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L.V. Beethoven, Wilhelm Kempff - Beethoven: The Complete Piano Sonatas
CD DetailsArtist: L.V. Beethoven, Wilhelm Kempff Edition: Music CD Audio: English (Unknown) Format: Box set, Import CD Release Date: 2002-05-08 Music Label: Dg Imports Soundtracks: - Sonata No. 1 In F Minor Op. 2 No. 1 - 01 Allegro
- Sonata No. 1 In F Minor Op. 2 No. 1 - 02 Adagio
- Sonata No. 1 In F Minor Op. 2 No. 1 - 03 Menuetto. Allegretto
- Sonata No. 1 In F Minor Op. 2 No. 1 - 04 Prestissimo
- Sonata No. 2 In A Major Op. 2 No.2 - 01 Allegro Vivace
- Sonata No. 2 In A Major Op. 2 No.2 - 02 Largo Appassionato
- Sonata No. 2 In A Major Op. 2 No.2 - 03 Schrzo.Allegretto
- Sonata No. 2 In A Major Op. 2 No.2 - 04 Rondo. Grazioso
- Sonata No 4 In E Flat Major Op. 7 - 01 Allegro Molto E Con Brio
- Sonata No. 4 In E Flat Major Op. 7 - 02 Largo, Con Gran Espressione
- Sonata No. 4 In E Flat Major Op. 7 - 03 Allegro
- Sonata No. 4 In E Flat Major Op. 7 - 04 Rond. Poco Allegretto E Grazioso
- Sonata No. 3 In C Major Op. 2 No. 3 - 01 Allegro Con Brio
- Sonata No. 3 In C Major Op. 2 No. 3 - 02 Adagio
- Sonata No. 3 In C Major Op. 2 No. 3 - 03 Scherzo, Allegro
- Sonata No. 3 In C Major Op. 2 No. 3 - 04 Allegro Assai
- Sonata No. 5 In C Minor Op. 10 No. 1 - 01 Allegro Molto E Con Brio
- Sonata No. 5 In C Minor Op. 10 No. 1 - 02 Adagio Molto
- Sonata No. 5 In C Minor Op. 10 No. 1 - 03 Finale, Prestissimo
- Sonata No. 6 In F Major Op. 10 No. 2 - 01 Allegro
- Sonata No. 6 In F Major Op. 10 No. 2 - 02 Allegretto
- Sonata No. 6 In F Major Op. 10 No. 2 - 03 Presto
- Sonata No. 7 In D Major Op. 10 No. 3 - 01 Presto
- Sonata No. 7 In D Major Op. 10 No. 3 - 02 Largo E Mesto
- Sonata No. 7 In D Major Op. 10 No. 3 - 03 Menuetto, Allegro
- Sonata No. 7 In D Major Op. 10 No. 3 - 04 Rondo, Allegro
- Sonata No.8 In C Min Op.13 -Pathetique- Grave
- Sonata No.8 In C Min Op.13 -Pathetique- Adagio Cantabile
- Sonata No.8 In C Min Op.13 -Pathetique- Rondo, Allegro
- Sonata No.9 In E Maj Op.14 No.1 Allegro
- Sonata No.9 In E Maj Op.14 No.1 Allegretto
- Sonata No.9 In E Maj Op.14 No.1 Rondo, Allegro Comodo
- Sonata No.10 In G Maj Op.14 No.2 Allegro
- Sonata No.10 In G Maj Op.14 No.2 Andante
- Sonata No.10 In G Maj Op.14 No.2 Scherzo, Allegro Assai
- Sonata No.11 B-Flat Maj Op.22 Allegro Con Brio
- Sonata No.11 B-Flat Maj Op.22 Adagio Con Molta Espressione
- Sonata No.11 B-Flat Maj Op.22 Menuetto
- Sonata No.11 B-Flat Maj Op.22 Rondo, Allegretto
- Sonata No. 12 In A Flat Major Op. 26 - 01 Andante Con Variazioni
- - 2 - Scherzo. Allegro Molto
- - 3 - Marcia Funebre Sulla Morte D'un Eroe
- - 4 - Allegro
- No.13 - 1 - Andante
- - 2 - Allegro Molto E Vivace
- - 3 - Adagio Con Expressione
- - 4 - Allegro Vivace
- No.14 Moonlight - 1 - Adagio Sostenuto - Attacca-
- - 2 - Allegretto - Attacca-
- - 3 - Presto Agitato
- No.15 - 1 - Allegro
- - 2 - Andante
- - 3 - Scherzo. Allegro Vivace
- - 4 - Rondo. Allegro, Ma Non Troppo
- 01 - Sonata No. 16 In G Major Op. 31 No. 1 - 01 Allegro Vivace
- 02 - Sonata No. 16 In G Major Op. 31 No. 1 - 02 Adagio Grazioso
- 02 - Sonata No. 16 In G Major Op. 31 No. 1 - 03 Rondo, Allegretto
- 04 - Sonata No. 17 In D Minor Op. 31 No. 2 'Tempest' - 01 Largo - Allegro
- 05 - Sonata No. 17 In D Minor Op. 31 No. 2 'Tempest' - 02 Adagio
- 06 - Sonata No. 17 In D Minor Op. 31 No. 2 'Tempest' - 03 Allegretto
- 07 - Sonata No. 18 In E Flat Major Op. 31 No. 3 - 01 Allegro
- 08 - Sonata No. 18 In E Flat Major Op. 31 No. 3 - 02 Scherzo, Allegretto Vivace
- 09 - Sonata No. 18 In E Flat Major Op. 31 No. 3 - 03 Minuetto, Moderato E Grazio
- 10 - Sonata No. 18 In E Flat Major Op. 31 No. 3 - 04 Presto Con Fuoco
- 11 - Sonata No. 19 In G Minor Op. 49 No. 1 - 01 Andante
