Marilyn Manson - Mechanical Animals

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Music reviews of Mechanical Animals

Music Review: The ultimate in shock-rock
Rating: 5 Stars

Here, Manson proves he has kept his ears open and left the Nails' nest. He is still standing on the shoulders of giants, musically, as this is easily a Bowie tribute album, atmospheres that could be sampled from Brian Eno show up, and he uses Trent's tendency to throw a strange piano or noise line into the scathing rockers. Like NIN, He also buries the most honest and naked lines under static or effects.

"The Speed of Pain," "Disassociative," and "Fundamentally Loathsome" are tuneful, melodic numbers that show real anguish and yearning. Little Mary has been under a deluge of sex, drugs, and God for so long, he can't tell them apart. All the lyrics could be about a drug, a girl, but when it the last line has been snorted, are probably the same. "When you hate it, you know its real, but when you love you know you can't feel." Manson wants to love, but is so lost in this "Great White World, (the opener, which sets the 'space oddity' theme) he haphazardly abuses sex and dope to numb the pain of not being able to find love. If that isn't universal, I don't know what is.

Incredibly sarcastic views of America and Christianity are thrown in the mix with enough deft humor to keep this from being a Rage Against the Machine album. Influences abound, but they aren't deprecative. Manson shows he was ready to take Trent's much needed training wheels off. While Reznor created an alien genre of music with "The Downward Spiral," Manson takes existing genres (funk, cock-rock, glam and goth) and makes them alien. Stunning.

Description of Mechanical Animals

Alternative Rock CDs

• Music > Styles
• Hard Rock & Metal
• Pop
• Rock