Bizet: Carmen / Price, Corelli, Merrill, Freni; Karajan

Bizet: Carmen / Price, Corelli, Merrill, Freni; Karajan

Bizet: Carmen / Price, Corelli, Merrill, Freni; Karajan
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CD Details

Composer: Georges Bizet
Conductor: Herbert von Karajan
Orchestra: Vienna Philharmonic Orchestra
Performer: Vienna State Opera Choir
Performer: Vienna Boys' Choir
Edition: Music CD
Format: Box set, Original recording remastered
CD Release Date: 1997-02-03
Music Label: RCA
Soundtracks:
Music CD 1
  1. Carmen: Overture - G. Bizet
  2. Carmen: Sur la place, chacun passe - G. Bizet
  3. Carmen: Regardez donc cette petite (Micaela) - G. Bizet
  4. Carmen: Avec la garde montante (Don Jose) - G. Bizet
  5. Carmen: C'est bien la (Don Jose) - G. Bizet
  6. Carmen: La cloche a sonne - G. Bizet
  7. Carmen: La voila, la voila (Carmen) - G. Bizet
  8. Carmen: L'amour est un oiseau rebelle (Carmen) - G. Bizet
  9. Carmen: Carmen! sur tes pas - G. Bizet
  10. Carmen: Quels regards! Quelle effronterie (Don Jose) (Micaela) - G. Bizet
  11. Carmen: Parle-moi de ma mere (Don Jose) (Micaela) - G. Bizet
  12. Carmen: Reste la maintenant, pendant que je lirai (Don Jose) (Micaela) - G. Bizet
  13. Carmen: Que se passe-t-il donc la-bas? - G. Bizet
  14. Carmen: Mon officier, c'etait une querelle (Don Jose) - G. Bizet
  15. Carmen: Tralalalala, coupe-moi, brule-moi (Carmen) (Don Jose) - G. Bizet
  16. Carmen: Pres des ramparts de Seville (Carmen) (Don Jose) - G. Bizet
  17. Carmen: Voici l'ordre; partez (Carmen) - G. Bizet
Music CD 2
  1. Carmen: Entr'acte - G. Bizet
  2. Carmen: Act 2 - Les tringles des sistres tintaint (Gypsy Song) (Carmen) - G. Bizet
  3. Carmen: Act 2 - Messieurs, Pastia me dit (Carmen) - G. Bizet
  4. Carmen: Act 2 - Vivat! vivat le Toréro - G. Bizet
  5. Carmen: Act 2 - Votre toast, je peux vous le rendre (Toreador Song) (Escamillo) - G. Bizet
  6. Carmen: Act 2 - La belle, un mot (Escamillo) - G. Bizet
  7. Carmen: Act 2 - Eh bien, vite, quelles nouvelles? (Carmen) - G. Bizet
  8. Carmen: Act 2 - Nous avons en tête une affaire (Quintet) (Carmen) - G. Bizet
  9. Carmen: Act 2 - Mais qui donc attends-tu? (Carmen) - G. Bizet
  10. Carmen: Act 2 - Halte là! Qui va là? (Don Jose) (Carmen) - G. Bizet
  11. Carmen: Act 2 - Enfin c'est toi! (Carmen) (Don Jose) - G. Bizet
  12. Carmen: Act 2 - Lalalala - Attends un peu, Carmen (Don Jose) (Carmen) - G. Bizet
  13. Carmen: Act 2 - La fleur que tu m'avais jetés (Flower Song) (Don Jose) - G. Bizet
  14. Carmen: Act 2 - Non! tu ne m'aimes pas (Carmen) (Don Jose) - G. Bizet
  15. Carmen: Act 2 - Holà! Carmen! Holà! Holà! (Don Jose) (Carmen) - G. Bizet
  16. Carmen: Act 2 - Bel officier, bel officier (Carmen) (Don Jose) - G. Bizet
Music CD 3
  1. Carmen: Entr'acte - Georges Bizet
  2. Carmen: Act 3 - Ecoute, ecoute, compagnon, ecoute (Carmen) (Don Jose) - Georges Bizet
  3. Carmen: Act 3 - Reposons-nous une heure ici (Carmen) (Don Jose) - Georges Bizet
  4. Carmen: Act 3 - Melons! Coupons! (Card Scene) (Carmen) - Georges Bizet
  5. Carmen: Act 3 - Eh bien? - Eh bien (Carmen) - Georges Bizet
  6. Carmen: Act 3 - Quant au douanier, c'est notre affaire (Carmen) - Georges Bizet
  7. Carmen: Act 3 - C'est des contrebandiers (Micaela) - Georges Bizet
  8. Carmen: Act 3 - Je dis que rien ne m'epouvante (Micaela's Air) (Micaela) - Georges Bizet
  9. Carmen: Act 3 - Je ne me trompe pas (Micaela) (Don Jose) - Georges Bizet
  10. Carmen: Act 3 - Je suis Escamillo, Torero de Grenade! (Escamillo) (Don Jose) - Georges Bizet
  11. Carmen: Act 3 - Hola, hola Jose! (Carmen) (Escamillo) (Don Jose) - Georges Bizet
  12. Carmen: Act 3 - Moi, je viens te chercher! (Micaela) (Don Jose) (Carmen) - Georges Bizet
  13. Carmen: Act 3 - Helas, Jose! (Micaela) (Don Jose) (Escamillo) - Georges Bizet
  14. Carmen: Entr'acte - Georges Bizet
  15. Carmen: Act 4 - A deux cuartos ! - Georges Bizet
  16. Carmen: Act 4 - Les voici! Voici la quadrille! - Georges Bizet
  17. Carmen: Act 4 - Si tu m'aimes, Carmen (Escamillo) (Carmen) - Georges Bizet
  18. Carmen: Act 4 - C'est toi! - C'est moi! (Carmen) (Don Jose) - Georges Bizet
  19. Carmen: Act 4 - Ou-vas-tu? - Laisse-moi! (Don Jose) (Carmen) - Georges Bizet

