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Radiohead - Kid A
CD DetailsArtist: Radiohead Edition: Music CD CD Release Date: 2000-10-03 Music Label: Capitol Soundtracks: - Everything In Its Right Place
- Kid A
- The National Anthem
- How To Disappear Completely
- Treefingers
- Optimistic
- In Limbo
- Idioteque
- Morning Bell
- Motion Picture Soundtrack
Music reviews of Kid AMusic Review: A+. Rating: 4 StarsIt's almost incomprehensible that "Kid A" came from the same guys that gave us "Creep" and "High and Dry"; Kid A's avant-garde electronica is so far removed from their earlier recordings that to say it sounds like a completly different band would be an oversimplification. There is simply nothing else like this record in the rock canon, and the mere fact that these guys can experiment so freely, apparently with carte blanche from Capitol, gives me renewed hope that we will not be assimilated by the Clear Channel juggernaut currently assimilating radio stations worldwide.
Description of Kid A Radiohead Photos More from Radiohead  OK Computer |  The Bends |  Hail To The Thief |  Pablo Honey |  Amnesiac |  Airbag/How Am I Driving? | How is it that Kid A's opening track, laden with an electronic vocal stuttering "bleh, bluh-bleh bleh bluh" is the most fascinating statement made in rock & roll this year? Because somehow, even when Radiohead blathers and blips nonsense, it's profound. The band's future-perfect musical grammar may be hard to decipher, and the melody is even more subliminal, but the journey traveled with Radiohead reveals them to be not only rock music's greatest adventurers in 2000, but teachers as well. --Beth Massa With every record, Radiohead jump off higher and higher cliffs, daring fans to take the plunge in their artistic feats of derring-do. The journey from that scratchy bit of raw guitar angst in "Creep" (from 1993's Pablo Honey) to any song on Kid A amounts to a high-wire act that few, if any, bands in popular music have ever attempted. It's hard to believe both records come from the same planet, much less the same band. Likewise, the grandiose, Pink Floyd-esque thematic scope of 1997's extraordinary OK Computer is nowhere to be found here. Quiet, contemplative, and less confrontational, it opens with a lack of bombast, as "Everything in Its Right Place" builds tension with ghostly voiceovers, a dry pulse, and a shadowy organ motif. That tension appears over and over on Kid A. On "How to Disappear Completely," the unsettled, atonal keyboard waxing in the background offsets the plaintive Thom Yorke vocal, and on "Idioteque," detached, inorganic rhythms make the melody's despondent aimlessness that much more nerve-racking. Throughout, Radiohead fearlessly explore dissonance and structure, melding twisted, Brian Eno-meets-Aphex Twin sonic landscapes with utter discontent in the world around them. They may sometimes overreach, letting artsy ambition prevent them from giving us the arena rock-god goodies. But their commitment to restless creativity also yields pleasures that don't fade but instead become more resonant upon repeated listenings. If OK Computer was rock's most relevant expression of millennial angst, Kid A is the opposite; it's the 21st century's first record that sounds like the future, barely caring what that Y2K fuss was all about and much more worried about what the hell we're all supposed to do now. --Matthew Cooke
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