Morcheeba - Antidote
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CD Details
Artist: MorcheebaEdition: Music CD
Format: Import
CD Release Date: 2005-05-10
Music Label: n/a
Description of Antidote
Ross and Paul Godfrey aka Morcheeba, return with their fifth album, The Antidote. The record marks a number of significant changes for the band, most notably their first album without singer Skye Edwards. She has been replaced by Daisy Martey, formerly vocalist for the band Noonday Underground. 'a stonking return to form, as the band trade in their sultry singer Skye Edwards for the feistier, grittier Daisy Martey (ex-Noonday Underground), enlist experimental musician Rob Mullinder and create a massive, orotund and ear-catching psychedelic sound by recording everything live. The songs here are by far the best they've made in a decade, with catchy hooks and thoughtful lyricism matching the bright, eager production sound. The awe-inspiring confidence and thinly disguised joie de vivre that kickstarts the album lasts most of the way through too, marking the long-awaited final stage in the band's transmogrification from introspective dance act to kick-ass stadium rock band'. Echo. 2005.Since delivering their 1993 mini-opus Big Calm, second-generation trip-hop outfit Morcheeba have taken their hybrid blues/country/hip-hop/soul sound to an increasingly wider audience. Their music has suffered as a consequence, the sass and strut of the early days gradually suffocated by tired production clichés and vapid, big-name collabs (see Charango). The Antidote has none of that. It's a stonking return to form, as the band trade in their sultry singer Skye Edwards for the feistier, grittier Daisy Martey (ex-Noonday Underground), enlist experimental musician Rob Mullinder and create a massive, orotund and ear-catching psychedelic sound by recording everything live. The songs here are by far the best they've made in a decade, with catchy hooks and thoughtful lyricism matching the bright, eager production sound. The awe-inspiring confidence and thinly disguised joie de vivre that kickstarts the album lasts most of the way through too, marking the long-awaited final stage in the band's transmogrification from introspective dance act to kick-ass stadium rock band. --Paul Sullivan
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