Purcell - Birthday Odes for Queen Mary / Burrowes · Bowman · Brett · Lloyd · The Early Music Consort of London · Munrow
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Canadian Music Store CD DetailsComposer: Norma BurrowesEdition: Music CD Format: Import CD Release Date: 2002-12-23 Music Label: EMI Import Soundtracks:
Music reviews of Purcell - Birthday Odes for Queen Mary / Burrowes · Bowman · Brett · Lloyd · The Early Music Consort of London · MunrowMusic Review: Early period performance
In the mid-70’s two recordings of Purcell’s Ode “Come Ye Sons of Art” were made in London, with a number of musicians from the burgeoning early music scene appearing in both productions. David Munrow’s version, plus “Love’s Goddess Sure”, was produced at the Abbey Road studios in June 1975, being performed with period instruments. John Eliot Gardiner recorded the ode and the Funeral Music for Queen Mary for Erato Records at Rosslyn Hill Chapel in February 1976 (the disc has been re-released at budget price on Warner’s new Apex label). Among the soloists, it was countertenor Charles Brett who sang at both sessions, joining James Bowman on the Munrow disc and taking the role of the first countertenor (assisted by John Williams) on the Gardiner. The choir of the Early Music Consort includes well-known names such as David James, Rogers Covey-Crump and Paul Elliott (all to become regular members of the Hilliard Ensemble); the choir has countertenors instead of altos and sings without a good deal of vibrato, in contrast to Gardiner’s Monteverdi Choir, which at that time was not the period performance choir it is famous as today. Both recordings both wonderful instrumentalists: the Munrow has Simon Standage, Monica Huggett, Catherine Mackintosh, Duncan Druce and Micaela Comberti among the violins; Trevor Jones is one of three viola players, and Munrow uses bass viols (and a violone) instead of Gardiner’s double bass and has Christopher Hogwood marvellously playing the organ in the continuo (and some lovely oboe playing by Anthony Camden and Tess Miller). On the Gardiner, the Monteverdi Orchestra, not yet become the English Baroque Soloists, uses modern instruments, but with players such as Trevor Pinnock, harpsichord, and Barry Guy, double bass. Gardiner’s “Funeral Music” is performed with the Equale Brass Ensemble which includes Michael Laird on the trumpet and David Corkhill on the timpani (as on the Munrow recording).
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