- 12 - Sonata No. 19 In G Minor Op. 49 No. 1 - 02 Rondo, Allegro
- 01 - Sonata No. 20 In G Major Op. 49 No. 2 - 01 Allegro, Ma Non Troppo
- 02 - Sonata No. 20 In G Major Op. 49 No. 2 - 02 Tempo Di Minuetto
- 03 - Sonata No. 21 In C Major Op. 53 'Waldstein' - 01 Allegro Con Brio
- 04 - Sonata No. 21 In C Major Op. 53 'Waldstein' - 02 Introduzione, Adagio Molto
- 05 - Sonata No. 21 In C Major Op. 53 'Waldstein' - 03 Rondo, Allegretto Moderato
- 06 - Sonata No. 22 In F Major Op.54 - 01 In Tempo D'un Menuetto
- 07 - Sonata No. 22 In F Major Op.54 - 02 Allegretto
- 08 - Sonata No. 23 In F Minor Op. 57 'Appassionata' - 01 Allegro Assai
- 09 - Sonata No. 23 In F Minor Op. 57 'Appassionata' - 02 Andante Con Moto - Atta
- 10 - Sonata No. 23 In F Minor Op. 57 'Appassionata' - 03 Allegro, Ma Non Troppo
- 11 - Sonata No. 24 In F Sharp Major Op. 78 - 01 Adagio Cantabile - Allegro, Ma N
- 12 - Sonata No. 24 In F Sharp Major Op. 78 - 02 Allegro Vivace
- Sonata No. 25 In G Major Op. 79 - 01 Presto Alla Tedesca
- Sonata No. 25 In G Major Op. 79 - 02 Andante
- Sonata No. 25 In G Major Op. 79 - 03 Vivace
- Sonata No. 26 In E Flat Major Op. 81a 'Les Adieux' - 01 Adagio - Allegro
- Sonata No. 26 In E Flat Major Op. 81a 'Les Adieux' - 02 Andante Espressivo
- Sonata No. 26 In E Flat Major Op. 81a 'Les Adieux' - 03 Vivacissimamente
- Sonata No. 27 In E Minor Op. 90 - 01
- Sonata No. 27 In E Minor Op. 90 - 02
- Sonata No. 29 In B Flat Major Op. 106 'Hammerklavier' - 01 Allegro
- Sonata No. 29 In B Flat Major Op. 106 'Hammerklavier' - 02 Scherzo, Assai Vivace
- Sonata No. 29 In B Flat Major Op. 106 'Hammerklavier' - 03 Adagio Sostenuto, App
- Sonata No. 29 In B Flat Major Op. 106 'Hammerklavier' - 04 Largo, Molto Risoluto
- Sonata No. 28 In A Major Op. 101 - 01 Allegretto Ma Non Troppo
- Sonata No. 28 In A Major Op. 101 - 02 Vivace Alla Marcia
- Sonata No. 28 In A Major Op. 101 - 03 Adagio, Ma Non Troppo, Con Affetto - Attac
- Sonata No. 28 In A Major Op. 101 - 04 Allegro
- Sonata No. 30 In E Major Op. 109 - 01 Vivace
- Sonata No. 30 In E Major Op. 109 - 02 Prestissimo
- Sonata No. 30 In E Major Op. 109 - 03 Andante Molto Cantabile Ed Espressivo
- Sonata No. 31 In A Flat Major Op. 110 - 01 Moderato Cantabile Molto Espressivo
- Sonata No. 31 In A Flat Major Op. 110 - 02 Allegro Molto
- Sonata No. 31 In A Flat Major Op. 110 - 03 Adagio, Ma Non Troppo - Fuga, Allegro
- Sonata No. 32 In C Minor Op. 111 - 01 Maestoso - Allegro Con Brio Ed Appassionat
- Onata No. 32 In C Minor Op. 111 - 02 Arietta, Adagio Molto Semplice E Cantabile
- Die Glocken Der Weltfriendskirehe In Hiroshima
- Ich Ruf Zu Dir Herr Jesu Christ
- Ansprache Anlablich Der Orgeleinweihung In Der Weltfriendenskirehe Hiroshima
- Wenn Ich Einmal Soll Scheiden
- Aus Meinem Leben
- 3. Scherzo- Allegro Energico
- Urber Das Klavier Und Das Klavierspielen
- Allegretto
- Begegnung Mit Ferruccio Busoni
- Es Ist Gewiblich An Der Zeit
- Uber Meine Beethoven Interpretation
- 1. Grave Allegro Di Molto E Con Brio
- 2. Adagio Cantabile
- 3. Rondo Allegro
- 1. Liederseelen Op. 56 No.1
- Alle Op. 56 No. 2
- Der Gesang Des Meeres Op. 56 No. 3
- In Einer Sturmnacht Op. 55 No. 1
Music reviews of Beethoven: The Complete Piano SonatasMusic Review: A fantastic cycle... Rating: 4 Stars
Wilhelm Kempff is most certainly among the most humane pianists in recorded history. This cannot be denied - even apart from his luminescent interpretations, you will hear him play a Bach chorale on the organ in the Church of Peace at Hiroshima on the bonus disc of this cycle. Sibelius once told him that he did not play "like a pianist, but like a human being". From his personality, one may already see what to expect in his playing...
