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Glenn Gould: The Young Maverick
CD DetailsComposer: Johann Sebastian Bach Composer: Ludwig van Beethoven Composer: Alban Berg Composer: Arnold Schoenberg Composer: Anton Webern Conductor: Ernest MacMillan Conductor: Heinz Unger Conductor: Jean-Marie Beaudet Conductor: Paul Scherman Performer: Glenn Gould Edition: Music CD Audio: English (Unknown) Format: Box set CD Release Date: 2007-11-20 Music Label: Cbc Soundtracks: Music CD 1- Goldberg Variations, for keyboard (Clavier-Ã?bung IV), BWV 988 (BC L9): Variations 5 a 1 ovvero 2 Clav.
- Goldberg Variations, for keyboard (Clavier-Ã?bung IV), BWV 988 (BC L9): Variations 6 a 1 Clav. Canone alla Seconda
- Goldberg Variations, for keyboard (Clavier-Ã?bung IV), BWV 988 (BC L9): Variations 7 a 1 ovvero 2 Clav.
- Goldberg Variations, for keyboard (Clavier-Ã?bung IV), BWV 988 (BC L9): Variations 8 a 2 Clav.
- Prelude and Fugue, for keyboard No. 14 in F sharp minor (WTC II/14), BWV 883 (BC L117): Fugue
- Prelude and Fugue, for keyboard No. 7 in E flat major (WTC II/7), BWV 876 (BC L110): Fugue
- Prelude and Fugue, for keyboard No. 22 in B flat minor (WTC II/22), BWV 891 (BC L125): Fugue
- Prelude and Fugue, for keyboard No. 9 in E major (WTC II/9), BWV 878 (BC L112): Fugue
Music CD 2- Partita for keyboard No. 5 in G major, BWV 829 (BC L5): 1. Preambulum
- Partita for keyboard No. 5 in G major, BWV 829 (BC L5): 2. Allemande
- Partita for keyboard No. 5 in G major, BWV 829 (BC L5): 3. Courante
- Partita for keyboard No. 5 in G major, BWV 829 (BC L5): 4. Sarabande
- Partita for keyboard No. 5 in G major, BWV 829 (BC L5): 5. Menuet
- Partita for keyboard No. 5 in G major, BWV 829 (BC L5): 6. Passe-pied
- Partita for keyboard No. 5 in G major, BWV 829 (BC L5): 7. Gigue
- Three-Part Inventions (Sinfonias) (15), for keyboard BWV 787-801 (BC L42-56): 1 C major
- Three-Part Inventions (Sinfonias) (15), for keyboard BWV 787-801 (BC L42-56): 2 C minor
- Three-Part Inventions (Sinfonias) (15), for keyboard BWV 787-801 (BC L42-56): 5 E flat major
- Three-Part Inventions (Sinfonias) (15), for keyboard BWV 787-801 (BC L42-56): 14 B flat major
- Three-Part Inventions (Sinfonias) (15), for keyboard BWV 787-801 (BC L42-56): 11 G minor
- Three-Part Inventions (Sinfonias) (15), for keyboard BWV 787-801 (BC L42-56): 10 G major
- Three-Part Inventions (Sinfonias) (15), for keyboard BWV 787-801 (BC L42-56): 15 B minor
- Three-Part Inventions (Sinfonias) (15), for keyboard BWV 787-801 (BC L42-56): 7 E minor
- Three-Part Inventions (Sinfonias) (15), for keyboard BWV 787-801 (BC L42-56): 6 E major
- Three-Part Inventions (Sinfonias) (15), for keyboard BWV 787-801 (BC L42-56): 12 A major
- Three-Part Inventions (Sinfonias) (15), for keyboard BWV 787-801 (BC L42-56): 13 A minor
- Three-Part Inventions (Sinfonias) (15), for keyboard BWV 787-801 (BC L42-56): 3 D major
- Three-Part Inventions (Sinfonias) (15), for keyboard BWV 787-801 (BC L42-56): 4 D minor
- Three-Part Inventions (Sinfonias) (15), for keyboard BWV 787-801 (BC L42-56): 8 F major
- Three-Part Inventions (Sinfonias) (15), for keyboard BWV 787-801 (BC L42-56): 9 F minor
- Concerto for harpsichord, strings & continuo No. 1 in D minor, BWV 1052: 1. Allegro
- Concerto for harpsichord, strings & continuo No. 1 in D minor, BWV 1052: 2. Adagio
- Concerto for harpsichord, strings & continuo No. 1 in D minor, BWV 1052: 3. Allegro
Music CD 3- Piano Concerto No. 1 in C major, Op. 15: 1. Allegro con brio
- Piano Concerto No. 1 in C major, Op. 15: 2. Largo
- Piano Concerto No. 1 in C major, Op. 15: 3. Rondo, Allegro scherzando
- Piano Concerto No. 2 in B flat major, Op. 19: 1. Allegro con brio
- Piano Concerto No. 2 in B flat major, Op. 19: 2. Adagio
- Piano Concerto No. 2 in B flat major, Op. 19: 3. Rondo: Molto allegro
- Piano Concerto No. 2 in B flat major, Op. 19: 3. Rondo: Molto allegro
Music CD 4- Bagatelles (6) for piano, Op. 126: No. 1 in G major: Andante con moto
- Bagatelles (6) for piano, Op. 126: No. 2 in G minor: Allegro
- Bagatelles (6) for piano, Op. 126: No. 3 in E flat major: Andante
- Bagatelles (6) for piano, Op. 126: No. 4 in B minor: Presto
- Bagatelles (6) for piano, Op. 126: No. 5 in G major: Quasi allegretto
- Bagatelles (6) for piano, Op. 126: No. 6 in E flat major: Presto - Andante amabile e con moto
