Grindhouse: Planet Terror
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CD Details
Composer: Robert RodriguezComposer: Graeme Revell
Edition: Music CD
Format: Explicit Lyrics, Soundtrack
CD Release Date: 2007-04-03
Music Label: Varese Sarabande
Soundtracks:
- Grindhouse (Main Titles)
- Doc Block (Robert Rodriguez & Carl Thiel)
- Sickos (Robert Rodriguez & Graeme Revell)
- You Belong to Me - Performed by Rose McGowan (Pee Wee King, Chilton
- Go Go Not Cry Cry (Robert Rodriguez & Rick Del Castillo)
- Hospital Epidemic (Graeme Revell & Robert Rodriguez)
- Usless Talent #32 - Performed by Rose McGowan (Rebecca Rodriguez &
- His Perscription...Pain (Robert Rodriguez & Carl Thiel)
- Cherry Darling
- The Grindhouse Blues
- El Wray
- Police Station Assault
- Dakota (Robert Rodriguez & Carl Thiel)
- Zero to Fifty in Four
- Fury Road
- Helicopter Sicko Chopper (Graeme Revell & Robert Rodriguez)
- The Ring in the Jacket (Robert Rodriguez & George Oldziey)
- Killer Legs (Robert Rodriguez & Rick Del Castillo)
- Melting Member (Graeme Revell & Robert Rodriguez)
- Too Drunk to **** - Performed by Nouvelle Vague (Jello Biafra)
- Cherry's Dance of Death - Performed by CHINGON
- Two Against the World - Performed by Rose McGowan (Rebecca Rodriguez &
Music reviews of Grindhouse: Planet Terror
Music Review: grindhouse lover
Rating: 4 Stars
I live in Australia.
we never got to experience the whole grindhouse, as both movies were shown seperately.
Planet Terror is my pick of the two, and the soundtrack is brillent on it's own.
Description of Grindhouse: Planet Terror
"Grind House" - noun - A downtown movie theater -- in disrepair since its glory days as a movie palace of the '30s and '40s -- known for "grinding out" non-stop double-bill programs of B-movies. From groundbreaking directors Quentin Tarantino and Robert Rodriguez comes the ultimate film experience: a double-bill of thrillers that will recall both filmmakers' favorite exploitation films. GRIND HOUSE will be presented as one full-length feature comprised of two individual films helmed separately by each director. Tarantino's film, Death Proof, is a rip-roaring slasher flick where the killer pursues his victims with a car rather than a knife, while Rodriguez's film explores an alien world eerily familiar to ours in Planet Terror. Welcome to the grind house -- it'll tear you in two.The riveting score for GRIND HOUSE is by Rodriguez himself.
This Robert Rodriguez-written-and-directed half of Grindhouse, his and Quentin Tarantino's $50+ million valentine to '70s exploitation fare, turns on the typically over-the-top tale of a go-go dancer (Rose McGowan) whose severed leg is replaced by an assault weapon-cum-prosthetic. But unlike the typically frenzied stew of pop gems, vintage soundtrack obscurities, and dizzy oddities Tarantino uses to score his Death Proof half of the project, Rodriguez continues his John Carpenter-inspired habit of writing and performing the music for his. Anchored by a snarling, guitar-driven instrumental title theme that sounds like it was piped in straight from a strip club in Hades, the director's score is a gritty, frequently metal-driven sonic m#233;lange. Previous musical cohort Graeme Revell again collaborates on a handful of tracks (with additional contributions from Carl Thiel, George Oldziey, and Rick Del Castillo), and there are moments that instantly recall their dank work on Sin City, particularly the throbbing sax-uality of "Grindhouse Blues." Star McGowan contributes a trio of languorously wasted vocal turns on a cover of "You Belong to Me" and the alternately electro-clubby/flamencoesque Rodriguez originals "Useless Talent #42" and "Two Against the World." Completing the score's evocative musical recipe, Nouvelle Vague offer up a breathy, tongue-in-cheek cover of the Dead Kennedys' "Too Drunk to Fuck" while Chingon turns in a searing, Latin-metal fusion take of Rodriguez's own "Cherry's Dance of Death." --Jerry McCulley
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