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Katy Perry - Teenage Dream
CD DetailsArtist: Katy Perry Edition: Music CD Audio: English (Unknown) Format: Explicit Lyrics CD Release Date: 2010-08-24 Music Label: Capitol Soundtracks: - Teenage Dream - Katy Perry
- Last Friday Night (T.G.I.F.) - Katy Perry
- California Gurls (feat. Snoop Dogg) - Katy Perry
- Firework - Katy Perry
- Peacock - Katy Perry
- Circle The Drain - Katy Perry
- The One That Got Away - Katy Perry
- E.T. - Katy Perry
- Who Am I Living For? - Katy Perry
- Pearl - Katy Perry
- Hummingbird Heartbeat - Katy Perry
- Not Like The Movies - Katy Perry
- California Gurls (feat. Snoop Dogg) (Passion Pit Main Mix)- Katy Perry
- Teenage Dream (Kaskade Club Remix) - Katy Perry
Music reviews of Teenage DreamMusic Review: A guilty pleasure... Rating: 4 Stars
I regard TEENAGE DREAM as a guilty pleasure; I think Katy herself has a irritating personality and her vocal abilities are somewhat limited, so she needs slick production [Max Martin, Dr. Luke, Benny Blanco, Rico Love, Greg Wells, Tricky Stewart, Stargate] to boost it.
But she does make up for this with a solid song-writing talent; She has co-wrote every track on TEENAGE DREAM, while guest writers include the likes of Lukasz Gottwald, Max Martin, Bonnie McKee, Benjamin Levin, Calvin Broadus and Greg Wells.
Katy herself admitted to not wanting to alienate her existing fanbase by changing her sound, so it's good news for 'One Of The Boys' lovers, however I was not wowed by that album so was unsure about getting this. What changed my mind was the fact that she released three promotion singles [Not Like The Movies, Circle The Drain and E.T.] on US Itunes in the run up to the album's release and I loved those, and if the label released those early then they must be saving the best tracks for the official release, right?
Wrong. The promotional tracks and the already released singles are by far the best things that the album has to offer. To be blunt; There isn't one new song that instantly strikes me as solid single worthy material. 'Firework' is rumoured to be the third single - all I can say to that is thank God the album was released first.
But it's not all bad news; Out of the remaining seven tracks there's only one track [Peacock] that I instantly took a dislike to, and since it's one of those songs that gets stuck in your head, I still sneakily listen to it. In fact: There's only two songs out of the twelve that I skip, and whilst the remaining songs are too samey to the stronger tracks, I wouldn't call them bad.
At the end of the day I consider TEENAGE DREAM to be a solid album and find it much stronger than 'One Of The Boys'.
Oh; The CD is scented with a candy floss fragrance. Cute.
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Tracklist
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1. Teenage Dream
This is the type of song I term as a 'grower'. The simple, guitar lead music does nothing for me and Katy's vocals are a bit screechy at the start, but I love the lyrical content; Her love for Russell Brand is equal to to the dizzying rush of your first love. The lyrics tell a story, as opposed to being empty and emotionless noise.
2. Last Friday Night (T.G.I.F.)
Katy tells us about her booze and funfilled Friday night, which features a menage a trois.
She sticks to the guitar lead, pop/rock music from her 'One Of The Boys' era. The lyrics are simple and cheerful, good but not memorable. I can see this as a single though, as it's very radio friendly.
3. California Gurls (feat. Snoop Dogg)
Katy's number 1 smash.
This is pure, electro-tinged pop, that is a dedication to - bet you never saw this coming - California's female population. When I sit here trying to break the song down to review it I can't find anything valid to say about it; It's success is do to it having simple lyrics that get stuck in your head.
4. Firework
This is another 'One Of The Boys' throwback, with light synths and lyrics that are upbeat and are quite shouty.
