Milestones

Miles Davis - Milestones

Milestones
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CD Details

Artist: Miles Davis
Edition: Music CD
Format: Extra tracks, Original recording remastered
CD Release Date: 2001-04-17
Music Label: Sony
Soundtracks:
  1. Dr. Jackle
  2. Sid's Ahead
  3. Two Bass Hit
  4. Milestones
  5. Billy Boy
  6. Straight, No Chaser
  7. Two Bass Hit (Alternate Take)
  8. Milestones (Alternate Take)
  9. Straight, No Chaser (Alternate Take)

Music reviews of Milestones

Music Review: Half a Great Album
Rating: 5 Stars

If Milestones is one of Miles's great albums, meriting a 5-star rating, I think it's mainly on the strength of its three best tracks: "Milestones", "Straight No Chaser" and "Sid's Ahead". For me, the three weaker tracks are the ones at the fastest tempos. "Billy Boy" is a feature for the rhythm section as a piano trio, therefore mainly for pianist Red Garland. Unfortunately, although a technically accomplished player and possibly highly regarded by many listeners, he always seemed to me a lightweight, superficial soloist; and since the piece is a corny arrangement of a very trite tune it's no surprise if it fails to improve with repeated listening, despite the brilliance of Paul Chambers and Philly Joe Jones which gives the piece its vitality. "Two Bass Hit" may have been an entertaining novelty number in the heyday of be-bop but it's hardly one of John Lewis's best compositions. Miles doesn't solo on this one, so it's mainly a feature for Coltrane's and Adderley's fast playing. If you like that sort of thing, there's more of it on "Dr Jackle", another rather uninteresting boppish theme. Coltrane and Adderley demonstrate their skill at playing lots of notes per minute. Miles shows how fewer notes can be used to greater effect ("less is more"), giving the impression that he is playing on top of the tempo rather than racing to keep up with it.

"Milestones" (a.k.a. "Miles") is better. Like most of the material on Miles's 'Kind of Blue' album it's a simply constructed but interesting modal theme which challenges the soloists and inspires them to some carefully thought out solos. Even better in my opinion is the group's version of Thelonius Monk's up-tempo blues, "Straight No Chaser". Like "Milestones" (though it's a different kind of piece) it's an interesting composition in its own right, ingeniously constructed out of a simple motif. With its strong harmonic foundation and bouncing swing it brings out the best in Coltrane and Adderley, as in Miles himself who plays with elegance as well as 'bite'. "Sid's Ahead" is another 12-bar blues, this one at a moderate 'walking' pace - a type of piece and a tempo which suited Miles and inspired some of his best improvising (try "Walkin' " and "Bags' Groove" from 1954 and "All Blues" and "Freddie Freeloader" on 'Kind of Blue').

If you like Coltrane's and Adderley's playing of this vintage (before Trane went 'avant garde' and Cannonball went commercial) you will probably want this album if you don't already have it. If you like Garland's piano playing you will enjoy "Billy Boy" more than I do. I respect his technical skill, but I never hear any kind of 'depth' in anything he played. I've known people to feel the same about 'Cannonball' Adderley. Miles in his solos never plays less than well and there is some of his best work on what I've identified as the three best tracks. Paul Chambers is superb as usual. Philly Joe Jones is magnificent and, for aficionados of the better modern jazz drumming, he may well be the real star of the session.

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