Maynard Ferguson - New Vintage
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Artist: Maynard FergusonEdition: Music CD
CD Release Date: 2004-07-06
Music Label: Wounded Bird Records
Music reviews of New Vintage
Music Review: New Vintage - Maynard Ferguson
Rating: 4 Stars
Maynard Ferguson's "New Vintage" dates from 1977, around the middle of his contract with Columbia Records. His Columbia recordings were very pop oriented and extremely successful commercially, though when heard today are clearly a product of their time. Ferguson released one album per year and then toured the world, often performing in high school auditoriums and encouraging jazz education with an extremely exciting 12-piece band.
Ferguson's Columbia recordings fall into three vague periods. The first set, from "Alive and Well in London" (1969) to "Chameleon" (1974), featured a vicious band performing both straight-ahead and jazz-rock fusion charts recorded in real-time. His middle period, from "Primal Scream" (1975) to "New Vintage" (1977) incorporated studio musicians and guest soloists and
used extensive studio technique and signal processing. "Conquistidor" (1976) even yielded a top-40 hit, the theme from "Rocky." The recordings from the final period, from "Carnival" (1978) to "Hollywood" (1981), are a mixed bag, often betraying the strain for commercial acceptability, including more obligatory movie/TV themes (Rocky II, Battlestar Galactica), rigid pop covers (Baker Street, Star, 9-to-5), strange hybrid charts featuring background vocals (How Ya Doin' Baby, Toma Topa Woman), some excellent originals (Carnival, Spirit of St. Fredrick, Dayride) and a few straight-ahead standard gems (Aregin, Stella by Starlight, Naima).
"New Vintage" hails from the middle period and has a more cohesive band sound than the studio constructions of "Conquistidor" or "Primal Scream." All but one of the six charts were arranged by Jay Chattaway, who began his career writing for the U.S. Navy and followed his 70's band arranging work with a very successful film/TV scoring career, including hours of music for all the reincarnations of the Star Trek TV series. His moderately funky and accessible arrangements and compositions define the sound of "Primal Scream," "Conquistidor," and "New Vintage."
"New Vintage" follows the formula of "Conquistidor" almost track for track. "Star Wars" has pop hit written all over it, although it did not achieve the chart status of "Rocky." "Oasis" is the smooth brother of "Mister Mellow." A funky "Maria" equals "Star Trek" all the way to the freakish triple-high C nestled in the fade-out of the song. "El Vuelo" is an ersatz Spanish composition
similar to "Conquistidor." "Scheherazade" is a pop-funk classical adaptation in the mold of "Pagliacci" (from "Primal Scream"). "Aregin" is the odd-man out, a frantic traditional bop arrangement by Mike Abene that sounds especially clean with the album's dry production style and make you long for Ferguson's halcyon days with Stan Kenton's band in the early 50's.
While Ferguson's playing lacks the superhuman clarity of his work in the early 50's (he was 48 years old at the time of the recording), in some ways his lyrical tendencies mesh better with the soft-funk of "New Vintage" than the traditional jazz he pursued immediately before and after his Columbia days. The soloists are excellent, including a young Peter Erskine, saxophonist Mark Colby, flautist Bobby Militello and saxophonist Mike Migliore. Most of the sidemen were Ferguson's live band and given the passion and virtuosity they displayed in concert, it is a shame that their talent is often masked by the production technique and intentionally lukewarm scoring.
For those of us band geeks that came of age during this period, those high notes conjure happy memories of band trips and jazz festivals. While Ferguson's best Columbia recordings are, arguably, the early 70's MF-Horn series, none of those recordings are yet available on CD. The three mid-70's recordings have their own charm for those willing to take the time trip, and "New Vintage" may be the best of the bunch.
Description of New Vintage
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