Planxty

Planxty - Planxty

Planxty
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CD Details

Artist: Planxty
Edition: Music CD
CD Release Date: 1989-12-12
Music Label: Shanachie
Soundtracks:
  1. Raggle Taggle Gypsy - Tabhair Dom Do Lamh
  2. Arthur McBride
  3. Planxty Irwin
  4. Sweet Thames Flow Softly
  5. Junior Crehan's Favourite - Corney Is Coming
  6. The West Coast Of Claire
  7. The Jolly Beggar
  8. Only Our Rivers
  9. Si Bheag, Si Mhor
  10. Follow Me Up To Carlow
  11. Si Bheag, Si Mhor
  12. The Blacksmith

Music reviews of Planxty

Music Review: THEIR FIRST OFFICIAL ALBUM -- WHAT A DEBUT!
Rating: 5 Stars

This incredibly talented quartet actually first recorded together on Christy Moore's album PROSPEROUS (also available thru amazon) -- this, their 'official' debut, has got to be one of the most stunning first albums ever released. Four of the greatest Irish musicians of our time -- Christy Moore (vocals, guitar, bodhran), Andy Irvine (vocals, mandolin, bouzouki, hurdy-gurdy), Donal Lunny (bouzouki, vocals) and Liam Og O Floinn (Uilleann pipes, whistle) unite to form an aboslute powerhouse of Irish music.

Combining traditional jigs, reels, airs and songs with some of the best work of Ireland's fine folk-revival songwriters, Planxty gave the world living proof that 'folk' music could be every bit as exciting as rock and roll. Astoundingly talented, infinitely inventive and respectfully traditional -- Planxty was a deceptively powerful band. Looking at one of their album sleeves, reading the musician credits, many unitiated listeners were blown away by the sheer force of this music -- and captivated by its beauty as well.

Their albums, as well as their live performances, were thoughtfully well-balanced -- showcasing their instrumental prowess appropriately and always with good taste, alternating with some of the most lovely, often stirring ballads and songs that Ireland has to offer.

Blessed with two of the finest vocalists in Irish music, Christy Moore and Andy Irvine, Planxty was able to deliver songs from the entire spectrum of the Irish repertoire -- political ballads and revolutionary songs, love songs, songs of struggle -- and take it to a level most other performers could only aim at. 'Raggle taggle Gypsy' became one of their signature concert numbers -- it and 'The jolly beggar' are fine examples of traditional song on this cd. Andy Irvine's lovely composition 'The west coast of Clare' is one of the most hauntingly beautiful love songs I've ever heard. 'Arthur McBride' tells the story of a British recruiting sergeant who unwisely targets a couple of Irish lads with his promises of the glories of leading a soldier's life -- a lesson, of course, is offered in return, related with great humor and relish. 'Follow me up to Carlow' shows us that the Irish spirit of rebellion has existed long before the present-day 'troubles' -- and what spirit it embodies! 'Only our rivers' is excruciatingly poignant in expressing the yearning for freedom in the Irish heart.

The instrumentals shine on the album as well -- Liam Og O Floinn is perhaps the finest living practitioner of the Uilleann pipes. His fingers are deft and expressive, flying one moment at breakneck speed, the next tenderly coaxing from the pipes a slow melody so achingly beautiful it could wring tears from stones. The interplay between Irvine and Lunny on mandolin and bouzoukis is intricate and impressive as well -- and Moore's guitar and bodhran add body and bottom to the mix. Listen to the amazing 'reel' with no title, tacked onto the end of 'The jolly beggar' -- 'Merrily kissed the Quaker', 'Si bheag, si mhor', and the Turlouch O Carolan composition 'Planxty Irwin' are all delightful. This is truly an example of four great musicians on the same wavelength, feeding off each other's energy and talent -- and having a blast!

This disc, to me, is one of the trio of classic Planxty albums (although I must say they're all very good), with THE WELL BELOW THE VALLEY and AFTER THE BREAK rounding out the triumvirate.

I had the exceedingly good fortune to see this group perform live, in Scotland, in 1979 -- they were touring to support AFTER THE BREAK, and were joined by the great Matt Molloy on flute. Not knowing that they had reformed (they had split about 3 years earlier), stumbling across this show while on holiday was a wonderful surprise for me. They did not disappoint in the least -- all the things I had come to love about their music over the years of enjoying their recordings were there in person. The auditorium in Edinburgh was filled to capacity -- the crowd spanned several generations, all there together, united in their love of this music.

All the members of the band are still active, and the work they have done since Planxty's demise is all first-rate. Andy Irvine has gone on to record with Paul Brady and Davy Spillane, as well as releasing several fine solo albums and being a member of Irish super-group Patrick Street. Christy Moore and Liam Og O Floinn each have several outstanding recordings to their credit. And Donal Lunny -- well, Donal Lunny seems to have a Midas touch (in quality if not in sales). You can pretty much count on anything he is associated with to be of the highest imaginable quality. He was a founding member of The Bothy Band, and the mastermind behind the amazingly innovative Moving Hearts (which also included Christy Moore on a couple of albums).

...but, as they say, there ain't nothin' like the original. If you think you know Irish traditional music, but have never heard Planxty...are you in for a treat!

More Planxty free music reviews:
1 2 3 4

Description of Planxty

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In 1972, Christy Moore brought together uilleann piper Liam O'Flynn, Dónal Lunny and Andy Irvine and formed Planxty (the name is a term for a song composed for a paying client). This, their first album, was a watershed for the coming boon in "Celtic" music, with its use of harmonies and its blend of songs, ballads and instrumental tunes. Their mix of bouzouki (now almost considered a traditional instrument, then viewed as an aberration!), bagpipes, guitars, and fiddles, along with the gritty, unadorned singing of Moore and Irvine, still stands the test of time. It was a brilliant act of faith, proclaiming that traditional Irish music could sound startlingly new without being bastardized. --Louis Gibson

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