It's meant to be inspiring as she encourages someone to "ignite the light and let it shine". There's nothing about I instantly dislike, but neither the music nor lyrics has a hook to them, so I don't find this memorable.
5. Peacock
I find this similar to 'California Gurls' in that the music is electro-tinged rock/pop and the lyrics are simple and get annoyingly stuck in my head.
The whole thing is basically Katy asking to see a guy's "Peacock" [wink, wink], I think this is meant to be humorous but I just find it childish.
Oh; The spoken verse is amazingly embarrassing "Oh my God no exaggeration, boy all this time was worth the waiting, I just shed a tear, I am so unprepared, You've got the finest architecture, End of the rainbow lookin' treasure, such a sight to see, And it's all for me".
6. Circle The Drain
This track tells us the story of how Katy's ex-fiance's drug addition eroded their relationship, to the point where she had to leave as she couldn't bear to stick around and watch him self-destruct and "circle the drain".
The rockier music really suits her somewhat shouty vocals and is a bit different to the other tracks, so I loved it at first and was tempted to call it the standout track on the album, however the line of the bridge where she informs us that Travis "Fell asleep during foreplay" is a low blow against a man struggling with a serious addiction and I find it somewhat distasteful.
7. The One That Got Away
We once again return to classic Katy Perry with pop/rock music [this time it's drum lead, rather then guitar lead for a change] and lyrics that tell a story: This time about a teenage love that fizzled out.
I think the track's style is very similar to 'Teenage Dream', but it falls slightly short of the mark for me. A track I skip over.
8. E.T.
This is Peacock: Part II. Another electro favoured track, which once again contains cringe-worthy lyrics, this time dedicated to what a great lover Russell Brand is. I'm not sure how saying your lover is like a alien is supposed to be sensual, but I love the music so this is probably the track I've played the most.
9. Who Am I Living For?
Another soft-sync production which raise my opinion of the track. I think the lyrics are about Katy finding self-confidence and strength in dealing with her increasingly public life. Or war.
The style is a nice fit for her vocals, but the meaning of the lyrics isn't clear for me, so it becomes empty noise.
10. Pearl
Katy says this is her favourite track on the album.
This again has a slick soft-synchs and lyrics that aren't clear to me. The song is about how a woman who used to be strong has now become stuck. Stuck by what or who. Is it someone Katy knows in her personal life or is it a public figure?
Placing it next to 'Who Am I Living For' is a mistake. It's too samey. Another skipper.
11. Hummingbird Heartbeat
Sticking to the same classic Katy music as heard in 'Teenage Dream' and 'The One That Got Away', she uses lyrics about love that sounds like the before mentioned songs. I've not got anything to say about this; It's just OK - I don't skip it, but it's not memorable.
12. Not Like The Movies
This track details how she accepted her ex' marriage proposal, even though she had doubts right from the start; After all it didn't feel the way the movies depict it.
Katy's vocals aren't really suited to ballad type tracks, but the strong lyrical content, paired with the pared down piano driven music make this a standout track.
