Mozart: Ascanio in Alba / Chance, Feldman, Windsor, Rannion, Milner; Grimbert
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CD Details
Performer: Wolfgang Amadeus MozartPerformer: Concerto Armonico
Performer: Jacques Grimbert
Edition: Music CD
CD Release Date: 1995-09-19
Music Label: Naxos
Soundtracks:
Music CD 1
- Overture
- Act 1. Scene 1. Andante grazioso, che ballano le Grazie
- Act 1. Scene 1. Coro di geni e grazie. Di te pi? amabile
- Act 1. Scene 1. Recitativo. Geni, grazie ed amori
- Act 1. Scene 1. Aria. L'ombre de'rami tuoi
- Act 1. Scene 1. Recitativo. Ma la ninfa gentil
- Act 1. Scene 1. Coro di geni e grazie. Di te pi? amabile
- Act 1. Scene 2. Recitativo. Perch? tacer degg'io?
- Act 1. Scene 2. Aria. Cara, lontano ancora
- Act 1. Scene 3. Coro di pastori. Venga, de'sommi eroi
- Act 1. Scene 3. Recitativo. Ma qual canto risona?
- Act 1. Scene 3. Coro di pastori. Venga, de'sommi eroi
- Act 1. Scene 3. Recitativo. Ma tu, chi sei
- Act 1. Scene 3. Aria. Se il labbro pi? non dice
- Act 1. Scene 3. Recitativo. Quanto soavi al core
- Act 1. Scene 4. Coro di pastori e pastorelle o ninfo, e ballo. Hai di Diana il core
- Act 1. Scene 4. Recitativo. Oh generosa Diva
- Act 1. Scene 4. Coro di pastori. Venga, de'sommi eroi
- Act 1. Scene 4. Recitativo. Di propria man la Dea
- Act 1. Scene 4. Coro di pastori. Venga, de'sommi eroi
- Act 1. Scene 4. Recitativo. Oh mia gloria
- Act 1. Scene 4. Aria. Per la gioia in questo seno
- Act 1. Scene 4. Recitativo. Misera! che far??
- Act 1. Scene 4. Cavatina. Si, ma d'un altro amore
- Act 1. Scene 4. Recitativo. Ah no, Silvia t'inganni
- Act 1. Scene 4. Aria. Come ? felice stato
- Act 1. Scene 4. Recitativo. Silvia, mira, che il sole
- Act 1. Scene 4. Coro di pastori. Venga, venga, de'sommi eroi
- Act 1. Scene 5. Recitativo. Cielo! che vidi mai?
- Act 1. Scene 5. Aria. Ah di s? nobil alma
- Act 1. Scene 5. Recitativo. Un'altra prova
- Act 1. Scene 5. Aria. Al chiaror di que'bei rai
- Act 1. Scene 5. Coro di geni e grazie. Di te pi? amabile
- Act 2. Scene 1. Recitativo. Star lontana non so
- Act 2. Scene 1. Aria. Spiega il desio, le piume
- Act 2. Scene 1. Coro di pastorelle. Gi? l'ore sen volano
- Act 2. Scene 2. Recitativo. Cerco di loco in loco / Scene 3. Recitativo. Silvia, ove sei?
- Act 2. Scene 3. Aria. Dal tuo gentil sembiante
- Act 2. Scene 4. Recitativo. Ahim?! Che veggio mai?
- Act 2. Scene 4. Aria. Al mio ben mi veggio avanti
- Act 2. Scene 4. Recitativo. Ferma, aspetta
- Act 2. Scene 4. Aria. Infelici affetti miei
- Act 2. Scene 4. Recitativo. Anima grande
- Act 2. Scene 4. Coro di pastorelle. Che strano evento
- Act 2. Scene 5. Recitativo. Ahi la crudel come scoccato dardo
- Act 2. Scene 5. Aria. Torna mio bene, ascolta
- Act 2. Scene 6. Coro di pastori. Venga, venga, de'sommi eroi
- Act 2. Scene 6. Recitativo. Che strana meraviglia
- Act 2. Scene 6. Recitativo. Si, padre
- Act 2. Scene 6. Coro di pastori, e ninfe o pastorelle. Scendi celeste Venere
- Act 2. Scene 6. Recitativo. Ma s'allontani almen
- Act 2. Scene 6. Coro di pastori e pastorelle. No, non possiamo vivere
- Act 2. Scene 6. Recitativo. Ecco, ingombran l'altare
- Act 2. Scene 6. Coro di pastori, e ninfe o pastorelle. Scendi celeste Venere
- Act 2. Scene 6. Recitativo. Invoca, o figlia
- Act 2. Scene 6. Terzetto. Ah caro sposo, oh dio!
- Act 2. Scene 6. Recitativo. Eccovi al fin
- Act 2. Scene 6. Recitativo. Ah chi nodi pi? forti
- Act 2. Scene 6. Coro ultimo di geni, grazie, pastori e ninfe. Alma Dea, tutto il mondo governa.
Music reviews of Mozart: Ascanio in Alba / Chance, Feldman, Windsor, Rannion, Milner; Grimbert
Music Review: Mozart at the ripe old age of fifteen years old.....
Rating: 5 Stars
Mozart at the age of 15 wrote this charming, ever inventive `festa teatrale' for the coronation of the Archduke Ferdinand to an Italian princess in Milan in 1771. A court entertainment rather than an opera proper, it designedly identifies characters in a classical story, with the bride and bridegroom taking part in a delightful and original closing trio. The Naxos version easily outshines previous recordings with a lightly sprung, stylishly conducted performance featuring an outstanding cast. The counter-tenor, Michael Chance, sings flawlessly in the castrato role of Ascanio, son of Venus, even-toned and brilliantly flexible. The others are fresh-toned too. Lorna Windsor, bright and clear as Venus, is nicely contrasted with the girlish-sounding Silvia of Jill Feldman, who sings with fine assurance in one of the two extended arias. The other, even more extended and demanding, is given to Fauno, with Rosa Mannion arguably the most accomplished soloist of all. The excellent tenor taking the role of Aceste is Howard Milner. Well recorded with transparent textures, if with chorus backwardly balanced, this makes an outstanding bargain in every way, rare Mozart that for most will be a delightful discovery.
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