Global a Go-Go

Joe Strummer, Mescaleros - Global a Go-Go

Global a Go-Go
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CD Details

Artist: Joe Strummer, Mescaleros
Edition: Music CD
CD Release Date: 2001-07-24
Music Label: Hellcat Records
Soundtracks:
  1. Johnny Appleseed
  2. Cool 'N' Out
  3. Global A Go-Go
  4. Bhindi Bhagee
  5. Gamma Ray
  6. Mega Bottle Ride
  7. Shaktar Donetsk
  8. Mondo Bongo
  9. Bummed Out City
  10. At The Border, Guy
  11. Minstrel Boy

Music reviews of Global a Go-Go

Music Review: Joe Strummer: 1952-2002
Rating: 4 Stars

It's just to sad to think that the guy who was responsable for so much is gone. Of course many people know of the Clash but not as many know about the real impact on music that they had. Before the Clash white guys from anywhere in the world wouldn't dare to cover a reggae music like they did. Rock or punk bands just didn't cover reggae music but The Clash did. The Clash were also one of the first bands to pick up on the all black music of rap. At the time rap was still underground and listen to mainly by a black audience. The Clash came along in the early 80's and churned out 3 songs, This Is A Radio Clash, The Magnifficent Seven and Lightnight Strikes and the unnoffical birth of rap rock began. The Clash even made it onto black radio stations with their songs as well, something that was unheard of at the time. The Clash were also one of the first bands to really add politics to their music, something that punk is known for today. The opened people's ears to so many musical genres that normally they wouldn't hear. Dub, RandB, Rap, Reggae, Blues, Rockabilly, Soul...The Clash were more groundbreaking than they got credit for. Of course we also can't forget the tons of bands that formed because of them. U2 said they formed because of the Clash and even Clash enimies, The Police wouldn't have had a carrer if it wasn't for ripping off the Clash's white reggae music.

25 years later Joe Strummer is still carrying rhe punk rock torch while other fellow punkers have lost the true meaning of what it's all about. Johnny Rotten is off living in his mansion and re-uniting the Pistols for tours that cost $40-$50 to get into and MTV has their own brand of punk that just sees it all as a image. Sure Joe's solo stuff sounds nothing like the Clash did (well some of his earlier solo stuff on Earthquake Weather, which is his best solo album and needs to be re-released had some Clash sound)but Joe was just one member of the Clash! Mick Jones' band Big Audio Dynamite sounded nothing like the Clash but they still had minor success (though it was with songs that sounded like Should I Stay Or Should I Go). The album cover says Joe Strummer not the Clash just like John Lennon's albums said his name and not the Beatles. I will say that not everyone that is into what Joe because known for will like his two recent albums with the Mescaleros but name me one former punk that's kept their sound fresh and new over the years and has not sold out and re-did the same songs over and over. Joe was truly an original. Global A GO-GO to be is a good album but I really can't compare it to the last one. Both are totally different and even feature different members because the original Mescaleros line-up isn't all there anymore. The first album was basically them getting their feet wet and now with one album out of the way and tons of touring (I was lucky enough to see Joe's first U.S. show in 10 years back in 1999 in DC and it was amazing)they are now more comfortable. Yes once again people looking for The Clash will be letdown though there are hints of the Clash on this album. At The Border,Guy is pure Sandinista! and has the same feel as Bankrobber did, which is one of the best Clash songs ever. I actually think that if the Clash were still making music today that this is what it would sound like. All of the members have moved on from the pure punk sound of the early days, which actually was only featured on the first album. Joe still was hanging around the scene until his death two weeks ago and still helped out old friends and took the newer bands under his wing much like Joey Ramone did until his death in 2001. Joe Strummer is gone but like all musicians that have passed away their music will live on forever. It's even more bittersweet to think that The Clash were ready to acutally re-form for the Rock and Roll Hall Of Fame show in 2 months ( they were going to play White Riot without Topper but original drummer Terry Chimes was gonna play behind the kit)but since Joe is gone the world will never get that much needed Clash re-union. We will always have the music that Joe gave us. Joe may not be here to give us more music but we can help his legacy live on by spreding the word around about what this man did and letting the future genrations listen to what real music with real heart and soul actually sounded like. It's sad that the real artists have to be taken from us while there is so much [junk] polluting the musical world these days. We need Joe Strummer, the world needs Joe Strummer!
Thank You so much Joe, for everything!

More Global a Go-Go free music reviews:
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Description of Global a Go-Go

AVAILABLE FOR THE FIRST TIME ON VINYL!

Even when he was leading the Clash, Joe Strummer always incorporated his interest in disparate musical styles into his work. 20 years down the road, he's achieved enough distance from the Clash to express himself fully and freely, so GLOBAL A GO-GO is Strummer's most stylistically diverse offering to date. The album opens with the American folk motifs of "Johnny Appleseed" before moving on to the churning, funky "Cool 'N' Out." The title tune combines hypnotic trip-hop keyboards, reggae guitar, and percolating percussion to celebrate the joys of international communication. "Bhindi Bhagee" successfully combines electronica beats with Eastern tonalities. "Gamma Ray" is a surreal Cuban-style slow-burner that recalls the Latin Playboys. "Mondo Bongo" and "Shaktar Donetsk" sound like excerpts from a film noir soundtrack set somewhere in Morocco. The album closes with the epic 17-minutes-plus "Minstrel Boy," a folkish selection filled with atmospheric fiddle and acoustic guitar, nearly all instrumental. It continues the soundtrack-like feeling achieved by the earlier cuts, and leaves the listener flouting on a cloud of hazy Celtic mist. Throughout the album, Strummer evinces his trademark socio-political awareness in the lyrics, but he sounds much less angry than in punk's glory days. Sometimes maturity can work for you.
Global a Go-Go, Joe Strummer's second album with the Mescaleros following 1999's Rock Art and the X-Ray Style, mines the same concerns that have always inspired his music. "Johnny Appleseed" and "Cool 'n' Out" center on his brash eruptive guitar but hark back to his pre-punk folk busking roots, with lyrics anchored by a strong sense of indignation and social commitment. Strummer may pride himself as an original punk warlord, but he realizes punk can only thrive by rejoicing in Britain's ever-vibrant multicultural melting pot as he does on "Bhindi Bagee" and the Arabic-inflected refugee requiem "Shaktar Donetsk." His longstanding fascination with dub reggae fuels "At the Border, Guy", while the Marconi-saluting title track celebrates the power of radio to present new worlds and unite communities. On "Mondo Bongo" he dispenses with his trademark bark for a lovely ballad laced with pre-Clash accomplice Tymon Dogg's lonesome violin. This is real anger with a big warm heart; maturity suits Strummer just fine. --Gavin Martin

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