Beethoven: Violin Concerto; Violin Romances

Beethoven: Violin Concerto; Violin Romances

Beethoven: Violin Concerto; Violin Romances
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CD Details

Composer: Ludwig van Beethoven
Conductor: David Zinman
Orchestra: Zurich Tonhalle Orchestra
Performer: Christian Tetzlaff
Edition: Music CD
CD Release Date: 2006-06-13
Music Label: Arte Nova Classics
Soundtracks:
  1. Allegro Ma Non Troppo
  2. Larghetto
  3. Rondo
  4. Adagio, Allegro Con Brio
  5. Adagio Cantabile

Music reviews of Beethoven: Violin Concerto; Violin Romances

Music Review: Revelatory
Rating: 5 Stars

I approached this recording with trepidation. I have not been impressed with Zinman's Beethoven in the past, finding it lacking tension and cohesion. On the other hand, I can't stand what I find a hectoring quality in so many Beethoven interpretations. I'd read and heard that the current performance provided the proverbial breath of fresh air, but how many times has that phrase been trotted out? Listening to what Tetzlaff and Zinman do in this work, though, I was stunned. As a point of reference, my benchmark interpretation has been the Perlman/Giulini on EMI which, sadly, is starting to show its age sonically.

The very first notes of the present performance announced something new. Rather than the deep drumbeats I was used to hearing there was a lighter tapping, as if on a military drum, that sounded more "authentic." At the beginning of the opening tutti, though, I was afraid the performance would be too militant or, with the way Zinman stressed the four- (or five-) note motif that runs throughout the first movement, unsubtle (I think it is in a couple of places, but not fatally so), but such fears were, for the most part, put to rest with the expansive second theme group, lovingly but never indulgently phrased. Throughout there was a widening of the emotional compass that I wasn't used to and an absolutely superb interplay between soloist and conductor. Tetzlaff's tone could charitably be described as silvery, though I find it a little thin for my liking, reminding me of the astringent tone of Zino Francescatti, whose performance of this work, I now remember, was my introduction to it back in high school. But Tetzlaff seems to find something compelling to say at every turn--not necessarily "new" but intelligent and expressive enough to keep the ear perked at all times. Perhaps Zinman needed a soloist of this caliber to keep his own interpretation so consistently stimulating. For my money, this is easily the best of all Zinman's Beethoven recordings.

The slow movement was touching in its simplicity; kudos to the performers for refusing to indulge in bathos. The music is profoundly moving as Beethoven wrote it, nobody needs to point that out in their interpretation. But it was the finale that left me cheering; never before had I heard such a sense of joy and rapture in Beethoven. Uplifting. Enlivening. With superb sound and orchestral work in all departments (the brass nicely present and not swamped by the strings), it was an unmitigated pleasure for me to finish listening to this, thinking not so much "What a great performance" as "What a great piece of music!"
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Description of Beethoven: Violin Concerto; Violin Romances

"One of the most brilliant and inquisitive artists of the new generation." -NEW YORK TIMES

As is generally known, Beethoven later transcribed his violin concerto as a piano concerto, for which he wrote some additional solo cadenzas. Christian Tetzlaff has in turn transcribed these original piano cadenzas for the violin. According to Tetzlaff, the cadenzas by Fritz Kreisler that are usually heard are "alien ? in purely harmonic terms, but also in terms of the concept and the idea behind them. Beethoven pursues an entirely different approach in his original piano cadenzas". Voted the 2005 Instrumentalist of the Year by Musical America, Tetzlaff regularly gives guest performances as a soloist and chamber musician in all the international musical centers, such as at New York?s Carnegie Hall and Lincoln Center, the Concertgebouw Amsterdam and Vienna?s Musikverein as well as in London, Paris, Berlin, and Munich. He has been awarded several prizes for his numerous CD recordings, including two Diapason d?Ors, the Edison Prize, the Echo Prize, and nominations for the Grammy Awards. This recording offers one of today?s leading soloists along with conductor David Zinman, whose Beethoven recordings are praised by critics and fans. David Zinman has risen to the pinnacle of his career in the last decade. After bringing the Baltimore Symphony to major status, he became musical director of the Aspen Music Festival and then took the helm of Zurich?s beloved Tonhalle Orchestra, with which he has undertaken highly successful tours of Europe, the U.S. and Asia. Zinman?s discography, which includes over 100 recordings, has won five Grammys and two Grands Prix du Disque. Zinman?s complete Beethoven symphony set with this same orchestra received the Award of the German Record Critics in 1999 and has since gone from one rave review to another. Founded in 1868, the Zurich Tonhalle Orchestra is Switzerland?s oldest symphony orchestra. Today it gives over 90 concerts each season, featuring more than 50 different programs with the world?s leading conductors and solo artists.

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