Paris Bennett - Princess P
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CD Details
Artist: Paris BennettEdition: Music CD
Audio: English (Unknown)
CD Release Date: 2007-05-08
Music Label: 306 Entertainment
Soundtracks:
- All Hail the Princess Intro
- Ordinary Love
- Dreamin'
- Daddy
- Let Me Rap
- My Boyfriend's Back
- Can't Control Myself
- Duet
- I'm So Hot
- I'm So Hot
- Get Bizzy
- Caught Up
- B-Bye
- Burnt Up
- I Will - James Grear & Company
- Best Friends
Music reviews of Princess P
Music Review: Disappointing debut; Where's the Gladys Knight & Billie Holiday?
Rating: 2 Stars
Paris Bennett was one of my favorite contestants from the fifth installment of American Idol. I loved her renditions of Billie Holiday from here initial audition and dug here mature-sounding vocals throughout the season itself. I was disappointed at her fifth-place finish, feeling that America had once again cut short one of the more brilliant talents of the competition early. Sure, fifth place was quite respectable, but Paris had a talent more deserving than just fifth. While a number of people might support my theory of Paris, her debut album, the independently released and produced PRINCESS P just doesn't do Paris justice. Sure, there are a couple of listenable tracks that would've been fine on a major-label production, but a majority of the album just feels cheap and uninspired. The talented Paris is often made to sound unfairly amateurish on the album due to the material and the production.
The album opens with an intro ("All Hail the Princess") in which Paris asserts, and convincingly I must say, that she is a princess. "Ordinary Love", the first official track of PRINCESS P is also convincing enough that PRINCESS P may end up being satisfactroy. "Ordinary Love" or the following track "Dreamin'" are by no means the second coming, but they are solid enough. Paris sounds fine here, but you wish she'd sound more inspired and allow herself to get "loose". Paris's vocals (which are good)only turn out to be a small quibble when the next couple of tracks fail to captivate anything. "Daddy" is touching to an extent, but it is missing more inspiration and perhaps first and foremost better songwriting. The hook isn't truly catchy or exciting, and the structure of the number is just plain weird; the song ends with a bridge! While "Daddy" isn't horrible, "Let Me Rap" featuring the brutally awful Kevin Covais ("Chicken Little") from Idol is a joke. What was Paris thinking? She raps, he raps, they both sing, and it is terrible! It is short, which is a blessing. Finally, "My Boyfriend's Back" has a more pop-influenced feel, but it just feels "cheap"; the album speaks budget-indie label all over it which is unfortunate.
"Can't Control Myself" is the first of a couple of tracks that builds the momentum of PRINCESS P back up. The production on "Can't Control Myself" allows Paris's resonant alto vocals to cut through more than on some of the previous numbers. Here, I felt Paris sounded more polished vocally with a hint of falsetto and lovely harmonized background vocals supporting her. The duet with her uncle/producer(?)J. Isaac Moore, "Duet" is actually one of the better tracks of PRINCESS P. The production has a timbre reminiscent of the 1970s, perhaps the first time Paris feels like she's identified with the proper time period as opposed to the over-zealous hip-hop lingerings that appear on PRINCESS P. Neither "Can't Control Myself" or "Duet" are exceptional, but in regards to PRINCESS P itself, they are one of the few saving moments.
A terribly corny intro ("I'm So Hot") goes in one ear and out the other while the song of the same name follows suit. "Get Bizzy" is better and in Paris's defense, proves to be one of her best vocals of the album. "Caught Up" unfortunately is a repeat of the majority of the club tracks from the album (one too many club tracks), while "B-Bye" proves to be competent enough. "Burnt Up" is perhaps the worst, while the end of the album showcases the very best material of PRINCESS P. "I Will" features Grear, James & Company and actually feels like it would work fine on a proper major label debut. The background vocals are a bit too low in timbre to me and make for a bit of a "murky" texture. Paris is pitchy at times here in particular, but her vocals sound much more energized here. It is "Best Friends" that finally brings a respectable level of credibility to PRINCESS P featuring her mother (Jamecia Bennett) and famed R&B/Gospel singing grandmother Ann Nesby. Unfortunate for Paris is that she didn't take note of the great final tracks of PARIS and make the rest of the album in that vain.
Paris still has great potential, but for me I think PRINCESS P was a bad side-step. There is no Billie Holiday style song here and the attempt to make Paris sound young makes her sound way too young and corny. Lose the hip-hop influenced R&B, fine better songwriters/songs, and don't try to sound so young. Paris's rendition of "Midnight Train To Georgia" from the Season 5 Idol soundtrack proves she is an old soul and is meant to do more soulful singing as opposed to contemporary hip-hop. 2 stars, unfortunately.
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