110 in the Shade (1999 Studio Cast)

Karen Ziemba, Ron Raines - 110 in the Shade (1999 Studio Cast)

110 in the Shade (1999 Studio Cast)
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CD Details

Artist: Karen Ziemba, Ron Raines
Composer: Harvey Schmidt
Conductor: John Owen Edwards
Orchestra: Hershy Kay
Orchestra: National Symphony Orchestra
Performer: Harvey Schmidt
Performer: Rod Raines
Performer: Karen Ziémba
Performer: Tom Jones
Performer: George Lee Andrews
Performer: Richard Muenz
Performer: Kristin Chenoweth
Performer: Liza Hobbs
Performer: Hilary Western
Performer: Walter Charles
Edition: Music CD
Format: Cast Recording
CD Release Date: 1999-03-09
Music Label: Jay Records
Soundtracks:
Music CD 1
  1. Ov - NSO/John Owen Edwards
  2. Gonna Be Another Hot Day - Richard Muenz/Tom Jones/Janet Watson/Harvey Schmidt/Mark Slama...
  3. Train Whistle/Lizzie's Comin' Home - Sam Samuelson/Walter Charles/George Lee Andrews
  4. Love, Don't Turn Away - Sam Samuelson/Walter Charles/George Lee Andrews/Karen Ziemba
  5. Opening Scene Two/Poker Polka - Richard Muenz/Sam Samuelson/Walter Charles/George Lee Andrews
  6. The Hungry Men - Karen Ziemba/Marcus Allen Cooper/Bill Tatum/Hilary Western/Liza Hobbs/Art Ostrin
  7. Starbuck's Entrance/Rain Song - Sam Samuelson/Karen Ziemba/Ron Raines
  8. You're Not Foolin' Me - Karen Ziemba/Ron Raines
  9. Cinderella - Karen Ziemba/Scott Charles/Thomas Connor/Sapphire Elia/Camilla Hunsley/Rory Muir/Fiona Taylor
  10. Raunchy - George Lee Andrews/Karen Ziemba
  11. A Man And A Woman - Richard Muenz/Karen Ziemba
  12. Finale Act One/Old Maid - George Lee Andrews/Karen Ziemba
Music CD 2
  1. Entr'acte - NSO/John Owen Edwards
  2. Everything Beautiful Happens At Night/Dance (Reprise) - Company/Dancers
  3. End Of Scene - NSO/John Owen Edwards
  4. Melisande - Karen Ziemba/Ron Raines
  5. Simple Little Things - Karen Ziemba/Ron Raines
  6. Scene/Incidental Music - Karen Ziemba/Ron Raines
  7. Little Red Hat - Sam Samuelson/Kristin Chenoweth
  8. Is It Really Me? - Karen Ziemba/Ron Raines
  9. End Of Scene Four - Karen Ziemba/Ron Raines
  10. Wonderful Music - Richard Muenz/Sam Samuelson/George Lee Andrews/Karen Ziemba/Ron Raines
  11. Finale Act Two/Rain Song - Ron Raines
  12. Curtain Music - NSO/John Owen Edwards
  13. Exit Music - NSO/John Owen Edwards
  14. Everything Beautiful Happens At Night/ Shooting Star - Ron Raines/Company
  15. You're Not Fooling Me - Karen Ziemba/Ron Raines
  16. Raunchy - George Lee Andrews/Karen Ziemba
  17. Is It Really Me? - Karen Ziemba/Ron Raines
  18. Why Can't They Leave Me Alone? - Richard Muenz

Music reviews of 110 in the Shade (1999 Studio Cast)

Music Review: A wonderful surprise!
Rating: 5 Stars

Harvey Schmidt and Tom Jones are best known for their chamber musical, THE FANTASTICKS. 110 IN THE SHADE is another sweet little musical with a simple story, so I must admit that I was hesitant to purchase such a pricey recording of the show. Why the high price? It's a foreign import and it's a double CD, even though it features only 97 minutes of music. Despite the price, this is one of my favorite recordings I own of any musical.

