Marc Ribot Y Los Cubanos Postizos

Cubanos Postizos, Marc Ribot - Marc Ribot Y Los Cubanos Postizos

Marc Ribot Y Los Cubanos Postizos
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CD Details

Artist: Cubanos Postizos, Marc Ribot
Brand: RIBOT,MARC
Edition: Music CD
Published: 1998
CD Release Date: 1998-06-09
Music Label: Atlantic
Soundtracks:
  1. Aurora En Pekin
  2. Aqui Como Alla
  3. Como Se Goza En El Barrio
  4. Postizo
  5. No Me Llores Mas
  6. Los Teenagers Bailan Changui
  7. Fiesta En El Solar
  8. La Vida Es Un Sueno
  9. Esclavo Triste
  10. Choserito Plena

Music reviews of Marc Ribot Y Los Cubanos Postizos

Music Review: most beautiful, soulful electric guitar I have ever heard
Rating: 5 Stars

I will get the negatives out of the way. I do not like all the tracks, especially the only one penned by Ribot, #4, and # 6. They just don't do it for me. On to the great.

The first track is perhaps the single most beautiful piece of music I have heard. They great thing about Ribot's playing is not only his choice of notes, but his great timing. It is so intuitively right that one could practice the piece forever, and still not play it as he does, which is to say perfectly. And the percusion is perfectly spare for this shimmering, tranquil song.

The second song has a great, soulful groove that is not just a product of the rhythm section and a catchy vamp, but once again of Ribot's great feel for timing. The organ work adds to the simmering, deep groove.

#3 is a fairly typical and repetative cuban uptempo number, but there is a raw and edgy tone that seperates from the cliche cuban piano, or horn vamp.

#4. see above.

#5. More instrumentation and vocals in this one. Even though Ribot is clearly not a singer, this is a strong song because of the veriety of textures -- rock guitar, psychodelic organ, acoustic guitar, horns, cuban chorus, and Ribot's spoken words. They form a hard and yet sentimental mix that is perfect for the words, "don't cry, because when you do, I feel... something."

#6 See above.

#7. A driving, raw and beautiful track that comes to a powerful, intense conclusion.

#8. Again spoken words and also singing by Ribot. Listening to him speak Spanish is funny and but the music is solid.

#9. Perhaps the most jazz-like track on the CD. It feature advanced guiitar work from Ribot, but it is not just technique for it's own sake, but serves the whole, and does not comprimise, but embelishes the beauty.

#10 Somewhat similar to #3, but with had malcontent horn that adds a somewhat whacky, but unique and contributing element to a cuban groove.

If you have any interest in the electric guitar as an instrument, that, contrary to many peoples prejudices, can be played as or more beautifully than any other, by this album. If you don't give one flying hoot about what I just said, but appreciate beautiful, soulful yet not smooth and watered down music, buy this album.

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Description of Marc Ribot Y Los Cubanos Postizos

10 tracks.
You'd hardly expect New York guitarist Marc Ribot--who's played with lots of ironists and cynics--to do such a spectacular, hearty job of paying homage to Cuban bandleader Arsenio Rodriguez. This CD, though, reaches far and wide, to both straightahead Cuban jazz fans and lovers of more visceral, gritty music. Ribot plays scouring guitar, getting great organ cushions from John Medeski and Roy Coleman. But it's E.J. Rodriguez's deep, traditional Cuban percussion that fattens this CD for its Best of 1998 status. --Andrew Bartlett
Marc Ribot and his Prosthetic Cubans are a jazz-rock band playing music written by (and for) the late Cuban composer and bandleader Arsenio Rodriguez. While best known for his guitar work with Elvis Costello, Tom Waits, and the Lounge Lizards, Ribot has gained in stature and confidence as a solo artist in recent years. Ribot is accompanied here by the likes of keyboardist John Medeski and Jazz Passengers bassist Brad Jones, and his playing is alternately angular, fluid, and extremely visceral. Within this Latin-jazz context, Ribot occasionally echoes Carlos Santana, while his percussion-fueled ensemble (anchored by E.J. and Robert J. Rodriguez) plays it hot, hot, hot. Very traditional yet ultimately modern, this imaginative session swings much better than most. --Mitch Myers

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