More Teenage Dream free music reviews: 1 2 3 4 5 6 7 8 9
Description of Teenage Dream"I can't run from where I came from, nobody can," says Katy Perry. When it came time to make her exhilarating second album "Teenage Dream," Katy found herself increasingly drawn back home to Santa Barbara, Calif. Back to where they knew her before she became a superstar. Before she kissed a girl and liked it. And, certainly, before she sold 5 million copies of her Capitol Records blockbuster, "One of the Boys." "I love the vibe that Santa Barbara gives off and I wanted to really tap into the purity of my childhood and that feeling," says the two-time Grammy nominated singer. "It was really fun to get away and walk into the studio with no make-up on." "Teenage Dream," will move you, both emotionally and physically. "When I was touring, I wanted people to dance more," Katy says. "So I wrote an album that made people move, yet didn't sacrifice the story substance that I had on the last record." The album, whose producers include Max Martin, Tricky Stewart, Stargate, Dr. Luke and Greg Wells, is a glorious evolution from "One of The Boys," It showcases an artist who dares us to join her as she experiences every facet of life. "I'm giving everyone the full spectrum on this record," Katy says. "You're getting the sugary sweet, but you're also getting the `Oh my goodness, she had to sit down for a minute and let some things off her chest'." Fun first single, "California Gurls," declared by Entertainment Weekly as "unforgettable," is the undeniable summer anthem of 2010. Featuring Snoop Dogg, "Gurls" is a sizzling salute to sun-kissed days spent in Daisy Dukes and a bikini top. Other album highlights include the heartbreakingly wistful "The One that Got Away," the naughty, playful strut of "Peacock," the uplifting "Firework," the pulsing, stinging "Circle the Drain," and the spiritual quest of "Who Am I Living For." And then, of course, there's the passionate, thumping title track. "I called the album `Teenage Dream' because I feel like I will always want to be that pin-up poster," Katy says. "I definitely want to be in everybody's dreams at all times until I get to Liz Taylor's age when I'm not in your dreams anymore, and I'm just a diva!" It's irreverent statements like this that have branded Katy a true American original. She's the extremely talented girl next door with slyly captivating charm. After Katy topped Maxim's Hot 100 this Spring, Maxim editor-in-chief Joe Levy mused of her appeal: "It's that feeling you get when you suddenly realize that the smartest, funniest, coolest girl you know also happens to the best looking and a pretty good skateboarder, too. All of sudden, your crush goes supernova, and this is Katy's supernova moment." She's the face most likely to adorn the bedroom walls of young girls who adore Katy not only for her musical brio, but for her playful yet sophisticated fashion sense (Who else could wear a blinking dress that lights up to the Metropolitan Museum Costume Institute's Gala?) "I don't ever really want to come off as trashy," she says. `But I want people to know I'm definitely having fun." Of that, there's no doubt. Seldom has an artist catapulted onto the world scene and captured not only people's ears, but their hearts as well. Since the 2008 release of "One of the Boys," Katy has taken a jet-fueled rocket pack to the top, wowing fans with her often whimsical, irresistible pop songs. Katy topped charts in more than 25 countries with cultural phenomenon "I Kissed a Girl," "Hot N Cold," "Thinking Of You" and "Waking Up in Vegas," and has sold more than 22 million digital tracks and mobile products worldwide. Katy erases any barrier between pop star and audience by writing all her own material. "You're getting a pure connection to the artist," Katy says. "You're not getting some idea of what that artist should be, you're getting a direct voice." Nowhere is Katy's voice and vision clearer than in concert. She is a relentless road warrior, albeit one who comes complete with gigantic, blow up plastic strawberries to toss into the audience. As a newcomer, she stormed the Warped Tour stage for 47 dates in 2008, immediately winning over hardened rock fans with her ceaselessly energetic live show. Since then, she has steadily built audiences across the planet by touching down in more than two dozen countries and filling increasingly larger venues each time she returned to a city. 2009's headlining "One of the Boys" tour was a phenomenal success, selling out around the world. She's also a popular television draw, appearing on countless talk shows, presenting and performing on the Grammys living out her lifelong dream of being lowered from the ceiling in a 600 lb. banana, serving as a guest judge on "American Idol," a celebrity contestant on "Who Wants to Be a Millionaire?" for St. Jude Children's Research Hospital and hosting MTV's Europe Music Awards twice. More often than not she's adding to her trophy case at each stop, winning Best New Act at the Europe Music Awards, Best Pop Video at the MTV Japan Awards and International Female Solo Artist at the Brit Awards. As much as her life seems to play itself out in the press--she's appeared on the cover of more than 15 magazines--she reminds us the real Katy is in every note and every word of her music. "If you ever want an answer about how I felt about something or what I was going through or what I believe or my convictions or my love," she says, "You just have to listen to the lyrics." We can't wait to hear every word she has to say.
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