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Music of Spain [Box Set]
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CD DetailsComposer: Luis de Milan Composer: Luys de Narvaez Composer: Alonso de Mudarra Composer: Fernando Sor Composer: Dionysio Aguado Composer: Enrique Granados Composer: Isaac Albeniz Composer: Francisco Tarrega Composer: Joaquin Malats Composer: Emilio Pujol Composer: Miguel Llobet Composer: Joaquin Turina Composer: Santiago de Murcia Composer: Luigi Boccherini Composer: Joaquin Rodrigo Conductor: John Eliot Gardiner Conductor: Leo Brouwer Orchestra: Chamber Orchestra of Europe Orchestra: RCA Victor Chamber Orchestra Edition: Music CD Format: Box set CD Release Date: 2005-09-06 Music Label: RCA Soundtracks: Music CD 1- Pavan for vihuela No 1
- Pavan for vihuela No 5
- Pavan for vihuela No 6
- Fantasia No 22 (El maestro)
- Tento for vihuela No 1
- Pavan for vihuela No 4
- Cancion del emperador, for vihuela
- Ya se asienta el Ramiro
- Diferencias on 'O Gloriosa Domina'
- Diferencias on 'Conde Claros' for guitar
- Diferencias (3) de un otra parte
- Baxa de contrapunto
Music CD 2- Fantasie for guitar, No 2, Op. 30: Introduction: Lentemente
- Fantasie for guitar, No 2, Op. 30: Theme: Allegretto
- Fantasie for guitar, No 2, Op. 30: Variations 1 to 5
- Fantasie for guitar, No 1 in C, Op. 7: Largo non tanto
- Fantasie for guitar, No 1 in C, Op. 7: Theme: Andante
- Fantasie for guitar, No 1 in C, Op. 7: Variations 1 to 7
- Introduction, Theme & Variations on a theme from Mozart's 'The Magic Flute,' for guitar, Op. 9: Introduction: Andante largo
- Introduction, Theme & Variations on a theme from Mozart's 'The Magic Flute,' for guitar, Op. 9: Theme: Andante moderato
- Introduction, Theme & Variations on a theme from Mozart's 'The Magic Flute,' for guitar, Op. 9: Variations 1 to 5
- Rondo Brillant for guitar No. 1 in E major, Op. 2/1: Adagio
- Rondo Brillant for guitar No. 2 in A minor, Op. 2/2: Polonaise
- Rondo Brillant for guitar No. 3 in D major, Op. 2/3
Music CD 3- Cuentos de la juventud (Scenes of Childhood), pieces (10) for piano, Op. 1, H. 39, DLR 4:2: Dedicatoria
- La maja de Goya, song for soprano & piano (Tonadillas al estilo antiguo, No. 8), H. 136/8
- Spanish Dances (12), in 4 volumes for piano, Op. 37, H. 142, DLR 1:2: Villanesca, No. 4 in G
- Spanish Dances (12), in 4 volumes for piano, Op. 37, H. 142, DLR 1:2: Andaluza, No. 5 in E Minor
- Mallorca, barcarola for piano in F sharp minor, Op. 202, B. 41
Music CD 4- Mazurka for guitar in G major
- Etude for guitar in A
- Marieta, mazurka for guitar
- Prelude for guitar No. 15 in A minor
- Recuerdos de la Alhambra, for guitar
- Piece No 3 for guitar, 'Tango Espagnol'
- Piece No 2 for guitar, 'Guajira' or 'Evocacion Cubana'
- Canciones Populares Catalanas (13), folksong arrangements for guitar: La nit de Nadal
- Canciones Populares Catalanas (13), folksong arrangements for guitar: La rossinyol
- Canciones Populares Catalanas (13), folksong arrangements for guitar: El Mestre
- Canciones Populares Catalanas (13), folksong arrangements for guitar: La filadora
- Canciones Populares Catalanas (13), folksong arrangements for guitar: El testament d'Amelia
- Canciones Populares Catalanas (13), folksong arrangements for guitar: Plany
- Canciones Populares Catalanas (13), folksong arrangements for guitar: El Noi de la Mare
- Canciones Populares Catalanas (13), folksong arrangements for guitar: L'heureu Riera
- Fandanguillo, for guitar, Op. 36
- Sevillana, fantasia for guitar, Op. 29
Music CD 5- Fantasia No 14, for vihuela
- Cancion del emperador, for vihuela
- Diferencias on 'Conde Claros' for guitar
- Fantasia No 10, for vihuela
- Prelude and Allegro, for guitar
- Quintet for guitar & strings in D major ('Fandango'), G. 448 (arrangement of String Quintets, G. 270 & 341): Fandango
- Grand Solo for guitar, Op. 14
- Rondo Brillant for guitar No. 3 in D major, Op. 2/3: Rondo
- Introduction, Theme & Variations on a theme from Mozart's 'The Magic Flute,' for guitar, Op. 9: Introduction: Andante largo
- Introduction, Theme & Variations on a theme from Mozart's 'The Magic Flute,' for guitar, Op. 9: Theme: Andante moderato
- Introduction, Theme & Variations on a theme from Mozart's 'The Magic Flute,' for guitar, Op. 9: Variations 1 to 5
- Fantasie for guitar, No 1 in C, Op. 7
- Sonata for guitar in C Minor, Op. 25: Minuet
Music CD 6- Concierto de Aranjuez, for guitar & orchestra: Allegro con spirito
- Concierto de Aranjuez, for guitar & orchestra: Adagio
- Concierto de Aranjuez, for guitar & orchestra: Allegro gentile
- FantasÃa para un gentilhombre, for guitar & orchestra: Canario
Music reviews of Music of Spain [Box Set]Music Review: The classical heritage Rating: 5 Stars
The visible embellishment of this noble instrument was enriched still more by the Spanish composers, who following the traces of his contemporaries. In the case of Fernando Sor, Haydn was his musical guide, where as Aguado, could establish himself with major vehemence, due its particular style, based in the notable right-hand articulation, eschewed the classical patterns, being able to print his own music a flamboyant and refined character.
In the particular case of Fernando Sor, we have a wisdom blending of the counterpoint technique, an evocative mood from his own that, added the well known influence of the Italian composers (Domenico Cimarrosa and Giovanni Batista Pergolesi) and his beloved love for the Operatic genre, allowed him to enrich still more the lyrical possibilities of the guitar. Besides, unlike Nicolo Paganini, for instance fortunately did not transform the guitar in a simple device to show his overwhelming gifts. He used the guitar to play music, on the opposite approach of Paganini who used the music as mere device to play his instrument.
In the guitar genre there has not been most deserved and superb tribute to Mozart that this Variations Op. 9 based on a motive of The most famous Mozart ?s Magic Flute. Loaded of such imaginative freshness and enraptured inspiration you may notice that one of the Variations conserves an undeniable Italian flavor; this is one of the most beloved hidden treasures the guitar can offers us, which raise with special charm in the hands of this formidable soloist.
Aguado on the contrary acquired due his personal state of things, a notable adroitness who excelled by far, to Sor, so his musical approaches rode in opposite directions, trying to exploit at maximum levels the technical possibilities of the instrument.
Julian Bream makes a colossal tribute to both composers in this egregious and golden album.
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