Grateful Dead - From the Mars Hotel (Dig)
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Canadian Music Store CD DetailsArtist: Grateful DeadBrand: GRATEFUL DEAD Edition: Music CD Format: Extra tracks, Original recording remastered CD Release Date: 2006-03-07 Music Label: Grateful Dead / Rhino Soundtracks:
Music reviews of From the Mars Hotel (Dig)Music Review: One of the most overlooked gems in the Dead's studio catalog.
By 1973, the Dead were doing what only a few other bands (the Moody Blues among them) had only idly spoken about or attempted: They were running their own record label, releasing exactly what they wanted to, and answering to nobody but themselves. The upside to this argument is, of course, the high level of personal and artistic freedom it allowed the Dead. However, the downside was the headaches that came with running said label day to day and actually getting the records out there and promoting them. Three albums were released on Grateful Dead Records, all of which have moments of true brilliance on them: Wake of the Flood, From the Mars Hotel, and Blues for Allah. There laid the rub: How was a band which was said to stand for everything anti-Establishment supposed to enter the material world of record sales and promotion and survive? This is most likely why the three GDR albums are much less known to the average listener. They simply weren't promoted as well as they might have been on Warner Brothers or Arista. However, each of these albums bequeathed many a tune to the setlists of years to come, and other songs that fans begged the band to play, but which were simply too unwieldy at the time. From the Mars Hotel was the first of these albums I heard at a friend's house one night, and it has kept a treasured place in my stack of Dead memories to this day. Only one song seems to me to be out of place: "Money Money". I still cannot figure out if Bob Weir was singing tongue-in-cheek or if he was seriously angry at some unnamed female. Otherwise, Mars Hotel is a near-seamless blend of songs that demonstrates that the Dead were still a potent creative force to be reckoned with in the mid-1970s. The satirical "U.S. Blues" manages to showcase the band's patented psychedelic blues boogie while featuring lyrics that can easily stand next to Stevie Wonder's "You Ain't Done Nothin'" for expressing the outrage many felt over the still-unfolding Watergate scandal. "Pride of Cucamonga" (regrettably never played live) is a nod of sorts to the sounds of Workingman's Dead and American Beauty. "China Doll" is the kind of ballad only the Dead could do: A lament over a murder set to a beautiful, lilting accompaniment. "Unbroken Chain" is the album's musical and psychedelic center, and a live version was hoped for for decades until 1995, when it suddenly popped up on a few setlists. This song both looks back to the extreme experimentation of Anthem of the Sun and Aoxomoxa while pointing forward to the more accessible sound the band would adopt in the '80s. The electronic accompaniment and band climax here are not to be missed. "Loose Lucy" again harks back to the country-boogie of American Beauty,as does much of the album in general, but manages to establish its own identity with some red-hot slide guitar licks courtesy, I assume, of Mr. Garica himself. "Scarlet Begonias" is in much the same vein, as is the aforementioned "Pride of Cucamonga". Truth be told, while none of the songs here are "samey" in sound, many of them would have slipped in unnoticed on two or three of the Dead's earlier classic albums. In many ways, "Ship of Fools" is the joker in this deck of songs; it's a slow, sad bluesy number which could apply to any number of subjects lyrically. This is the Dead at their best, making what either Roger McGuinn or Gram Parsons called "Cosmic American Music" that takes touches of any number of genres and creates something new from them.
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