 |
Purcell: Theatre Music
CD DetailsComposer: Henry Purcell Conductor: Christopher Hogwood Performer: James Bowman Performer: Academy of Ancient Music Performer: Joy Roberts Performer: Judith Nelson Performer: Elizabeth Lane Performer: Prudence Lloyd Performer: Emma Kirkby Performer: Rogers Covey-Crump Performer: Peter Bamber Performer: Alan Byers Performer: Paul Elliott Performer: Martyn Hill Performer: Julian Pike Edition: Music CD Audio: English (Original Language) Format: Box set, Collector's Edition CD Release Date: 2004-10-12 Music Label: Decca Soundtracks: Music CD 1- Abdelazer - Overture
- Abdelazer - Rondeau - Air - Air - Minuet
- Abdelazer - Air - Jig - Hornpipe - Air
- Abdelazer - Song: Lucinda is bewitching fair
- Distressed Innocence - Overture
- Distressed Innocence - Air - Slow Air - Air - Hornpipe or Jig
- Distressed Innocence - Rondeau - Air - Minuet
- The Married Beau - Overture
- The Married Beau - Slow Air - Hornpipe
- The Married Beau - Air - Hornpipe - Jig
- The Married Beau - Trumpet Air - March - Hornpipe on a Ground
- The Married Beau - Song: See where repenting Celia lies
- The Gordian Knot Untied - Overture
- The Gordian Knot Untied - Air - Rondeau Minuet - Air - Jig
- The Gordian Knot Untied - Chaconne - Air - Minuet
- Sir Anthony Love or the Rambling Lady (1690), Z588 - Overture
- Sir Anthony Love or the Rambling Lady (1690), Z588 - Pursuing Beauty
- Sir Anthony Love or the Rambling Lady (1690), Z588 - No more, Sir, no more
- Sir Anthony Love or the Rambling Lady (1690), Z588 - In vain Clemene
- Sir Anthony Love or the Rambling Lady (1690), Z588 - Ground
Music CD 2- Bonduca - Overture
- Bonduca - Air - Hornpipe - Air
- Bonduca - Hornpipe - Air - Minuet
- Bonduca - Jack thou'rt a toper
- Bonduca - Hear us, great Rugwith
- Bonduca - Hear, ye Gods of Britain
- Bonduca - Sing, sing, ye Druids
- Bonduca - Divine Andante, president of war
- Bonduca - To arms
- Bonduca - Britons strike home
- Bonduca - O lead me to some peaceful gloom
- Circe - We must assemble by a sacrifice
- Circe - Their necessary aid you use
- Circe - Come every demon
- Circe - Lovers who to their first embraces go
- Circe - Magicians' Dance . . . Pluto, arise!
- The Virtuous Wife - Overture
- The Virtuous Wife - Song tune - Slow Air - Air
- The Virtuous Wife - Preludio - Hornpipe - Minuet - Minuet (1st Act Tune)
- The Old Bachelor - Overture
- The Old Bachelor - Hornpipe
- The Old Bachelor - Thus to a ripe consenting maid
- The Old Bachelor - Slow Air - Hornpipe
- The Old Bachelor - As Amoret and Thyrsis
- The Old Bachelor - Rondeau - Menuet - Boree - March - Jig
Music CD 3- Overture in G minor, Z.770
- Don Quixote - Sing all ye muses
- Don Quixote - When the world first knew creation
- Don Quixote - Let the dreadful engines
- Don Quixote - With this sacred charming wand
- Don Quixote - Since times are so bad
- Don Quixote - Genius of England
- Don Quixote - Lads and Lasses
- Don Quixote - From rosy bowers
- Amphitryon, or The Two Sosias - Overture
- Amphitryon, or The Two Sosias - Saraband
- Amphitryon, or The Two Sosias - Celia, that I once was blest
- Amphitryon, or The Two Sosias - Hornpipe - Scotch Tune
- Amphitryon, or The Two Sosias - For Iris I sigh
- Amphitryon, or The Two Sosias - Air - Minuet - Hornpipe
- Amphitryon, or The Two Sosias - Fair Iris and her Swain
- Amphitryon, or The Two Sosias - Bourrée
Music CD 4- The Double Dealer - Overture
- The Double Dealer - Hornpipe-Minuet-Air-Hornpipe
- The Double Dealer - Cynthia frowns
- The Double Dealer - Minuet-Minuet-Air-Air
- The Richmond Heiress or A Woman Once in the Right - Song: Behold the Man
- The Rival Sisters or The Violence of Love (z609) - Overture
- The Rival Sisters or The Violence of Love (z609) - Celia has a thousand charms
- The Rival Sisters or The Violence of Love (z609) - Take not a woman's anger ill
- The Rival Sisters or The Violence of Love (z609) - How happy, how happy is she
- Henry the Second, King of England (Z.580) - In vain, 'gainst love, in vain I strove
- Tyrannic Love or The Royal Martyr - Hark! my Damilcar!
