Blueprint

Natalie Macmaster - Blueprint

Blueprint
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CD Details

Artist: Natalie Macmaster
Brand: MACMASTER,NATALIE
Edition: Music CD
CD Release Date: 2003-09-09
Music Label: Rounder / UMGD
Soundtracks:
  1. A Blast
  2. Appropriate Dipstick
  3. Jig Party
  4. Touch of the Master's Hand
  5. Eternal Friendship
  6. Gravel Shore
  7. Devil and The Dirk
  8. The Ewe with the Crooked Horn
  9. Josefin's Waltz
  10. Bela's Tune=
  11. Silver Spear
  12. Minnie & Alex's Reel
  13. My Love, Cape Breton and Me

Music reviews of Blueprint

Music Review: Once more, a recording of pure genius...
Rating: 5 Stars

It must be tough being Natalie MacMaster. Imagine trying to continually come up with a new recording that will wow the critics, combining Cape Breton fidding with other, often opposing, genres. And it is even tougher for those of us who review her work, for we have to come up with superlatives to fit these recordings of pure genius.

Well, she has done it again, so once more I have to adquately describe what is indescrible.

"Blueprint" is an excellent work of music. It combines Cape Breton fiddle-work with...well...other music and scores big-time on every cut. Perhaps we should stop refering to MacMaster's music as "Cape Breton style" and simply call it "MacMaster style" music, since she has no hestiation in combining "traditional" fiddle music with other styles of music, and what emerges is something very unique, and very much "listenable."

A couple of quibbles with another reviewer here...a top 500 reviewer at that...First of all, there is no doubt among her fans that MacMaster is a young woman, (31 last June,) and not a girl, nor has there been for quite some time. Attend one of her concerts or simply buy her recording "My Roots Are Showing" and look at the cover photo, and you too will lose any doubts. And secondly, I happen to think that "Touch Of The Master's Hand" on this recording is a pretty good song, and one I have already listen too several times. A bit bluegrass, yes, and I found it strange that following the line "You could hear the angels sing," when you would expect soft, sweet music, MacMaster comes in with a rocking fiddle. Not bad, not by any means, it just didn't seem to fit as well as I thought. The whole song actually reminds of the Charlie Daniels Band's song,"The Devil Went Down To Georgia" but I am not claiming there is any connection, just that something triggers the memory.

All the songs are worthy, but one that can truly put a lump in your throat is the very last one on the album, "My Love, Cape Breton And Me." This is a beautiful song sung by MacMaster's cousin, (written by her uncle) and actually doesn't even need MacMaster to be beautiful. I wouldn't be a bit surprised if we hear much more from Kate Quinn in the future. She has a truly beautiful voice.

One minor departure from the "normal" MacMaster recording, is that many of tunes used were actually written by MacMaster herself. Not a problem, since her experience with the genre has left her with a pretty good ear (to say the least) and she mixes her stuff with older music (or at least other music) splendidly.

And that sums up "Blueprint" very well...Everything works perfectly. Natalie MacMaster has further cemented her claim to the be the "Queen of Fiddlers" very well with this album. And that is a good enough reason to listen to it...

More Blueprint free music reviews:
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Description of Blueprint

Special guests Bela Fleck, Jerry Douglas, Sam Bush, and Edgar Meyer join virtuoso Celtic fiddler Natalie MacMasters on her first studio recording since 1999's In My Hands.
Genre: Folk Music
Media Format: Compact Disk
Rating:
Release Date: 9-SEP-2003
The Chieftains have repeatedly explored the Celtic roots of North American bluegrass and old-timey music and now this fleet-fingered, Juno Award (Canada's equivalent of a Grammy)-winning Cape Breton fiddler has done the same. It's not much of a stretch--after all, Appalachia's Scots-Irish population and Cape Breton's Scottish settlers are cousins from afar. While the former were land locked for decades, their Canadian counterparts were isolated by island life. This explains how both cultures became unwitting repositories of folkways long obsolete in Scotland and Ireland. MacMaster's playing, while extraordinary, is nonetheless fairly typical of the style she grew up with, featuring emphatic, slashing rhythms and a ringing, florid tone. As on her previous albums, she has incorporated some engagingly puckish modern twists (notably on "Touch of the Master's Hand") with no loss of focus. An impressive roster of bluegrass luminaries, such as Bela Fleck, Sam Bush, and Alison Brown, sit in. --Christina Roden

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