Hosanna in Excelsis - Texts and music from the spiritual world of the Middle Ages

Hosanna in Excelsis - Texts and music from the spiritual world of the Middle Ages

Hosanna in Excelsis - Texts and music from the spiritual world of the Middle Ages
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Composer: Guillaume Dufay
Composer: Guillaume de Machault
Composer: Gherardello de Florenzia
Composer: Oswald von Wolkenstein
Composer: Nicolaus Apel
Composer: Johannes Bassart
Composer: Heinrich von MÃ1/4geln
Composer: Alfonso el Sabio
Performer: Les Menestrels
Edition: Music CD
Format: Import
CD Release Date: 2006-04-25
Music Label: K&K Verlagsanstalt
Soundtracks:
  1. Concert start
  2. Psalm 115: "Nicht uns, o Herr, nicht uns..." - Kodex Nikolaus Apel (1470-1537)
  3. Benedicamus Domino - Gregorianischer Choralabschnitt
  4. GroÃ? bist du, Herr... aus: Confessiones, erstes Buch, Kapitel 1 - Aurelius Augustinus (345-430)
  5. Benedicamus Domino - St. Martial, Organum - anonymus (12. Jh.)
  6. Ich liebe dich, Herr... aus: Confessiones, zehntes Buch, Kapitel 6 - Aurelius Augustinus (345-430)
  7. Benedicamus Domino - Motettischer Satz - Ghirardellus de Florenzia (14.Jh.)
  8. Wenn ich scheine muÃ?t Du leuchten... - Mechthild von Magdeburg (1210-1283)
  9. Aucun - Amor - Kyrie - Kodex Montpellier, Motette - anonymus (13.Jh.)
  10. "A" setzen wir, das ist unser Herr und Gott... aus: "Ars maior" (1273), Ã?ber die Figur "A" - Ramon Lull
  11. Tribulatio proxima est - Doppelhoquetus über dem Tenor "David" - Guillaume de Machault (1300-1377)
  12. Oh Himmel-König... - Der Kanzler (ca.1300)
  13. Christe - Veni creator - Tribulatio - Geistliche Motette - Guillaume de Machault (1300-1377)
  14. O Mensch, bezeichnet und geziert mit Gottes Ebenbild... Meditation über die menschliche Natur - zugeschrieben: Bernhard von Clairvaux (1091-1153)
  15. Nova laude, terra, plaude... - Benedicamustropus, Benedictinerinnenkloster, Konstanz - anonymus (ca.1300)
  16. Omnis mundus - Omnes nunc - Weihnachtsmotette - anonymus (14.Jh.)
  17. Wie uns die Heiligen helfen - St. Paulis Regeln für die Pauren - Aus dem Liederbuch der Clara Hätzlerin (1471) - anonymus
  18. Arcangel San Miguel... Dreistimmiger Satz über ein Volkslied aus: Cancionero musical del Palacio - Lope de Baena (ca.1500)
  19. Der heilige Erzengel Michael - aus dem Handbuch der Heiligen
  20. St. Martein, lieber Herre... Hermann, Münch von Salzburg (2nd part of 14th century)
  21. Quem terra, pontus, aethera... Ambrosianischer Marienhymnus - Zisterzienser-Stift Heiligenkreuz (ca.1300)
  22. Durch die Frau kam das Ã?bel - durch die Frau kam das Gute...- Ambrosius von Mailand (died 397) - Predigt XLV
  23. Ad laudes marie cantemus hodie... Benedictinerinnenkloster, Konstanz - Gregorianischer Conductus (12.Jh.)
  24. Einen gekrönten reien... Kolmarer Liederhandschrift - Heinrich von Mügeln (ca.1350)
  25. Sancho Pansa: "Und hätte ich auch nichts anderes..." aus Don Quijote - Miguel Cervantes (1547-1616)
  26. Praeludio: "Santa Maria amar..." aus: "Cantigas de Santa Maria" - Alfonso el Sabio (ca.1252-1284)
  27. Gran dereit... aus: "Cantigas de Santa Maria" - Alfonso el Sabio (ca.1252-1284)
  28. Nachdem der Heide alle Darlegungen angehört hatte... aus: Das Buch vom Heiden und den drei Weisen (1275) - Ramon Lull
  29. O flos flagrans... Codex Aosta (Geistliches Chanson) - Jean Brassart (15.Jh.)
  30. Vergine bella... Trienter Kodices (Chanson), Text Petrarca - Guillaume Dufay (1400-1474)
  31. Ave mater o maria... Wiener und Innsbrucker Wolkensteinhandschrift - Oswald von Wolkenstein (ca.1377-1445)
  32. Predigt: "Der Tanz ist ein Ring oder Zirkel, des Mittel der Teufel ist..." - "corea est circulus cuius centrum est diabolus..." - Deutsche Ã?bertragung aus einer Wiener Handschrift des 15. Jhdts.- Hieronymus von Prag (1416 in Konstanz verbrannt)
  33. Chaldivaldi - Tanz aus einer Vysehrader Handschrift (anonymus,14.Jh.) - "Wie schon oben gesagt..." aus: Summa II, quaestio 168, Artikel 3 - Thomas von Aquin (ca.1225-1274)

Description of Hosanna in Excelsis - Texts and music from the spiritual world of the Middle Ages

Les Menestrels
Hosanna in excelsis
Texts and music from the spiritual world of the Middle Ages with works by Gherardello de Florenzia (1310-1370), Guillaume de Machault (um 1300-1377), Hermann, Münch von Salzburg (2nd part of 14th century), Heinrich von Mügeln (14th century), Guillaume Dufay (1400-1474), Alfonso el Sabio (1221-1284), Johannes Bassart (middle of 15th century), Kolmarer Liederhandschrift (15th century), Oswald von Wolkenstein (c. 1377-1445), Nicolaus Apel (c. 1470-1537), Codex Montpellier (13th century), Codex Squarcialupi (14th century) and other.

A concert recording from the minster at abbey Maulbronn, produced by Josef-Stefan Kindler & Andreas Otto Grimminger

Texts and music from the spiritual world of the European Middle Ages form the subject matter of this programme, which the Les Menestrels Ensemble has put together specially for this performance held in the monastery church at Maulbronn. One is astonished by the abundant variety of language and subject matter on offer here. Yet perhaps even more astonishing is the widespread, cross-border dissemination of a body of religious and cultural thought that flourished outside church walls. In today's monotonous popular culture, shaped as it is by the dogma that what sells is what matters, cultural and human values no longer enjoy pride of place. Linguistic standardisation is pursued aggressively, and dialects, expressions and cultural resonances travel beyond regional borders in only the rarest of cases. In the song as cultivated in the Middle Ages, however, we find a linguistically multifaceted culture; one that is, in this sense, truly more European. Modern media have wrought little improvement. On the contrary, inquisitorial surveillance has found its match in the uniformity-enforcing filter of a profit-oriented business management "culture." The Church may well have imposed strict guidelines, as Klaus Walter describes in the notes below, but at least the themes that were the focus of artistic creation were those by which human beings are moved, and wit and subtlety challenged the human intellect. (Josef-Stefan Kindlerm Publisher)

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