- Tyrannic Love or The Royal Martyr - Ah! how sweet it is to love
- Overture in G Minor, Z.772
- Theodosius, or The Force of Love - Prepare, the rites begin
- Theodosius, or The Force of Love - Can'st thou, Marina
- Theodosius, or The Force of Love - The gate to bliss
- Theodosius, or The Force of Love - Hark! Hark! behold the heavn'ly choir
- Theodosius, or The Force of Love - Now the fight's done
- Theodosius, or The Force of Love - Sad as death at dead of night
- Theodosius, or The Force of Love - Dream no more of pleasures past
- Theodosius, or The Force of Love - Hail to the myrtle shade
- Theodosius, or The Force of Love - Ah! Cruel, bloody fate
Music CD 5- The Libertine, or the Force of Love - Nymphs and Shepherds
- The Libertine, or the Force of Love - We come
- The Libertine, or the Force of Love - Prelude
- The Libertine, or the Force of Love - Prepare, prepare, new guests draw near
- The Libertine, or the Force of Love - To arms, heroic prince
- The Massacre of Paris - Thy genius, lo! (2 settings)
- Oedipus - Hear, ye sullen powers below
- Oedipus - Music for a While
- Oedipus - Come away, do not stay...Laius, hear
- Overture in D Minor
- The History of King Richard the Second (The Sicilian Usurper) - original version, 1681 - Retir'd from any mortal's sight
- Sir Barnaby Whigg or No Wit Like a Woman's - original version, 1681 - Blow, Blow, Boreas blow
- Sophonisba or Hannibal's Overthrow - original version, 1685 - Beneath the poplar's shadow
- The English Lawyer - original version, 1685 - My wife has a tongue
- "I'll sail upon the dog-star" - original version, 1688 - I sigh'd, and I pin'd...There's nothing so fatal...
- "I'll sail upon the dog-star" - original version, 1688 - Fled is my love...'Tis death alone...
- "I'll sail upon the dog-star" - original version, 1688 - I'll sail upon the Dog-Star
- "I'll sail upon the dog-star" - original version, 1688 - Jenny, 'gin you can love
- "I'll sail upon the dog-star" - original version, 1688 - If thou wilt give me back my love
- The Indian Emperor or The Conquest of Mexico - I look'd and saw within
- The Knight of Malta - original version, 1699 - At the close of the ev'ning
- A Dialogue between Thirsis and Daphne - Why, my Daphne, why complaining
- The Wife's Excuse, or Cuckolds make themselves - original version, 1691 - Ingrateful love!
