Bernstein: Wonderful Town (1999 Studio Cast)
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Canadian Music Store CD DetailsPerformer: London VoicesComposer: Leonard Bernstein Conductor: Simon Rattle Orchestra: Birmingham Contemporary Music Group Performer: Adolph Green Performer: Betty Comden Performer: Audra McDonald Performer: Kim Criswell Performer: Thomas Hampson Edition: Music CD Audio: English (Unknown); English (Original Language); English (Published) Format: Cast Recording CD Release Date: 1999-09-14 Music Label: EMI Classics Soundtracks:
Music reviews of Bernstein: Wonderful Town (1999 Studio Cast)Music Review: A great show
Having now immersed myself in this obnoxiously catchy score for about a week, I think I can safely say that "Wonderful Town" is the most spectacularly amusing and endearing venture into Broadway that Leonard Bernstein and friends made. This ensemble does them great justice, with fine orchestral playing and conducting from (Sir) Simon Rattle, and glorious singing from the London Voices and the soloists. At times the music is stereotypically Broadway-esque: it's got more vamps than "West Side Story" or "On the Town" and on some numbers there's an obvious build-up to a big "drag" ending. But therein lies both it's charm and the remarkable signature of its composer: no matter how "musical-ish" the piece may sound, it can only be the music of Leonard Bernstein. He is totally in his element here: the songs are fantastically melodic and memorable. The lyrics of Betty Comden and Adolph Green are top notch, and everything seems very well inspired. The "Ohio" duet (which I had never heard in its entirety until I got this CD) is satirical yet beautiful, and the "Conga" that ends the first act is terrific fun. The two (well really three) tracks that deserve special mention, though, are "Pass the Football" (sung with splendid precision by Brent Barrett), "Wrong Note Rag" (which doesn't sound half as "corny" as the score indicates or a few other recordings make it sound), and "Swing" (which has to be one of the sweetest tracks anyone has ever written for any Broadway spiel). The accompanying program booklet contains the entire libretto along with four fascinating different articles (if I may call them that) about the making of the show, the history of the story, and the synopsis (it even includes excerpts from an opening night review), and is well worth the price of admission by itself. It's somewhat hard to believe after listening to this excellent show that Broadway has survived how it has through so much vapid and really inconsequential music and writing. Comden, Green, and Bernstein were a treat and an honor, and this recording pays them a great tribute.
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