THE STORY:
Lizzie Curry, a likeable, well-educated, but somewhat awkward woman, worries that she will become an old maid. However, in the course of a 24-hour period in the Western town in which she lives with her brothers and father, her self confidence is restored through her conversations with two men: File, the local sheriff who's considered the most eligible bachelor in town, and Starbuck, a fast-talking traveler who claims he can break the town's drought.
In my opinion, although the story is well-written (based on N. Richard Nash's THE RAINMAKER) and the score is great (except for "Lizzie's Comin' Home"), this is a difficult musical to do well. The actress playing the part of Lizzie must walk a fine line between being sympathetic or merely pathetic.

THE RECORDING:
Fortunately for us, one of the first musicals that album producer John Yap saw in London was 110 IN THE SHADE, and it moved him. Inspired by the 1992 New York City Opera revival of the show, Yap has given it a complete symphonic recording, including the underscoring and the alternate arrangements of several pieces by the City Opera production. The liner notes, so often a problem in JAY Productions recordings, are detailed and informative, much of them written by Jones. It's obvious that the production of this recording has been a labor of love by all involved.

The leads are fantastic. Stealing the show is Karen Ziemba, star of the City Opera production. She makes Lizzie noble while still exposing her insecurities. Her voice soars on three of the best numbers in the score: "Love, Don't Turn Away," "Simple Little Things," and "Is It Really Me?" Some people may argue that her voice becomes a bit whiny in the original take of "Raunchy", but I argue that she uses this vocal tone to show Lizzie's discomfort. Her dialogue over some of the underscoring is so well done, it's almost poetic.

Ron Raines makes an excellent Starbuck, with all the brashness and surprising "introspectiveness" needed to pull off the part. Jones comments on Raines' performance of the "Rain Song": "...it never worked the way it should until I heard Ron's rendition." Raines' take on "Melisande" is wonderful, too. His acting talents are also apparent in the spoken dialogue.

Richard Muenz (also from the City Opera cast) rounds out the leads as File. While I am not usually a fan of Muenz's work, his vocal qualities are a perfect match for the lonely sheriff, especially on "Gonna Be Another Hot Day," "A Man and a Woman," and "Why Can't They Leave Me Alone?" His rendition of the "Poker Polka" is also excellent, although it seems a bit out of character.

The supporting cast (including Schmidt and Jones in small speaking parts) is great. The standout is Kristin Chenoweth as Snookie in "Little Red Hat."

SUMMARY:
It's an expensive recording, but it's very good. This is a must-have for Broadway fanatics. Wait for it to go on sale, or buy it used.

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Description of 110 in the Shade (1999 Studio Cast)

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While 110 in the Shade isn't as familiar to audiences as Harvey Schmidt and Tom Jones's The Fantasticks (but then what is?), the original Broadway production was a modest success in 1963 and this 1999 studio recording makes a compelling case for its evocative and beautiful music. Based on N. Richard Nash's play The Rainmaker, it's set in a western state in the middle of a devastating drought. Enter a stranger (Ron Raines) who promises to bring rain, but first must convince the town spinster (Karen Ziemba, 2000 Tony winner for Contact) of his powers--and of course romance ensues. (Music Man, anyone?) This excellent studio cast (also including Richard Muenz and Walter Charles, plus Kristin Chenoweth in a cameo) features a number of principals from the 1992 New York City Opera revival, and the two-disc set incorporates new songs from that production as well as transitional music and underscoring to create a complete recording that is a near-theatrical experience. The choral and orchestral work is outstanding, and the beautiful booklet includes a detailed synopsis, an essay on Schmidt and Jones as well as new notes by both, and photographs, but no lyrics. As an extra treat, though, the booklet also has Schmidt's striking paintings, which he used to help him visualize certain scenes as he was composing. This is very simply one of JAY's best releases ever. --David Horiuchi

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