69 Love Songs

Magnetic Fields - 69 Love Songs

69 Love Songs
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CD Details

Artist: Magnetic Fields
Edition: Music CD
Format: Box set, Limited Edition
CD Release Date: 1999-09-07
Music Label: Merge Records
Soundtracks:
Music CD 1
  1. Absolutely Cuckoo
  2. I Don't Believe In The Sun
  3. All My Little Words
  4. A Chicken WIth Its Head Cut Off
  5. Reno Dakota
  6. I Don't Want To Get Over You
  7. Come Back From San Francisco
  8. The Luckiest Guy On The Lower East Side
  9. Let's Pretend We're Bunny Rabbits
  10. The Cactus Where Your Heart Should Be
  11. I Think I Need A New Heart
  12. The Book Of Love
  13. Fido, Your Leash Is Too Long
  14. How Fucking Romantic
  15. The One You Really Love
  16. Punk Love
  17. Parades Go By
  18. Boa Constrictor
  19. A Pretty Girl Is Like...
  20. My Sentimental Melody
  21. Nothing Matters When We're Dancing
  22. Sweet-Lovin' Man
  23. The Things We Did
Music CD 2
  1. Roses
  2. Love Is Like Jazz
  3. When My Boy Walks Down The Street
  4. Time Enough For Rocking When We're Old
  5. Very Funny
  6. Grand Canyon
  7. No One Will Ever Love You
  8. If You Don't Cry
  9. You're My Only Home
  10. (Crazy For You But) Not That Crazy
  11. My Only Friend
  12. Promises Of Eternity
  13. World Love
  14. Washington, D.C.
  15. Long-Forgotten Fairytale
  16. Kiss Me Like You Mean It
  17. Papa Was A Rodeo
  18. Epitaph For My Heart
  19. Asleep And Dreaming
  20. The Sun Goes Down And The World Goes Dancing
  21. The Way You Say Good-Night
  22. Abigail, Belle Of Kilronan
  23. I Shatter
Music CD 3
  1. Underwear
  2. It's A Crime
  3. Busby Berkeley Dreams
  4. I'm Sorry I Love You
  5. Acoustic Guitar
  6. The Death Of Ferdinad De Saussure
  7. Love In The Shadows
  8. Bitter Tears
  9. Wi' Nae Wee Bairn Ye'll Me Beget
  10. Yeah! Oh, Yeah!
  11. Experimental Music Love
  12. Meaningless
  13. Love Is Like A Bottle Of Gin
  14. Queen Of The Savages
  15. Blue You
  16. I Can't Touch You Anymore
  17. Two Kinds Of People
  18. How To Say Goodbye
  19. The Night You Can't Remember
  20. For We Are The King Of The Boudoir
  21. Strange Eyes
  22. Xylophone Track
  23. Zebra

Music reviews of 69 Love Songs

Music Review: Quantity and Quality in one epic package
Rating: 4 Stars

I suspect a certain worldview is required to fully enjoy this album, the major component of which is an almost preternatural attraction to the weird and excessive. Fortunately I have that in spades, so when a drunken friend (in whose tastes I have great faith - he reccomended Pulp and Six Feet Under, after all) mentioned this doozy, I was intrigued enough to go out and buy it.

First of all, this album achieves two reasonably important things: it delivers exactly what it promises, and it does so with an almost frightening consistency. Any album with just shy of three full hours of music is bound to have some filler, but there's almost nothing here that doesn't work on at least some level, and a good third of the songs are actually great. That's more than some bands achieve in an entire career.

Musically speaking, this is a low-fi, indie pop album (read: it sounds like it was recorded in a basement - and that's a virtue). That said, it runs the gamut. 'Fido, Your Leash is Too Long' is an odd, synth-drenched, funky jam; 'A Chicken With Its Head Cut Off' is a sweet and lowdown number that draws on classic country influences; 'My Sentimental Melody' sounds like something They Might Be Giants would record in one of their softer moments (at least to me), 'Absolutely Cuckoo' is a four-part harmony vocal dubbed over a ukelele - and that's just a scratch on the surface of disc one.

