Bach: Goldberg Variations

Bach: Goldberg Variations

Bach: Goldberg Variations
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CD Details

Composer: J.S. Bach
Performer: Simone Dinnerstein
Edition: Music CD
CD Release Date: 2007-08-28
Music Label: Telarc
Soundtracks:
  1. Aria
  2. Variation 1
  3. Variation 2
  4. Variation 3 - Canone all'Unisono
  5. Variation 4
  6. Variation 5
  7. Variation 6 - Canone alla Seconda
  8. Variation 7
  9. Variation 8
  10. Variation 9 - Canone alla Terza
  11. Variation 10 - Fughetta
  12. Variation 11
  13. Variation 12 - Canone alla Quarta
  14. Variation 13
  15. Variation 14
  16. Variation 15
  17. Variation 16 - Canone alla Quinta
  18. Variation 17
  19. Variation 18 - Canone alla Sesta
  20. Variation 19
  21. Variation 20
  22. Variation 21 - Canone alla Settima
  23. Variation 22
  24. Variation 23
  25. Variation 24 - Canone all'Ottava
  26. Variation 25
  27. Variation 26
  28. Variation 27 - Canone alla Nona
  29. Variation 28
  30. Variation 29
  31. Variation 30 - Quodilbet
  32. Aria

Music reviews of Bach: Goldberg Variations

Music Review: listen to the audio samples before buying
Rating: 2 Stars

The incessant rhythmic liberties just spoil the interpretation for me. If you know the piece and the samples don't bother you, go ahead and buy it, but don't make it your first version.

Description of Bach: Goldberg Variations

Dinnerstein's Goldberg Variations was recorded in the neoclassic auditorium of the Academy of Arts and Letters in New York in March 2005. The piano she plays, a 1903 Hamburg Steinway model D concert grand, was originally owned by the town council of Hull, in Northeast England. During World War II, Hull was extensively bombed and the town hall in which the piano was housed was severely damaged. The piano, however, survived intact and was used in a series of concerts after the war to restore Hull's spirit. In 2002, it was restored by Klavierhaus in New York City, in time to be used at the re-opening of the World Trade Center's Winter Garden, playing the same role as it had in Hull over fifty years earlier.
This is destined to be one of the best-remembered and significant classical releases of 2007. Simone (pronounced "See-mo-nuh") Dinnerstein has recently been attracting lots of media attention, from Oprah's magazine to The New York Times. Within a classical-music circuit increasingly unwilling to take artistic risks, hers has been the rare success story. The 30-something pianist (a former student of Peter Serkin), backing herself, wowed critics with some notable concerts and eventually secured the support of a major label to release a self-produced recording Dinnerstein had made in March 2005. This Telarc account of the Goldberg Variations thus marks her solo debut CD (following some earlier collaborations with cellist Zuill Bailey on the Delos label). For once, the publicity is trying to keep up with the musical achievement--rather than the other way around.

Dinnerstein's seriousness of purpose is immediately obvious from her choice of the Bach masterpiece to make her mark. With the specter of Glenn Gould's own epoch-making 1955 debut playing the same work-not to mention a vast catalog of competing interpretations-Dinnerstein is nothing if not bold. But what's really extraordinary here is the liberating sense she conveys of its not having all been said before-without resorting to tiresome idiosyncrasies to stand apart from the crowd. Her remarkably deliberate way with the opening aria is unusual, to be sure. But it establishes the stakes for what will follow, where Dinnerstein's thoughtfulness and spectacular clarity seem to discover new facets at every turn. Her pianism embraces a prismatic array of touches, whether the feathery lightness of Variation 5, the burbling rhythms of Variation 14, or the tragic weight of the "black pearl" Variation 25. The cumulative effect is exhilarating, intensely moving, and an affirmation of the Goldbergs' infinite variety. --Thomas May

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