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DIVA ~ 30 Great Prima Donnas
CD DetailsComposer: Maria Callas Composer: Kiri Te Kanawa Composer: Martha Modl Composer: Janet Baker Composer: Cecilia Bartoli Composer: Montserrat Caballé Composer: Renée Fleming Composer: Angela Gheorghiu Composer: Marilyn Horne Composer: Lucia Valentini Terrani Edition: Music CD Audio: English (Original Language) CD Release Date: 2001-03-20 Music Label: Teldec Soundtracks: Music CD 1- La Gioconda, Act IV: Suicidio - Maria Callas
- La Traviata, Act III: Addio Del Passato - Renata Tebaldi
- Cavalleria Rusticana: Voi Lo Sapete O Mamma - Giulietta Simionato/Liliana Pellegrino
- Gianni Schicchi: O Mio babbino Caro - Marcella Pobbe
- Tosca, Act II: Vissi D'arte - Catherine Malfitano
- La Boheme, Act I: Mi Chiamano Mimi - Barbara Hendricks
- Il Barbiere Di Siviglia, Act I: Una Voce Poco Fa - Lucia Valentini Terrani
- I Puritani, Act I: Son Vergin Vezzosa - Katia Ricciarelli/Elena Jankovic/Chris Merritt/Roberto Scandiuzzi/Ambrogio Riva
- Carmen, Act I: L'amour Est Un Oiseau Rebelle - Regine Crespin
- Carmen, Act III: Je Dis Que Rien Ne M'epouvante - Angela Gheorghiu
- Faust, Act II: Il Etait Un Roi De Thule - Montserrat Caballe
- Faust, Act II: L'air Des Bijoux - Sumi Jo
- Werther, Act III: Je Vous Ecris De Ma Petite Chambre - Anne Sofie Von Otter
- Der Fliegende Hollander, Act III: Johohoe! Traft Ihr Das Schiff - Astrid Varnay
- Tannhauser, Act II: Dich Teure Halle - Kiri Te Kanawa
- Tristan Und Isolde, Act III: Mild Und Leise - Martha Modl
Music CD 2- Orfeo Ed Euridice, Act III: Che Faro Senza Euridice - Janet Baker
- Orphee Et Eurydice, Act II: Cet Asile Aimable Et Tranquille - Dawn Upshaw
- Alcina, Act I: Di' Cor Mio, Quanto T'amai - Renee Fleming
- Rinaldo, Act I: Cara Sposa - Marilyn Horne
- Xerxes, Act I: Ombra Mai Fu - Jennifer Larmore
- Dido And Aeneas, Act III: Thy Hand, Belinda - Tatjana Troyanos
- The Fairy Queen, Act V: O Let Me Ever, Ever Weep - Sylvia McNair
- L'isola Di Alcina, Act I: Sono Alcina - Teresa Berganza
- Lucio Silla, Act II: Quest'improvviso Tremito - Cecilia Bartoli
- Cosi Fan Tutte, Act II: E Amore Un Ladroncello - Frederica Von Stade
- Don Giovanni, Act II: Vedrai, Carino - Barbara Bonney
- La Clemenza Di Tito, Act II: Non Piu Di Fiori - Lucia Popp
- Die Zauberflote, Act II: Der Holle Rache - Edita Gruberova
- Fidelio, Act I: Komm Hoffnung - Waltraud Meier
Music reviews of DIVA ~ 30 Great Prima DonnasMusic Review: Diva-lightful Rating: 4 Stars
I heard this CD playing background music in second-hand bookstore and I HAD-TO-HAVE-IT. The shopkeeper couldn't tell me much about the CD except that it was called DIVA (she didn't have the cover anymore) and I knew full well that I was listening to the incomparable Dame Janet Baker singing "Che farò senza Euridice" from Gluck's Orfeo et Euridice, followed by someone else doing the famous Serse (Xerxes) Largo and an aria from Dido and Aeneas. So with that knowledge in hand, I searched Amazon.com and found this 2-CD set. And promptly purchased it.Frankly, I adore this for the second CD alone, but there is lots to like on both CD's, such as some of my favorite divas among which are Lucia Popp, Montserrat Caballe, Fredericka von Stade and Dawn Upshaw. Some of the aria/artist choices are rather quirky; Dame Kiri Te Kanawa singing "Dich Teure Halle" instead of Birgit Nielsen; Marcella Pobbe singing "O Mio Babbino Caro" instead of Dame Kiri. Caballe not singing from La Boheme (I defy you to find a better Mimi than she) but doing Faust instead. And Sutherland and Sills are AWOL along with Nielsen--though maybe it was a case of not being able to obtain the copyrights rather than deliberate omission. The selections here are well-chosen for variety and in the case of the bel canto selections on the second CD, they flow together so superbly, it's a real joy to hear. The only dark spot are the two arias done with the Zurich Symphony--and worse yet, they are with Lucia Popp (a huge favorite of mine) and Gruberova doing the Queen of the Night's nasty aria of extreme rage "Holle Rache". The orchestra drags in the Popp aria from "Clemenza de Tito", the dynamics are second-rate and Gruberova misses a note (not the wicked high ones but an amateurish note on an upscale.) Overall these are not the finest moments for either of these divas. That aside, there is lots to like on this CD if you overlook a couple of false notes.
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