Music reviews of Bizet: Carmen / Price, Corelli, Merrill, Freni; Karajan

Music Review: Pinch me...
Rating: 5 Stars

This has got to be Bizet's most popular, most loved opera. And why not? It has so much to entrance and enrapture the listener: entertainment from beginning to end, good plot, and excellent songs that keep you humming long after they're done. However, Carmen was certainly not popular back when it debuted one night in 1875 at the Théâtre de la Opéra-Comique in Paris. Bizet was most worried about this opera premiering there, as well he should have been since the Parisiennes were used to light comedy with a touch of irony. Carmen was certainly not "light" at all and was accused of being immoral and obscene. Many changes were performed, including putting the recitative to music and having it sung instead of spoken. Finally though (after years actually) they warmed up to it, and "verismo" opera was widely accepted and celebrated. Ever since, Carmen has been a mainstay at opera houses due to its great popularity. I've seen it twice myself, and also have this recording with Leontyne Price in the title role.

I absolutely love this recording. And it's not just the voices that I love. This version (I don't have the other recorded versions to compare it with by the way and so I cannot comment on this one as compared to the others) contains many sound effects that make it just that much more real. The bell chime to call the ladies back to work, the swords being drawn, the crowd noises and shrieks, everything. As for the singing, it's first rate in my mind.

Leontyne Price as Carmen is a very fresh sound to hear. Normally we hear mezzos with dark voices singing the part. And although they do it well, I find their voices sometimes muffled and diction becomes poor and almost unbearable. Ms. Price has done a fantastic job with this role, with an acceptable French accent, good diction, and good coloration of both tone and phrasing. She knows just when a darker voice is needed to convey the mood and when not. I also like her interpretations of some of the arias and duets, very refreshing but also intelligent and true to style. I must also rave about her acting here; it's not just some dry interpretation of the music and singing all the time. She does a wonderful job of conveying her emotions especially at the end of Act 4 in her confrontation with Don José (Corelli). You can hear the brazen truth when she says "je n'aime plus" to respond to his question if she loves him. Disgust and complete frustration are heard when she utters "laisse-moi passée! (let me by!)" It is hard to ignore her talent... Shortly after completing this role, she was Leonora in Il Trovatore and received a standing ovation for 42 minutes, breaking the record for that house (which one, I can't remember). She is definitely an excellent soprano and interpreter of music, especially with the role of Carmen.

Franco Corelli's Don José is a very good one. I was surprised to hear a good French accent at times, although it fizzled near the end (perhaps he was concentrating on the acting... I don't know). I was happy though to hear his voice in this role since it's more masculine than some and conveys the character well. He does a fine job all around.

All other parts sung were just great. Freni's Michaëla is very good. There might be better though when it comes to her aria in the third act (However, I'm comparing her to those I've seen live... It's just my opinion. Some of the reviewers before me have stated that she did a wonderful job). Every other supporting role is just fantastic. The duets and choruses are marvelously done. The Vienna Boy's Choir is a real treat. Their enunciation is as clear as a bell, and the voices were able to be heard over the large orchestra.

Herbert von Karajan does a splendid job of conducting the Vienna Philharmonic and choristers. Some people may not like his skills, but I thought that everything flowed perfectly and sounded just great, which is all that should be expected from a conductor I believe. He allowed a great sound for the singers to perform with and the opera thus flourishes.

Overall, I really love this recording and I probably won't get another one. When listening to it, I can picture everything as if I'm actually there in the opera house. The sound and acting is great as far as I'm concerned. It's a top-notch cast and a top-notch recording, and I'm proud to own it.

In response to the comments made by another reviewer, the accents are just fine. And yes, Corelli's French has never been very good, but it was better here than I've heard in some of his other recordings, except towards the end as I noted earlier. The others' accents are fine, comparing them to most performances done these days and in the past. There are rarely versions of this opera done with fantastic French accents, unless one chooses singers with a French background.

Well... there's my opinion. Take it for what it's worth. I hope I was helpful and perhaps enlightening.

More Bizet: Carmen / Price, Corelli, Merrill, Freni; Karajan free music reviews:
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Description of Bizet: Carmen / Price, Corelli, Merrill, Freni; Karajan

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