Victim of Romance & Rarities

Michelle Phillips - Victim of Romance & Rarities

Victim of Romance & Rarities
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CD Details

Artist: Michelle Phillips
Edition: Music CD
Audio: English (Unknown)
Published: 2005
CD Release Date: 2007-03-27
Music Label: Hip-O Select
Soundtracks:
  1. Aching Kind
  2. Let the Music Begin
  3. Victim of Romance
  4. Trashy Rumors
  5. There She Goes
  6. Paid the Price
  7. Baby As You Turn Away
  8. Lady of Fantasy
  9. Just One Look
  10. Where's Mine?
  11. No Love Today [From Mother, Jugs & Speed] [*]
  12. Aloha Louie [*]
  13. There She Goes [Original Version] [*]
  14. The Shoop Shoop Song (It's In His Kiss) [#][*]
  15. Trashy Rumors [Original Version] [#][*]
  16. Guerita [#][*]
  17. Aces With You [#][*]
  18. Champagne and Wine [#][*]
  19. Having His Way [#][*]
  20. You Give Good Phone [#][*]

Music reviews of Victim of Romance & Rarities

Music Review: Michelle's Complete A&M Sessions
Rating: 5 Stars

Michelle Phillips' classic 1977 solo album VICTIM OF ROMANCE gets the royal treatment that it deserves so much. I've listened to the original album since it's release in Oct. 1977 , and it still sounds beautiful today. At long last, Michelle went into the studio to do a full album after releasing 2 solo singles in 1975 [ the awesome ALOHA LOUIE ] and 1976 [ NO LOVE TODAY from the film " Mother, Jugs & Speed " ]. The voice heard on numerous Mamas & Papas songs [ such as DEDICATED TO THE ONE I LOVE, STRING MAN, SNOWQUEEN OF TEXAS and many others ] sounds very natural and at ease on these songs which contain elements of pop, country, rock, and jazz. ACHING KIND opens up the album , a cool song with a countryesque sound with the succint line " nothing makes you crazy like singing in a rock 'n' roll band " ]. That song and the title track VICTIM OF ROMANCE were both written by musician Moon Martin, who had a couple albums out soon later. VICTIM OF ROMANCE gets the Spector girl-group treatment in a wall-of-sound production by famed producer JACK NITZSCHE. Michelle made a lot of TV appearances that fall of '77 to promote not only the album, but also her starring role in the film " VALENTINO " and in the TV mini-series " ASPEN ". She got her first cover of People Magazine too. These 2 songs were released as singles, but there are plenty of other strong songs on the album. BABY AS YOU TURN AWAY is a perfect showcase for Michelle's wistful yearning on this , a Bee Gees song. PAID THE PRICE is a nice touch of 50's-ish rock 'n' roll with some doo-wop background vocals. JUST ONE LOOK is a nice remake of the Doris Troy oldie, with horns & brass. As in the group, Michelle wrote some of her own songs, including the relaxed laid-back feel of THERE SHE GOES [ with production sounding a bit like the M's & P's version of SPANISH HARLEM ]. LADY OF FANTASY is another self-penned song with some very insightful lyrics , and that Michelle certainly was, and is, a lady of fantasy, as an actress and singer. That's the only song from the original sessions that date back to 1975 produced by JOHN PHILLIPS. His song TRASHY RUMOURS [ previously recorded by Genevieve Waite on her 1974 album ROMANCE IS ON THE RISE ] is given a jazz cocktail hour feel. The closer WHERE'S MINE is in the jazz vein as well, and is a highlight of the album.

This deluxe version finally rights most of the wrongs on previous editions of the CD. It's actually the 3rd reissue of VICTIM OF ROMANCE on CD. It came out on CD only as an import from Japan in the early 90's on A&M. Then, it was reissued again only in Japan around 2000 on MCA as part of their solo Mamas & Papas albums reissue program . Neither of those editions had bonus tracks. Here we get a wealth of bonus songs, with ALOHA LOUIE [ a brilliant & witty song that is an ode to longtime friend & M&P producer Lou Adler co-written by Michelle & John ], NO LOVE TODAY and the ORIGINAL FIRST VERSION of THERE SHE GOES , which was only a b-side to ALOHA LOUIE. It's a completely different version of it, sounding more rock with a rollicking bar-room type production by John. Not only that, but there are many unreleased songs that date back to 1975 when John Phillips produced the sessions. These songs are a revelation to hear as Michelle wrote most of them : GUERITA, ACES WITH YOU, HAVING HIS WAY and PHONE. Plus, there is a remake of THE SHOOP SHOOP SONG [ IT'S IN HIS KISS ], and an Otis Redding song called CHAMPAGNE AND WINE. It's great to hear these songs at last, especially since Michelle wrote most of them herself. The only song of Michelle's that is not on here is FOREVER. That song was recorded after this album , in 1978, for the film CALIFORNIA DREAMING [ a film about surfing, not The Mamas & The Papas ] and released on the short-lived American International Records label Soundtrack album. The group America redid CALIFORNIA DREAMIN' for the film and charted with their version on the Top 100. A&M doesn't own the song, which is why it's not on here. But to make it complete, they should have licensed it.

The packaging is beautiful, with the original cover, plus an expanded booklet of vintage photos from this period in Michelle's career. The liner notes, though , are not as informative as they should have been. The author gives no information on the unreleased songs . This would have been very informative to know. It's even more maddening because he interviewed Michelle for the liner notes. He totally left out any info from Michelle herself on the unreleased songs, which of course, she wrote. These are the songs that John Phillips produced with her, a very important piece of music history. In the hands of an experienced writer, the liner notes would have been a perfect match for the music contained within. That matter aside, it's great to have all of Michelle's A&M recordings gathered together at last. Any fan of The Mamas & The Papas will love this album.
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Description of Victim of Romance & Rarities

1977, and all the news was the burgeoning "punk" movement, led by the Sex Pistols. Prog rock was noodling itself into oblivion, and disco was, well, disco. Imagine a less perfect music backdrop into which "Mama" Michelle Phillips could have introduced a new album, and we'll tip our musical hat to you. Despite the less-than-ideal musical milieu, Michelle came to the folks at A&M with the desire to get back into recording after the breakup of The Mamas and The Papas. Early sessions from 1975 and 1976 were produced by John Phillips, but they were for the most part relegated to the vaults; the second half of our release is comprised of those recordings, most of which are previously unreleased in any form. For the Victim Of Romance album in 1977, Phillips hooked up with Phil Spector protégé Jack Nitzsche. His sonics, particularly on the title track, are reminiscent of those he help form with the Crystals a dozen years earlier. Other notable covers on this album include Phillips' reading of "Just One Look," a hit for Doris Troy and again later for the Hollies and again later for Linda Ronstadt. Michelle also takes a shot at the venerable "Shoop Shoop Song (It's In His Kiss)," which was a Top Ten smash for Betty Everett. And you gotta love the "Aloha Louie" valentine to her former producer (and Dunhill label chief) Lou Adler. Victim Of Romance's flavour differs markedly from the Mamas and Papas stylistically, and it would have probably gotten a warmer commercial reception had its timing been just that much more fortuitous. But it holds up quite nicely nearly three decades later, which one can't really say about many of its contemporaries from the polyester-ridden times.

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