Beethoven: Symphony No. 6, Schubert: Symphony No. 5 / Böhm, Vienna Philharmonic Orch.

Beethoven: Symphony No. 6, Schubert: Symphony No. 5 / Böhm, Vienna Philharmonic Orch.

Beethoven: Symphony No. 6, Schubert: Symphony No. 5 / Böhm, Vienna Philharmonic Orch.
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CD Details

Composer: Ludwig van Beethoven
Composer: Franz [Vienna] Schubert
Conductor: Karl Böhm
Orchestra: Vienna Philharmonic Orchestra
Edition: Music CD
CD Release Date: 1996-05-14
Music Label: Deutsche Grammophon
Soundtracks:
  1. Symphony No. 6 In F Major 'Pastoral', Op. 68: Awakening of Cheerful Feelings upon Arrival in the Country
  2. Symphony No. 6 In F Major 'Pastoral', Op. 68: Scene by the Brook
  3. Symphony No. 6 In F Major 'Pastoral', Op. 68: Merry Gathering of Country Folk
  4. Symphony No. 6 In F Major 'Pastoral', Op. 68: Thunderstorm
  5. Symphony No. 6 In F Major 'Pastoral', Op. 68: Shepherd's Song: Happy and Thankful Feelings after the Storm
  6. Symphony No. 5 In B-Flat Major, D. 485: 1. Allegro
  7. Symphony No. 5 In B-Flat Major, D. 485: 2. Andante con moto
  8. Symphony No. 5 In B-Flat Major, D. 485: 3. Menuetto. Allegro molto - Trio
  9. Symphony No. 5 In B-Flat Major, D. 485: 4. Allegro vivace

Music reviews of Beethoven: Symphony No. 6, Schubert: Symphony No. 5 / Böhm, Vienna Philharmonic Orch.

Music Review: A magical performance and a transcendent experience
Rating: 5 Stars

This is one of my favorite recordings ever. Karl Böhm, one of the most sadly underrated conductors of the twentieth century, turns in an absolutely magical interpretation of Beethoven's gorgeous Sixth. It is difficult to describe what makes this such a miraculous performance. The main reason is that Böhm doesn't feel the need to give us "Karl Böhm's version of Beethoven's Sixth Symphony." He simply allows Beethoven to speak directly to us, with his conducting merely enhancing and intensifying what is already in the music. He paints the symphony vividly and with an enormous range of astonishingly beautiful colors - he draws the most intoxicating orchestral playing I have ever heard, on any set, out of the Vienna Philharmonic Orchestra. The sound is unbelievably gorgeous, but it's always meaningful, and is always a true Beethoven sound. The strings' translucent radiance and refined beauty are truly stunning, the brass is enormously rich and sonorous, the timpani are clear and incisive, but the most amazing section of the orchestra is the woodwind. The flute, oboe, clarinet and bassoon all produce the most glorious sound, phrasing ardently and radiating an almost otherworldly light. The tender beauty of the flute and oboe solos in the central section of the Scene by the Brook is almost overwhelming. That movement is perhaps the most exceptional part of an exceptional recording. Böhm takes fourteen minutes over this movement, but he has the extremely rare gift of superbly sustaining slow tempi, with the result that this performance flows more smoothly than many much quicker performances, while the actual spaciousness of the tempo aids the conveying of the movement's stillness and serenity. A slower tempo also means the movement is longer, a cause for rejoicing when given the level of the performance! Böhm's orchestral sound and texture in this movement is also exceptional, with woodwinds and violins soaring over a rustling, gloriously warm and transparent bass including two gorgeous solo cellos. But it's wrong to single out one movement of this exceptionally cohesive, unified recording. The first movement is twelve minutes of pure delight. Böhm takes a very sensible tempo, one which allows the music time to breath and unfold without ever impeding the flow of the music. His performance is wonderfully feeling and emotional without ever becoming sentimental: indeed, he is one of the very few conductors who don't kill the very first phrase by indulging in a big ritardando at its close. He takes the exposition repeat, which enhances the structure of the movement and balances the symphony as a whole. The Scene by the Brook, as I have mentioned, is glorious. The Scherzo is just as fabulous. Böhm takes what I suppose is a somewhat slower tempo than usual, but it's hard to tell because it has such a strong rhythmic pulse and drive that it's impossible to say the tempo is slow. Rather, he gives every note time to be articulated clearly, something many swifter performances miss. It is the vivid country atmosphere to the performance that is most compelling, though. He also takes the repeat. The storm is absolutely terrifying, probably the most vivid performance of this movement on disc, firmly refuting any notion that Böhm was an uninvolving or boring conductor. The rainbow-like transition to the finale is handled with superb skill, and the glorious finale itself flows serenely from the opening horn-call to the miraculously beautiful, almost religiously fervent sotto voce string chorale in the coda nine minutes later. This performance is remarkable for its ability to evoke an emotion or scene vividly. The emotions this performance produces in the listener, both during and after listening, are better experienced than described. All I'm going to say is that this is one of the most magical, overwhelming recordings ever made. The coupling is a delightful performance of the Schubert Fifth, made a few years later. It is characterized by the same radiant orchestral playing the Pastoral enjoys, and a delightful feeling of playfulness and joy. This disc is one of the greatest achievements in the history of recorded music, and is an unbeatable bargain at mid-price. The Pastoral is one of the most emotional, magical, and miraculous experiences recordings can convey. I have listened to this recording at least fifty times, and I have never found the smallest flaw in it. This is one of those very few great recordings I just can't say enough about. Seventy-four minutes of sheer bliss. Enjoy!
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Description of Beethoven: Symphony No. 6, Schubert: Symphony No. 5 / Böhm, Vienna Philharmonic Orch.

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For many music lovers, this is the most purely beautiful performance of Beethoven's most purely beautiful symphony ever recorded. The playing of the Vienna Philharmonic is the last word in gorgeousness--the woodwind chords chime with such purity that they practically glow with an inner light. But it's not a self-indulgent interpretation at all: the storm rages as violently as anyone has a right to expect, and Karl Böhm keeps the music moving along impulsively, always highlighting the symphonic strength of Beethoven's musical argument. What makes the recording even more special is a Schubert Fifth with exactly the same qualities. Someone at DG clearly knows where the treasures are buried. A great disc. --David Hurwitz

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