Metallica

Metallica - Metallica

Metallica
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CD Details

Artist: Metallica
Brand: Metallica
Edition: Music CD
CD Release Date: 1991-08-12
Music Label: Elektra / Wea
Soundtracks:
  1. Enter Sandman
  2. Sad but True
  3. Holier Than Thou
  4. Unforgiven
  5. Wherever I May Roam
  6. Don't Tread on Me
  7. Through the Never
  8. Nothing Else Matters
  9. Of Wolf and Man
  10. God That Failed
  11. My Friend of Misery
  12. Struggle Within

Music reviews of Metallica

Music Review: Bob Rock makes Lars and James swing
Rating: 5 Stars

I was on a long drive recently and listened to all of the Metallica albums in order up to Live...Binge, and I must say that it made me realize what a huge difference Bob Rock's production and attitude made for these guys.

The original band was far better, for my money: Cliff and Mustaine vs Kirk and Newsted? No comparison. But Rock saw where this band's real power lies: founders Ulrich and Hetfield. He clearly knew how to bring out their best in the studio, and he definitely mic'ed Lars' kit like no one before or since. Maybe the best huge drum sound since Bonzo. Massive.

Plus, these tunes are among the best these guys ever wrote. I especially love Sad But True. What a huge riff, and Ulrich's drumming is truly awesome. This track exemplifies the main gift Bob brought to these guys, though I've never heard anyone mention it: he taught them how to swing.

While listening to the first Metallica albums I get a little worn out sonically because everything is so on top of the beat. Everyone is pounding but those songs could be even heavier if there was more rhythmic push-pull, a la early Sabbath and middle Zep. Rock saw this and showed Lars how to pull back in the pocket a bit, which makes Hetfield's incomparably heavy rhythm riffs thunder like never before. Just listen to the huge pockets on Sad and Sandman. That's a new zone for Metallica, and I don't think they've topped it since.

Nothing against Kirk or Jason, they're both decent, but they're playing with probably the best metal drummer and metal rhythm player of them all, so it's hard not to seem somewhat pedestrian. Hammett's solos get pretty boring after a while to me, but oh well. Newsted does lock in well with Lars' kick drum here, and that brings a lot of weight to the proceedings.

I got caught driving in a sudden blizzard in the Rockies last week at 3 am and could barely see ten feet down the highway, so I put this album on and turned it up to 11 to keep me sharp. I will never forget that hour. Total whiteness meets total blackness; the focus and ferocity of the music really got me into the zone as I went over a high mountain pass and slowly came out of the snow. The perfect soundtrack to hair-raising intensity.

I should mention that I saw a show on the first leg of this tour, and it remains one of the top five rock shows I've ever seen, of about two thousand. They were on fire and went off at least six times. Most bands get there once a night if they're lucky.

I don't much care for their work since this album, but as peaks go, this is Everest among metal albums. The best drummer/rhythm team in heavy rock at their zenith.

But you gotta play it loud, with a subwoofer.
Booooommm!

Description of Metallica

Japanese edition of their multi-platinum 1991 smash album that spent four consecutive weeks at #1, with the bonus track 'So What'. 13 tracks, also featuring the top 40 hits 'Enter Sandman', 'The Unforgiven' & 'Nothing Else Matters'. A Sony Records release.
Called "the Black Album" by many (due to its monochrome cover), Metallica marks the group's entrance into the mainstream, with shorter songs, simpler song structures, and slower tempos overall. That said, this is an excellent album, featuring some of the best songwriting Metallica has ever done. "Enter Sandman," "Wherever I May Roam," and "God That Failed," despite being slower and more groove-oriented than the band's earlier work, feature the same heavy riffs and heavier rhythms that have always been a feature of Metallica's music. The band goes introspective with "Unforgiven," and proves that they can write a ballad with "Nothing Else Matters," which succeeds better than one might expect. Overall, this is a high-energy album despite its laid-back approach, and is in many ways superior to the previous . . . And Justice for All, which was weakened by overly complicated song structures and mediocre production. -- Genevieve Williams

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