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Orbital - The Altogether
CD DetailsArtist: Orbital Edition: Music CD CD Release Date: 2001-09-04 Music Label: Sire / London/Rhino Soundtracks: Music CD 1- Tension
- Funny Break (One Is Enough)
- Oi!
- Pay Per View
- Tootled
- Last Thing
- Doctor?
- Shadows
- Waving Not Drowning
- Illuminate
- Meltdown
Music CD 2- Bigpipe Style
- Monorail
- Much Ado About Nothing Left
- An Fhomhair
- Doctor Look Out
- Beelzebeat
- Nothing Left Out
- Old Style
- Funny Break (Weekend Ravers Mix)
- Mock Tudor
- New Style
Music reviews of The AltogetherMusic Review: A new direction Rating: 4 Stars
Orbital has been long coveted as one of the greatest innovators in electronic music. Starting from their second release, Orbital 2 (or "brown album"), Orbital produced four albums in a row that were more than just a sum of their parts - they were full-length CDs in the full sense of the word. Orbital 2 and Middle of Nowhere almost sounded like one huge song, while Snivilisation and InSides had songs with similar feeling to them. Now take The Altogether, which departs from this, going back to the same style as their first album - just a collection of songs, not really an album.The thing with this one is that the songs are all more experimental - unlike the first one, Orbital never really took the time to really build much on these rhythms. That's bad for anyone who loves extended techno, as only the final track goes over 6 minutes. But it is good for anyone who thinks that a few of Orbital's songs has overstayed their welcome. Even songs that sound like they ought to be longer, such as Funny Break or Last Thing (mainly because these are the songs that at least let you know they're still the same guys), really just present themselves quickly, cutting to the chase more than anything. The other thing that stands out is how simple the songs are - at least by Orbital's standards. They don't build on themselves the way the brothers are known for, making some of the songs seem more bland at times. Don't worry, it stands up to repeated listens quite well, but it seems that they did this one more in the style of Fatboy Slim then themselves. But I can't help but feel that it's just more gimmicky than anything. Take the song "Oi!", for instance. Since when has Orbital sampled from something popular? Sure, there's been a vocal sample here and there, but this song borrows pretty heavily from "Hit me with your Rhythm Stick"...you might not know it, but I'm sure you've heard it before. Similarly, there's "Tootled", which borrows a lot from Tool's "Sober" (A.K.A. the only decent Tool song, although it still sucks). Luckily, they both have enough original elements to keep interesting. Then you have "Doctor?", a remake of the Doctor Who theme, which has been remixed probably around 883902 times, but this one's still the best. Despite it not being too original (it's really Orbital's only cover), it still rocks and is a great reason to buy the album. The other song that samples a lot is the opener, "Tension". The bass line from "Surfin' Bird" holds together a bunch of odd vocal samples - but the song is actually quite good, as Orbital proves that their mixing abilities are at the top of the game. The closer, "Meltdown" is similar, but much more original. With thumping bass notes and plenty of hooks to go around, the 10-minute epic brings the album to a fulfilling but unsettling close. There's still more on the experimental side - "Pay Per View" is quite interesting, yet kind of annoying. I still don't see why they would start a song out with porno noises (but at least it's not too extreme). Likewise, the whole first minute is kind of boring, at least until an 80's style slap bassline kicks in (think Seinfeld). It's not bad, but it could have been mixed a little better. "Shadows" is quite a cool song however. It's dark and suspensful, and, like on "Last Thing", the brothers mix it up enough to keep it interesting. "Waving not Drowning" is quite an oddity, using a relentless repeating acoustic riff. If anything, it's got quite a happy mood to it, which is a nice chance of pace. It's also exteremely catchy, so I like it. This only leaves "Illuminate" with David Gray. All the hate and loathing that fans feel toward this album probably can be traced back to this song. Yes, it sounds commercial. Yes, David Gray does not do too well a job on the vocals. But I like it. It is a pretty damn catchy melody, so don't pass it up. Finally, there's the whole second disc. It's actually longer than the first one, bringing the total to over two hours, so at least you know it's worth it. Here's a quick review of that: out of the eleven tracks, only four are originals. There's three Style remixes. Each of are quite unique, especially "Bigpipe Style". There's also two "Nothing Left" mixes, neither of which are really special. One mix of "Otono", which is good, but hampered a bit by the annoying vocal sample used. The other mix is a Weekend Ravers mix of "Funny Break"...it's just a standard rave anthem using only the vocals from Funny Break...and when they kick in, it's really moving. But the rest is kind of bland. Finally, the originals..."Monorail" and "Mock Tudor" both have nice rhythms, but you can see why they're B-sides - but they should have been included on Disc 1 anyway. "Doctor Look Out" and "Beezlebeat" are also quite good, although I can't see why people are ranting and raving over the latter - it's good, but not that good. So yeah, it's worth it.
More The Altogether free music reviews: 1 2 3 4 5 6 7 8 9
Description of The AltogetherSpecial U.S. limited edition 2 CD set includes a bonus disc of remixes, B-sides and unreleased tracks. The Altogether is made up of eleven very distinct pieces of music. Stand-out tracks include the first UK single, Funky Break and Illuminate, the collaboration with David Gray. Premier British trancemeisters Orbital have often threatened to make a consistently great album. Their Diversions remix EP remains a genuine classic in trance-techno music, but more often than not they miss the mark of greatness by a whisper. The Altogether starts strongly; "Tension" is a true Orbitalian head-twister, all loops and sounds mangled to create a regulated flow of energy before falling into the almost orchestral techno of "Funny Break (One Is Enough)." "Oi!" sniffs again at classic Orbital, with its spongy keyboard textures and slow ease into ambient territory. The band bravely dives head first into some interesting creative waters, as "Waving Not Drowning" brushes by folk and nods toward Pink Floyd, while "Meltdown" puts a hand firmly in breakbeat's back pocket. But once again, Orbital's greatness is isolated to certain tracks, and the pervading feeling is that half the album is a grand experiment that either went too far or not far enough. Unlike the Orb, the KLF, or even Underworld, Orbital are still searching for their first truly consistent studio masterpiece. --Steffan Chirazi
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