Master and Commander: The Far Side of the World
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CD Details
Edition: Music CDAudio: German (Unknown); English (Original Language); French (Original Language); Portuguese (Original Language)
Format: Soundtrack
CD Release Date: 2003-11-11
Music Label: Decca
Product features:
- SOUNDTRACK CAPITAN DE MAR Y GUERRA
- The Far Side Of The World
- Into The Fog
- Violin Concerto No. 3 'Straussburg' K.215, 3rd Movement
- The Cuckold Came Out Of The Amery (Traditional) 5. Smoke N' Oakum
- Fantasia On A Theme - Barry Wordsworth 7. Adagio From Concerto Grosso Op. 6. No. 8 In G Minor Christmas Concerto - Arcangelo Corelli Listen Listen Listen
- The Doldrums
- Prelude (From The Unaccompanied Cello Suite No. 1 In G Major, BWV 1007 - Yo-Yo Ma
- The Galapagos Listen Listen Listen
- Folk Medley: O'Sullivan's March/Cuckold Came Out Of The Amery/Mother Hen/Mary Scott/Nancy Dawson - Jim Walker
- The Phasmid
- The Battle
- Boccherini La Musica Notturna Delle Strade Di Madrid No. 6, Op. 30
- Full Circle
Music reviews of Master and Commander: The Far Side of the World
Music Review: The classical duets and sailor songs work well without the film
Rating: 4 Stars
I really mean it as a compliment when I say that the score for "Master and Commander: The Far Side of the World" suffers a bit when you are listening to it divorced from the film. It would be the same thing as saying that Jack Aubrey is not quite the man ashore that he is when he is afloat on H.M.S. "Surprise," so fans of Patrick O'Brian's seafaring yarns of the British Navy during the Napoleonic era will understand my point. It is not surprising that in the search for authenticity, which was one of the hallmark of the Aubry-Maturin series, that director Peter Weir went in a different direction from the stirring music associated with movies where Errol Flynn was sailing the seven seas. After all, a score was needed for this film that would compliment those moments when the crew would break into song or the captain and his particular friend would retire to play a duet for violin and cello. Violinist Richard Tognetti plays the violin and taught actor Russell Crowe how to play as well. The other main contributors to the soundtrack are composers Iva Davies ("The Ghost of Time") and Christopher Gordon ("Moulin Rouge"), but Weir also selected several classical and traditional folk pieces to appear in the film as well. If you were expecting a bold brassy score for "Master and Commander" then you will be disappointed, but you would have known better if you ever read the books.
With two composers and the other two types of music thrown into the mix, this soundtrack does not offer anything close to a cohesive whole, and you preference is probably going to be for the fiddle and drum songs of the sailors on deck (e.g., the medley of "O'Sullivan's March, Cuckold Comes Out of the Amery, Mother Hen, Mary Scott, Nancy Dawson") and the duets played in the captain's quarters (e.g., Mozart's Violin Concerto No. 3 "Straussburg" K.215, 3rd Movement). The main plot of the film involves a chase between "Surprise" and a French raider, but there are also sections of dramatic tedium, for which the classical music plays nicely. The music for the battles seem almost out of place given what we have become accustomed to in the rest of the film.
What stands out in the battle sequences is Mike Fisher on his Taiko drums, who provides the driving power of the scenes, matching the action on screen below the decks as the guns are being run out and fired. The emphasis is more on rhythm than anything else, which is why what works on screen is not as interesting when listening to the CD. Of the three composers the string work by Tognetti stands out the most, even as it distances itself from what is written by Davies and Gordon. The soundtrack is pretty much divided evenly between the original and classical/traditional works, and with a total playing time of barely over a half-hour you have to be disappointed on that score as well. An appropriate reaction would be to just go back and watch the film or to track down complete recordings of the classical pieces by Mozart, Bach, Ralph Vaughn Williams, Arcangelo Corelli, and Luigi Boccherini, or even some of the traditional sailor songs.
Description of Master and Commander: The Far Side of the World
A trio of noted Australian musicians--Iva Davies, Richard Tognetti and Christopher Gordon--composed the film's score. They previously collaborated on "The Ghost of Time," a piece commissioned for the Millennium celebrations in Sydney, which came to the attention of Peter Weir. The director was so impressed, he played the piece on the Master And Commander set throughout production, and he asked its creators to write the music for his movie. The score interweaves "Old World" and "New World" music, reflecting the talents and backgrounds of its composers. Iva Davies hails from both pop and classical traditions; Richard Tognetti, one of the world's great violin virtuosos, taught Russell Crowe the ins and outs of the instrument; and film/television composer Christopher Gordon brought orchestral texture to the project. Given the period, it comes as no surprise that the score is infused with source music from Bach (Cello Suite) and Mozart, among other great classical composers. Percussion dominates portions of the score. "Drums signal the forward movement of the ship," says Davies, "that it's on a mission. It brings you back into the action." The score's biggest surprise comes with its use of synthesizers. "Peter doesn't make films in the expected way," says Davies, "and for that reason we wanted the score to be not what everyone expected. Peter wanted some scenes to have what I call a kind of 'futuristic' sense"--conveying the idea that these 19th century sailors were cutting-edge explorers.Miscellaneous CDs
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