First I'll get through his late sonatas. I am one of the few people I know of who is neither absolutely enthralled nor put off by his renditions of the final five sonatas. The last five of Beethoven's are works almost infinite in their range of emotion, spirituality, and even technicality, and no pianist I have ever heard plays all five of them equally well. As for Kempff, I notice two big keys in the way he plays them, one positive and one not so much. Bad news first: When it comes to the slow movements, he simply plays them too fast and too lightly. While he lets every note ring out beautifully, he does not allow his listener time to soak in the slower parts, such as the beginnings of the final movements of Op. 109 and Op. 111 as well as (and much more imporantly so) the adagio in Hammerklavier. This Adagio is undeniably a masterpiece - it goes through periods where it floats along pensively and wistfully to points where it bleeds with dark eroticism. Kempff's adagio has credit as a nocturnal whisper, but I do not feel it fully captures these elements of that work, mostly because of the speed at which he plays it (only about 15 minutes long, as opposed to its average length of about 17 - 19 minutes). However, Kempff's luminenscence provides us with an almost unique experience in many other parts of the late Beethovens... he almost seems to capture in his playing of certain parts the hours Ludwig spent at the keyboard improvising until he was content with what he heard. The fugues of Op. 110 and Hammerklavier, as well as the variations in Op. 111 are so magnificently and brightly portrayed, that it is impossible for me not to be taken by them every time I hear them.
As for the middle period sonatas (in my view those are Nos. 12 - 27 with the exception of Nos. 19 & 20 which were written much earlier than they were published, though most academics start the middle period at No. 21), I have not a single complaint with Kempff. These sonatas do not share the same spirituality as the late ones do, instead they are the product of a unity of Beethoven's fertile mind and soul... the middle work portrays Beethoven's dreams and fantasies put to music, for example the Waldstein sonata starts out playful and almost bluesy and ends in a flash of sparkling divinity; Sonata No. 12 begins pensively before sinking into the strange darkness of its funeral march and ending on the waterfalls and moonlit plains of its quick finale. Considering the dreamlike and ever-changing spirituality of these works, it is clear that few are apt to play them better than Kempff does, and I would have paid the price of this cycle for Nos. 12, 15, 21, and 24 alone!
In terms of the early sonatas, they are not as similar to Mozart as many will have you believe, though they do have their share of Mozartine moments. However, one of the reasons that they are seen as in line with the work of the 18th century classical composers is because of the way in which they should be played. These sonatas are like Beethoven's childhood dreams as opposed to his adulthood ones represented by the middle sonatas, and should be played with smooth flow and great intensity, where it is required (for example in the opening movement of Pathetique or Op. 10/1). In this case, Kempff's renditions do not bother me, but do not excite me either, and I must admit I rarely listen to the first two discs of his cycle... look to Emil Gilels, Solomon Cutner, or even Artur Schnabel for better interpretations of these early sonatas.
On the whole, this cycle is one of the best I own and the lovely box is already showing signs of serious wear and tear after only a year of ownership (I carry it around with me quite a lot), and I would even recommend it as a starter cycle for someone not well acquainted with Beethoven's sonatas. For the early sonatas, look for the pianists I listed above (as well as Grigory Sokolov for Sonata No. 4, unfortunately he has only recorded two Beethoven sonatas in his life). For different (and in some cases better) perspectives on the last five, I'd recommend Maurizio Pollini (ESPECIALLY for Hammerklavier), Stefan Kovacevich, Alfred Brendel (mostly for Op. 109), Claudio Arrau, and many others...
All in all, this cycle definitely has my enthusiastic recommendation.
More Beethoven: The Complete Piano Sonatas free music reviews: 1
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