Mahler: Symphony No. 1 [Hybrid SACD]

Mahler: Symphony No. 1 [Hybrid SACD]

Mahler: Symphony No. 1 [Hybrid SACD]
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CD Details

Composer: Gustav Mahler
Conductor: Valery Gergiev
Orchestra: London Symphony Orchestra
Edition: Music CD
Audio: English (Unknown)
Format: Hybrid SACD - DSD, Import
CD Release Date: 2008-06-10
Music Label: Lso Live UK
Soundtracks:
  1. Symphony no 1 in D major 'Titan': 1st movement, Langsam schleppend
  2. Symphony no 1 in D major 'Titan': 2nd movement, Kräftig bewegt
  3. Symphony no 1 in D major 'Titan': 3rd movement, Feierlich und gemessen
  4. Symphony no 1 in D major 'Titan': 4th movement, Stürmisch bewegt

Music reviews of Mahler: Symphony No. 1 [Hybrid SACD]

Music Review: A Mahler 1st Symphony Of Great Clarity and Emotion from Gergiev & LSO
Rating: 5 Stars

Having demonstrated that he is among our foremost interpreters of Shostakovich, eminent conductor Valery Gergiev has embarked on a potentially great Mahler symphony cycle with the London Symphony Orchestra as its new principal conductor for the orchestra's LSO Live label. A musical journey that shouldn't surprise long-time listeners and admirers of Gergiev's conducting, especially when Shostakovich expressed his own artistic debt to Mahler's genius for melody and orchestration throughout his fourteen symphonies. Gergiev's exceptional interpretation of the Mahler 1st Symphony is one that shall be remembered for its great clarity and emotional depth. All Gergiev asks of his new orchestra is superb intonation and fidelity to Mahler's intentions; needless to say we are treated to a sonic spectacular quite removed from the overwrought emotional richness of a late career Leonard Bernstein; instead, in its crisp, steady unfolding, Gergiev's interpretation most closely resembles Bernard Haitink's in its clarity, sonic richness and fidelity to Mahler. Under the exceptional technical stewardship of LSO Live producer James Mallinson and his team, live Barbican concert performances recorded earlier this year (January 2008) truly resemble most closely a well-miked studio recording.

Gergiev adheres to brisk tempi throughout the score, emphasizing the vibrant qualities of the lieder melodies which Mahler borrowed from his own songs, especially heard in the main theme of the first movement, which is taken from the second song in Mahler's "Songs of a Wayfarer" four song cycle. The second movement is a brash, bold landler (a close, but coarse, country kin to the refined Viennese waltz) that borrows a theme from an earlier song. In stark contrast, the third movement is a triumphant funeral march, whose core melody is the familiar Frere Jacques tune from childhood. Finally this too passes in a concluding fourth movement that briefly revisits the main themes from the preceding three in a musical maelstrom, before concluding in a hopeful brass fanfare of almost Wagnerian proportions. It is truly one of Gergiev's great gifts as a conductor that he coaxes refined, quite elegant, playing from the winds and brass, as well as the strings. Without a doubt this latest recording of the Mahler 1st Symphony promises to be a serious contender as a definitive recording for classical music fans, worthy of comparison to relatively recent recordings made not only by Bernard Haitink, but Pierre Boulez, David Zinman, and Claudio Abbado too.
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Description of Mahler: Symphony No. 1 [Hybrid SACD]

Mahler completed his first symphony at the age of 24 and the work was considered a remarkable achievement, especially for someone so young. The symphony was originally conceived as a tone poem in the form of a symphony. Mahler drew inspiration from nature and described the epic final movement as a journey `from inferno to paradise'.

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