Breathing Under Water

Marie Digby - Breathing Under Water

Breathing Under Water
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CD Details

Artist: Marie Digby
Brand: DIGBY,MARIE
Edition: Music CD
Audio: English (Unknown)
CD Release Date: 2009-09-15
Music Label: Hollywood Records
Soundtracks:
  1. Daybreak
  2. Avalanche
  3. Breathing Underwater
  4. Shoulda Been Simple
  5. Know You By Heart
  6. Feel
  7. Come Find Me
  8. Symphony
  9. Machine
  10. Overboard f. Livvi Franc
  11. Love With A Stranger
  12. Come To Life
  13. Crazier Things

Music reviews of Breathing Under Water

Music Review: Refined sound emerges from the Deep.
Rating: 5 Stars

Consumers of Digby's music can be generally categorized into two groups; Long-time fans and New Fans. A New Fan might rate this album 5 stars without hesitation while the Long-time fan, who's been watching Marie progress into a world class musician since her popularity boom back in late 2007, without hesitation, toss her the 3-star.
A Surprising comparison? Not Really.

Enough with the Long-Time Fan -VS- New Fans dilemma. Let's talk about the music.

It is clear that a great deal of work ethic was put into the production of this album. It is also clear that a great deal of the work done came from Marie Digby herself. While technology continues to facilitate the creation of bass and rhythm sections, it is often difficult to blend well with a delicate voice such as Digby's. Surprisingly enough, the sound engineering has fully respected and complimented Digby's pristine vocals. Songs like "Feel", "Come to Life", and "Should have been simple" are a few of the many that serve as excellent examples of this claim.

Known for her emotional and thought inspiring lyrics, Marie Digby does it again in this sophomore album as songs like "Feel", "Machine", and "Symphony" are just a few of the many that illustrate the artist's success in proving profound lyrics through a delicate voice.

Standard pop chord progressions were one of the dominant elements of her first album, "Unfold" (2008). While her phenomenal skill of lyric making capture the hearts of many fans, it only served an overshadowing of the over-usage of standard pop chords. In "Breathing Underwater", Marie Digby introduces listeners to new and never been heard melodic lines, chord progressions, and tonalities.

What is definitely new and in the case of the Long-Time Fan's perspective, foreign attribute to this solid album is the wide use of percussive sounds. In other words, some of the songs in this album give a livelier and more active feel, thanks to the addition of dance-like rhythms.

One thing to be very true after listening to this album in its entire is that Marie Digby has successfully landed on a larger platform of sounds and the prospects of a successful, long-term career is truly bright and promising.

Bravo, Marie Digby, Bravo!
More Breathing Under Water free music reviews:
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Description of Breathing Under Water

From the opening beats of Breathing Underwater, the listener encounters a bold new Marié Digby. In marked contrast to the stripped-down vibe of her debut disc, Unfold, the album's fuller sound enhances Marié's (pronounced Mar-ee-AY) emotionally rich storytelling and dramatic vocals. The album is a deeply personal snapshot of her life--full of the kind of exposed emotions that make great songs.

"Everything was born right there in the moment," says Digby.

Written, produced and recorded over a three and a half month period in a Los Angeles studio, alongside renowned producers Brian Kennedy (Jennifer Hudson, Jesse McCartney, Rihanna), Ezekiel "Zeke" Lewis for the Clutch and The Movement among others, Breathing Underwater marks Digby's evolution from "the girl with the guitar" to a fully-emerged artist. Familiar themes continue to dominate her writing--love and all the conflicted emotions that come with it. But as much as Digby matured creatively during the making of Breathing Underwater, she grew even more personally.

"When I was making the album I was falling for someone--someone real and someone in front of me--and that was really scary," she continues. "There were days when I thought, this most wonderful thing I've ever felt. And there were days when I was tormented. That intensity came through in the songs."

So Digby pleads in the moving opening track, "Daybreak," a song about "not wanting a night to end, because you don't know what daylight will bring." The first single, "Avalanche," tracks a couple on the brink of falling apart. Even amidst catchy grooves and hooks, Digby's lyrical honestly shines through.

A tougher Digby surfaces on "Feel" and "Love With A Stranger." The former is taunt to an emotionally unavailable partner, while the latter is an endorsement of no-strings-attached encounters.

"'Feel' is about when you're pouring your heart out and you're not getting any kind of message back," she says. "Give me something, at least let me know that you're alive." The darkly hypnotic "Love With A Stranger" chronicles the desire to connect with another person physically, in the absence of something deeper.

"Come to Life," is a piano-laden pop track that puts the listener smack in the middle of Digby's most intimate thoughts. "It's a message to myself to be patient," she says. "I've learned that love is one of the few things in life that you can't force."

Things lighten up on "Know You By Heart," maybe the most surprising track on the album with its huge pop sensibility and rhythmic, club-worthy hook. "I`ve always loved dance music," admits Digby. "This was my chance to unleash my inner Kylie Minogue."

But it's perhaps "Symphony" that best sums up Digby's mindset. The song is a direct message to her fans--the ones who followed her though her YouTube stardom, open mic shows and first album. "I'm saying, `this is me needing the freedom to express myself musically and I hope you'll be open to it,'" she explains. "What a boring place this world would be if we all stayed still."

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