From a lyrical point of view, these are all love songs, true. But love is a many splendored thing, isn't it? There are happy love songs ('Papa Was a Rodeo', for example, seems to expect rejection until it finds a shared experience), sad love songs ('I Don't Believe in the Sun' asks why everyone else seems happy when it's miserable after the loss of a lover), abstract, emotional love songs ('The Book of Love' is a rumination on the nature of the emotion itself), lustful leerings ('Underwear' claims there's nothing better than either sex in their ... well, underwear), etcetera, etcetera. To dissect every song would take a very LONG time, but you get the idea.

While each song has the same identifying overall aesthetic, a distinct variety is well achieved. It's this diversity that gives the album it's part of it's substantial appeal. Part of the joy of listening to this is just hearing each unique point of view back to back, trying to expect what's going to come next.

Stephen Merritt covers all this in a pleasant, ever-so-slightly slurred croon and with a pervasive sense of wry, somewhat self-depricating humor. The other vocalists all do a good turn when they come around, which happens often enough, but Merritt is the driving force, and he carries the project.

So, conclusions: I watch a lot of tv, and I listen to a lot of music. The former has miniaturized my attention span to that of a hyperactive squirrel and the latter has made me that much harder to impress. Yet I was not only able to sit down and listen to this entire album in one sitting, I was singing along (or trying to) by the second song on disc one. While it's true that this may not sit quite as comfortably on someone else's palate, odds are if you like pop music at all, you'll find at least a handful of tracks you'll like. And that's kind of the point - there's something for everyone. It's worth paying the price even if you end up distilling it down to one mixtape after a few listens.

By the way, this record can be purchased as three seperate discs, but I'd go ahead and get the box - the cumulative cost is about the same, and with the box you get a..um..box to keep the jewel cases in as well as an extensive booklet in which Merritt is interviewed about each song.

Overall, an immense artistic statement that succeeds incredibly well given it's mass. 9/10, or 4.5/5

More 69 Love Songs free music reviews:
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Description of 69 Love Songs

Re-mastered limited edition (3,000) deluxe vinyl re-issue of their classic 1999 3-CD box set rumination on love. Funny, smart, dark, and memorable. Stephin Merritt solidifies his songwriting genius on his "most ambitious and fully realized work" - AMG. Beautifully packaged in a 10-inch slip case box with three double gatefold sleeves and the original booklet in 10-inch size. Includes coupon for MP3 download of entire album.
Singer-songwriter Stephen Merritt's ironically morose lyrics, Tin Pan Alley stylings, sugary melodies, and idiosyncratic sound have earned his band the Magnetic Fields cult status and the adulation of grad students everywhere. The ambitious, genre-hopping, and intensely heart-tugging three-disc set 69 Love Songs probably won't gain Merritt the wider recognition he deserves, but the clever misanthrope likely wouldn't have it any other way. --Mike McGonigal
Initially conceived as 100 love songs arranged in alphabetical order for theatrical revue performance, Stephin Merritt--indie-pop songsmith and Magnetic Fields spearhead--downsized his ambitious concept project to 69 Love Songs, his first recording under this moniker in four years. Parleyed into three volumes, Merritt, as on other outings, is joined by a rotating cast of musicians including manager Claudia Gonson. These players take on the role of orchestra and cast to Merritt's madcap composer, librettist, and performer, augmenting his lo-fi electronic-based rock with sparkling instrumental touches and narrative vocals for a portion of his absurdly wondrous ditties. Endlessly intriguing, the Fields revisit not only earlier themes of love both shunned and requited, but continue to forge a seemingly impossible synthesis of country-tinged Euro-pop and old-school musical theater. No stranger to melancholy, Merritt's twinkly music-box world, in shades of resplendent violet, is beautifully peopled with incurable romantics who drop pop-culture references and shed gender identity as often as most folks change their underpants. Not surprisingly, 69 Love Songs is delicious defeat on the romance front while pulling ahead as Merritt's most coherently engaging listen. --Paige La Grone

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