ZazĂ , opera: Act 4. Che notizie mi porti da Parigi?
- Germania, opera: Symphonic Intermezzo (Between Scene 2 and Epilogue)
- Germania, opera: Son come molti un profugo
- Germania, opera: O tu che mi soccorri e sei pietoso
- ZazĂ , opera: Act 4. Ah! Lo sol... Sono un piaga
- ZazĂ , opera: Act 4. Che ho fatto?
Music reviews of Leoncavallo: ZazŕMusic Review: Leoncavallo Light Rating: 4 Stars
While any great composer can have an "off" day, in the world of late 19th/early 20th century Italian operas there were a group of composers that reversed the order of things. Essentially mediocre to good composers, each is famous for one huge success. Cilea had Ariadne Lecouvreur, Mascagni had Cavelleria Rusticana, and Leoncavallo had Pagliacci.
Zaza is Leoncavallo's second most popular opera, and frankly it's quite a way down the scale from Pagliacci. To be fair, he is not helped by his two librettists, who gave him a libretto of simply gooey sentimentality.
The opera is the story of Zaza, not the drag queen from Cage aux Folles but the star of a tacky music hall. When the curtain rises, she is in her dressing room waiting for her lover, Dufresne. Before he shows up, she is visited by Floriana, her bitter rival in the cast, her singing partner and ex-lover Cascart, her drunken mother Anaide, and the journalist Bussy, a friend of Dufresne's. It's beginning to seem like Grand Central Station in there.
Dufresne finally shows up, the rest of the crew clears off, and the lovers sing a nice duet, wherein Dufresne admits that although he has been hesitant to get too involved with Zaza, he does reciprocate her feelings. (Big of him.)
The second act starts at Zaza's house, where she and Dufresne are dealing with his imminent departure for America. He takes off, and Cascart shows up to try to get Zaza to dump Dufresne. (Cascart is still in love with her.) He drops portentous hints, finally coming out and saying that he's seen Dufresne in the company of a young woman at another theater. Understandably put out by this revelation, Zaza heads off, with her maid in tow, to beard the lion in his den.
Alone in his study, Dufresne sings a song about his imminent separation from Zaza. Zaza and her maid show up, and are met by Dufresne's young daughter, Toto, (Dufresne having conveniently left the stage before the ladies arrive.) Toto artlessly chats with the ladies, and very quickly Zaza realizes that the "other woman" was in fact Dufresne's wife, and that he is a happily married man with a daughter--thereby making Zaza herself the "other woman". Oops.
Toto's naivete makes Zaza reflect on her own unhappy childhood, how her father abandoned her, and how she had to face her mother's frequent drunken rages. Then Toto plays Cherubini's Ave Maria, and Zaza joins in with a descant that reflects her sadness on lost innocence and lost love. (Is no stone left unturned?) The ladies then leave. (So, probably, does half the audience.)
Zaza, understandably unhappy, goes home where she is met by her ex, Cascart, who is still pushing his suit. Dufresne shows up, Zaza tells him she went to his home and lies, claiming that she told his wife of their affair. Dufresne gets angry, calls Zaza a few unprintable names, Zaza tells him the truth, he apologizes and buzzes off, (glad to get away, no doubt.) She, realizing that this little affair isn't going anywhere (would that be why he is leaving for America--you think?) decides to give him up. End of opera.
Mercifully, the music is better than the libretto--in a pleasant, tunefull but not particularly memorable way. What rates this opera four stars is the quality of the production. This is a live 1976 Italian radio broadcast. The cast is led by the relatively unknown American soprano, Lynne Strow, who does a very credible job as Zaza. The opera is essentially a soprano vehicle, needing a soprano of sufficient ability and presence to make the audience forget (or at least forgive) the wildly overly-sentimental libretto. And Strow does very well, with a rich full voice and a wonderful artistry that rises above the obvious banality of the lyrics. She is well supported by her equally unknown Italian colleagues, including the marvelously-voiced baritone Angelo Romero as Cascart and the ardent if slightly overwrought tenor of Luciano Saldari. The RAI Symphony Orchestra and chorus also perform admirably. The sound quality, although not great, is better than most GALA recordings.
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