- Piano Sonata No. 28 in A major, Op. 101: 1. Allegretto ma non troppo
- Piano Sonata No. 28 in A major, Op. 101: 2. Vivace alla marcia
- Piano Sonata No. 28 in A major, Op. 101: 3. Adagio, ma non troppo, con affetto
- Piano Sonata No. 4 in E flat major ('Grand Sonata'), Op. 7: 2. Largo, con gran espressione
- Piano Sonata No. 19 in G minor, Op. 49/1: 1. Andante
- Piano Sonata No. 19 in G minor, Op. 49/1: 2. Rondo. Allegro
- Piano Trio in B flat major ('Allegretto'), WoO 39
- Piano Trio in D major ('Ghost'), Op. 70/1: 1. Allegro vivace e con brio
- Piano Trio in D major ('Ghost'), Op. 70/1: 2. Largo assai ed espressivo
- Piano Trio in D major ('Ghost'), Op. 70/1: 3. Presto
Music CD 5- Variations (6) on an original theme for piano in F major, Op. 34
- Variations (15) and fugue on a theme from 'Prometheus' for piano in E flat major ('Eroica Variations'), Op. 35
- Piano Concerto No. 3 in C minor, Op. 37: 1. Allegro con brio
- Piano Concerto No. 3 in C minor, Op. 37: 2. Largo
- Piano Concerto No. 3 in C minor, Op. 37: 3. Rondo - Allegro
Music CD 6- Piano Concerto, Op. 42: 1. Andante
- Piano Concerto, Op. 42: 2. Molto allegro
- Piano Concerto, Op. 42: 3. Adagio
- Piano Concerto, Op. 42: 4. Giocoso (Moderato)
- Pieces (3) for piano, Op. 11: 3. Bewegt
- Suite for piano, Op. 25: 2. Gavotte - Etwas langsam, nicht hastig / Musette - Rascher / Gavotte da capo
- Suite for piano, Op. 25: 3. Intermezzo
- Suite for piano, Op. 25: 4. Menuet - Moderato / Trio / Menuet da capo
- Suite for piano, Op. 25: 5. Gigue - Rasch
- Variations for piano, Op. 27: 2. Sehr schnell
Music reviews of Glenn Gould: The Young MaverickMusic Review: The Birth of a Giant Rating: 5 Stars
These recordings all date from the early 1950s when Glenn Gould was between the ages of 18 and 22 and well before he had been discovered by the music world at large. The performances here are taken from live radio broadcasts and thus there is both a sense of spontaneity and a danger of flubbed notes; both those things exist here but the former is by far the more common. As Amazon has not as of the date of this review listed the contents of these 6 CDs, I shall do so.
CD1: BACH: Goldberg Variations - 21 June 1954 (a year before the Columbia disc of the Goldbergs that made Gould a 'star') & four excerpts from Bach's Well-Tempered Clavier, Book II - February 1954 and October 1952
CD2: BACH: Partita No. 5 - October 1954; Three Part Inventions - March 1955; Italian Concerto - October 1952; D Minor Concerto with the Toronto SO with Sir Ernest MacMillan conducting - March 1955
CD3: BEETHOVEN: Piano Concerto No. 1, TSO, MacMillan - no date given; Piano Concerto No. 2, TSO, MacMillan - no date given; the Third Movement of PC No. 2, Startime Orchestra, Paul Scherman conducting - no date
CD4: BEETHOVEN: Six Bagatelles, Op. 126 - September 1952; Piano Sonata No. 28 in A, Op. 101, October 1952; Piano Sonata No. 4 in E flat, Op. 7 - Largo movement only - October 1952; Piano Sonata No. 19 in G minor - October 1952; Allegretto in B flat, WoO39, with Alexander Schneider, vln, and Zara Nelsova, cello - July 1954; Piano Trio in D Major, Op. 70, No. 1 'Ghost' - with Schneider & Nelsova - July 1954
CD5: BEETHOVEN: Six Variations on an original theme, Op. 34 - September 1952; Eroica Variations, Op. 35 - October 1952; Piano Concerto No. 3 in C Minor, Op. 37 - CBC Symphony, Heinz Unger, cond. - February 1955
CD6: SCHOENBERG: Piano Concerto, op. 42, CBC SO, Jean-Marie Beaudet, cond. - no date; Drei Klavierstücke, Op. 11 - no date; Suite für Klavier, Op. 25 - no date; BERG: Sonata, Op. 1 - no date; WEBERN: Variations for Piano, Op. 27 - no date
These performances certainly indicate that Gould was a fully-formed artist from the earliest dates here. And all the characteristics of his playing that we learned to appreciate in later years are here if sometimes a bit inchoate. The incredible ability to draw out contrapuntal voices, the détaché playing in Bach, the rhythmic vitality and drive are all here. For those of us who admire Gould these are valuable documents, as well as being satisfying musical experiences.
All these recordings are in mono and the quality of the sound is about average for its time. And just look at the price! Can't be beat.
Strong recommendation for its intended audience.
Scott Morrison
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