- The Wife's Excuse, or Cuckolds make themselves - original version, 1691 - Hang this whining way of wooing
- The Wife's Excuse, or Cuckolds make themselves - original version, 1691 - Say; Cruel Amoret...Corinna, I excuse thy face
- Cleomenes, the Spartan Hero - original version - No, no, poor suff'ring heart
- Regulus or The Faction of Carthage - original version, 1692 - Ah me! to many deaths
- The Marriage-Hater Match'd - original version, 1692 - As soon as the chaos...How vile are the sordid untregue
Music CD 6- Love Triumphant or Nature Will Prevail - How happy's the husband
- Rule a Wife and Have a Wife - original version - There's not a swain
- The Female Virtuosos - Thomas Wright, after Molière's 'Les Femmes savantes' - Love, thou art best
- Epsom Wells - original version - Leave these useless arts
- The Maid's Last Prayer, or Any Rather than Fail - original version - Though you make no return
- The Maid's Last Prayer, or Any Rather than Fail - original version - No, resistance is but vain
- The Maid's Last Prayer, or Any Rather than Fail - original version - Tell me no more
- Aureng-Zebe or The Great Mogul - I see, she flies me
- The Canterbury Guests or A Bargain Broken - original version - Good neighbour why?
- The Fatal Marriage or The Innocent Adultery - original version - The Danger is over
- The Fatal Marriage or The Innocent Adultery - original version - I sigh'd and owned my love
- The Spanish Friar or The Double Discovery - original version - Whilst I with grief
- Pausanius, the Betrayer of his Country. (1695), Z585 - original version - Sweeter than Roses
- Pausanius, the Betrayer of his Country. (1695), Z585 - original version - My dearest, my fairest
- The Mock Marriage - original version - Oh! how you protest...'Twas within a furlong
- Oroonoko - Celemene, pray tell me
- Pavan No.1 in A major, Z.748
- Pavan No.2 in A minor, Z.749
- Pavan No.3 in B flat a 3, Z.750
- Pavan No.4 in G minor, Z.751
- Pavan No.5 in G minor a 4, Z.752
- Trio Sonata, for violin, bass viol and organ, Z.780
- Chacony in G minor Z 730
Music reviews of Purcell: Theatre MusicMusic Review: Fine reissue of a classic set Rating: 5 Stars
Imagine the stupidest, most formulaic Hollywood movies you can think of: cheesy action pictures, fluffy, unfunny comedies, big but stiff epics. Now imagine that one of the greatest living composers was working in Hollywood, turning out astonishing, hauntingly beautiful and stirring musical scores for these throwaway movies. That's what you get with this set: music Henry Purcell composed for some two dozen often utterly forgettable plays (trust me--I've read a number of them!) Occasionally, when he teams up with a playwright worthy of his stature, such as John Dryden, Aphra Behn, or William Congreve, the results are even better, but for the most part you can enjoy the music here without knowing anything about the original plays.
This set originally appeared as separate LPs in the 70s and 80s, and has been long out of print. That's a pity, since Purcell spent a good deal of his short professional life in the theatre, either writing the incidental music contained on these CDs, or the music for his larger works, the semi-operas (King Arthur, The Fairy Queen, and the like). Almost all of these works are enjoyable gems; certainly, they represent a pinnacle of English 17th century music. Purcell had a genius for spinning musical gold out of the most leaden lyrics (check out his Odes and Welcome Songs on Hyperion if you don't believe me), and he does the same with the song texts in these plays.
Hogwood and the AAM offer clean, listenable performances, and the sound on these old analog discs has been cleaned up and brightened--although they were pretty good, even in the late 70s. As with most Hogwood, emotional extremes are kept to a minimum, so the "otherworldly" nature of late 17th century music, so often emphasised in more recent Baroque performances, doesn't come across here. It would be interesting to see what a group like The King's Consort would do with this music, but this set fills the major gap in the Purcell canon quite nicely.
My only beef with the reissue, as with many reissues, is that the liner notes are rather thin for a 6-cd set--the lyrics to the songs, for example, are especially missed. Still, it's a worthwhile set, and a must for fans of Purcell, English Baroque music, or anyone who just wants to experience a taste of the last days of the Restoration stage.
Description of Purcell: Theatre MusicAll products are BRAND NEW and factory sealed. Fast shipping and 100% Satisfaction Guaranteed.
|
 |