Liliput/ Kleenex

Kleenex-Liliput - Liliput/ Kleenex

Liliput/ Kleenex
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CD Details

Artist: Kleenex-Liliput
Edition: Music CD
CD Release Date: 2001-02-20
Music Label: Kill Rock Stars
Soundtracks:
Music CD 1
  1. Nighttoad
  2. Madness
  3. Krimi
  4. 1978
  5. Beri-Beri
  6. Ain't You
  7. Hedi's Head
  8. Nice
  9. You
  10. U
  11. Split
  12. Die Matrosen
  13. Hitch-hike
  14. DC-10
  15. Thumblerdoll
  16. Igel
  17. Turk
  18. Tisko
  19. Wig-Wam
  20. Eisiger Wind
  21. When The Cat's Away
  22. I Had A Dream
  23. Turn The Table
  24. Dolly Dollar
Music CD 2
  1. Do You Mind My Dream
  2. In A Mess
  3. Birdy
  4. Feel Like Snakes Twisting Through The Fog
  5. Tschik-mo
  6. Outburst
  7. Umamm
  8. Might Is Right
  9. Like Or Lump It
  10. Ichor
  11. Tong Tong
  12. The Jatz
  13. You Did It
  14. Ring-A-Ding-Dong
  15. A Silver Key Can Open An Iron Lock Somewhere
  16. Your's Is Mine
  17. Blue Is All In Rush
  18. Terrified
  19. Etoile
  20. On Streets Without Names
  21. Boatsong
  22. His Head All Red

Music reviews of Liliput/ Kleenex

Music Review: Of Mice And Women
Rating: 4 Stars

The new wave period that was concomitant with punk and largely outlived it was one of the richest, freest and most anarchic in the recent history of popular music culture. Along with the Slits, the Swiss-based girl band Kleenex were living proof that music was about creativity and originality more than it was about musicianship. The level of craft in early Kleenex was rudimentary at best, yet the explosion of noise they made was joyous.
Before being forced to change their name, Kleenex completed 10 tracks, four of which are released here for the first time. Their first UK single in 1978 was the exuberant Ain't You, which was backed by the equally eccentric Hedi's Head. Their grasp of English was less than perfect but they chose to sing in the language for that very reason - hoping that the unintentional meanings and juxtapositions thrown up in the process would create new subtexts and approaches, and express additional freedoms. Often their lyrics would be augmented liberally by squawks and squeaks (a rodent motif runs through their work) and indeed Hedi's Head has not so much a lyric as a series of chord changes in German notation (H/E/Dis H/E/A/D). Rough Trade brought them over to London to record their second single, the classic You/Ü.
Slightly after this point their singer Regula Sing left to join the Mo-Dettes (of White Mice fame) and was replaced by Chrigle Freund. Saxophonist Angie Barrack also joined briefly and following the unwelcome interest of a certain paper tissue manufacturer, they decided a change of name might be in order and became LiLiPUT. This line-up delivered the almighty 1980 single Split/Die Matrosen, augmented here by two unreleased tracks from the session, Hitch-hike and DC-10. A radio concert for Schweitzer Radio DRS, recorded at the Gaskessel in Biel, gives a unique opportunity to hear what they sounded like out of the studio. By 1981 they were down to a three-piece of Chrigle (now doubling on drums with the loss of Lislot Ha) and founders Marlene Marder and Klau Schiff on guitar and bass. This line up produced Eisiger Wind, possibly their most fully realized recording, and its bizarre flip, When The Cat's Away (The Mice Will Play) with accordion accompaniment, but led to the departure of Chrigle. Disc one ends with three previously unheard recordings with new singer and violinist Astrid Spirit and the temporary recruitment of two guys on sax and drums. It was particularly good to hear the unreleased material on this most essential first disc after all these years.
The second disc contains their debut LP, Liliput, from 1982, and their second and final album Some Songs, from 1983. Sandwiched in between is their final single You Did It/The Jatz. It shows the band somewhat overstretched here and there and as they became musically more proficient the trade-off of primal energy didn't always work to their advantage, though as they moved more into Raincoats/Essential Logic territory there are several highpoints such as A Silver Key Can Open An Iron Lock Somewhere.
When they disbanded in 1984, Marlene formed a band called Danger Mice. Klau became the respected artist Klaudia Schifferle. I wonder if she paints mice at all?
More Liliput/ Kleenex free music reviews:
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Description of Liliput/ Kleenex

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You can't dispute Liliput's status as pioneers of feminist art-punk. Along with fellow travelers like the Slits and the Raincoats, this (mostly) female Swiss group took advantage of punk's anything-goes attitude and created jittery, spirited pop that was both in step with the times and completely singular. But even if Liliput hadn't paved the way for other guitar-wielding patriarchy-smashers, The Complete Recordings would still prove one thing: They were totally fun. This double-CD retrospective gathers 46 songs recorded under five different lineups from 1978 to 1983, including their initial tracks under the name Kleenex (a certain global conglomerate demanded the name change). The early material is a riot of exuberant energy, taking stylistic cues from peers like Gang of Four and Wire--propulsive bass, skittering pop rhythms, slashing guitars--and adding distinctive overlapping vocal patterns, which are sung, shrieked, and hiccupped in three languages and made-up dadaistic slang. More than 20 years on, it still sounds fresh. It's edifying to hear a track like "Ü," with its elastic aggression, cheeky, monkeylike squeaks, and punky-tough guitars, and realize it was recorded by four young Swiss women in 1978, not last week by Le Tigre. Liliput's later material is more deliberately artsy, adding "avant-tribal" influences and more expansive instrumental passages, but it's equally intriguing. For art-punk historians and adventurous pop fans, The Complete Recordings is as entertaining as it is essential. --Lisa Gidley

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