Lost in Space

Bruce Broughton - Lost in Space

Lost in Space
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CD Details

Artist: Bruce Broughton
Edition: Music CD
Format: Soundtrack
CD Release Date: 1999-03-23
Music Label: Intrada
Soundtracks:
  1. Prologue (00:57)
  2. Preparing For Space (02:31)
  3. The Launch (06:22)
  4. Robot Attack (03:21)
  5. Into The Sun (06:21)
  6. Spiders (10:22)
  7. A New World (01:25)
  8. Guiding Stars (01:37)
  9. The Time Bubbles (02:21)
  10. Smit's Plan (01:21)
  11. Will & Smith Explore (02:00)
  12. Will's Time Machine (04:24)
  13. Spider Smith (02:39)
  14. Facing The Monster (08:46)
  15. Attempted Escape (01:26)
  16. The Time Portal (02:42)
  17. Through The Planet (02:31)
  18. Back To Hyperspace (01:38)
  19. Fanfare For Will (00:27)
  20. Lost In Space (03:24)

Music reviews of Lost in Space

Music Review: Broughton does it again!
Rating: 5 Stars

Bruce Broughton is one of the best composers of our time. He sounds very reminiscient of John Williams at times and know how to pull something off. I am a big fan of his scores for the various Disney attractions like Ellen's Energy Adventure, Timekeeper, The Making of Me and various others I just knew that I had to get this album. It was definitely worth the money and for 60+ minutes of music I was definitely pleased with the product. The entire album is based on variations of two central scores; the main theme and Smith's theme.

Prologue: While this composition does not appear in the movie it's nice to listen to the calmness of the piece.

Preparing For Space: One of the best tracks on the album Preparing for space contains both the main theme, Smith's theme and the theme when Major West and John Robinson first enter Jupiter 2. It is interesting how the themes contrast from each other. The main theme is incredibly soothing while Smith's theme is dark and coniving.

The Launch: Easily the best track on the album Launch starts with a variation of Smith's theme that quickly transcends into the loud and dramatic blast of the main theme. It softens down and ends up picking up again just for the launch.

Robot Attack: The first 20 seconds start off in a silent trumpet solo that reminds me alot of one cue from John William's ET score. After a few seconds of silence it suddenly pops out an intense, action filled score that fits the scene perfectly.

Into The Sun: This track definitely picks up the tension. Variations of the main theme and Smith's theme are mixed evenly throughout while some other dramatic cues take over.

Spiders: This is the longest track on the album. Spiders starts off in a slow and quiet theme where you can hear some variations of the main theme if you listen close enough. This fits the scene where the Robinson's come across and board the not so deserted ship The Proteus. The score immediately changes to a dark and somewhat scary theme that sets the mood and tension. This suddenly changes in a bang to an intense action piece that takes up nearly half of the album and ends off with the dramatic variation of the main theme when Jupiter 2 crashes.

A New World: This track starts off as an airy choir cue that becomes increasingly darker as it progresses.

Guiding Stars: A more emotional track that can easily be called the love theme of the album. Half of the track is another variation on the main theme while the other half is a light sensitive piece.

The Time Bubbles: Time Bubbles starts off with the choir from A New World while some new cues appear throughout the rest of the track. It is refreshing to listen to.

Smith's Plan: Most of the track is a darker variation of Smith's theme.

Will and Smith Explore: The track has a very airy disquieting feel to it which is complemented by several darker cues that line the song.

Will's Time Machine: The first half of this song is dark and intense while the other half is an extended variation on the main theme.

Spider Smith: While the song could have been darker for the character it portrayed it serves it's purpose. Spider Smith is dark "remix" of Smith's theme.

Facing The Monster: The song is mostly made up of the theme song with some variations of the airy cue from A New World thrown in. The rest is a dark theme used in John's battle with Spider Smith. It fits perfectly.

Attempted Escape: This is a dramatic version of the main theme.

The Time Portal: It's mostly a dark, dramatic and emotional version of the main theme.

Through The Planet: One of the tracks I was disappointed in because most of it was cues from Robot Attack. The track sounds grat though so I'm not complaining.

Back to Hyperspace: Back to Hyperspace is mostly the main theme with a great sounding ending that is a fresh way to end the film.

Fanfare for Will/Lost in Space: Both of these don't appear at all in the movie but I highly recommend listening to them as they both do a great job of finishing off the album.

All that said I highly recommend this album if you are a fan of Broughton or just a soundtrack lover in general.

Description of Lost in Space

The summer of 1998 heralded the big screen debut of one of television's most classic science-fiction shows: Irwin Allen's Lost in Space. The saga of the space family Robinson unfolds when a saboteur sneaks aboard the Jupiter 2 with the intent of destroying the mission and is unwittingly trapped aboard during takeoff. While the destruction of the Jupiter 2 is averted, enough damage is done to send the space ship hurtling through space on an unknown course. Starring William Hurt, Gary Oldman, and Mimi Rogers, Lost in Space made a spectacular premiere last summer. To give Lost in Space a sound that would capture the incredible on-screen adventures, composer Bruce Broughton (Silverado, Tombstone) created a major, epic score. With grand orchestral splendor for the launch of the Jupiter 2 from Earth, aggressive dissonance in the action scenes, and a rich palette of symphonic color throughout, Broughton has made the Robinson's world a spectacular soundscape. A soundtrack album released on another label at the time of the film's premiere included a collection of rock songs and a suite of excerpts from the Broughton score. This new edition provides a comprehensive recording of Broughton's score, totaling 67 minutes -- all stunningly played by the Sinfonia Of London.

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