Gord's Gold 2

Gordon Lightfoot - Gord's Gold 2

Gord's Gold 2
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Category: Music CD
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CD Details

Artist: Gordon Lightfoot
Edition: Music CD
Audio: English (Original Language)
CD Release Date: 1990-10-25
Music Label: Warner Bros / Wea
Soundtracks:
  1. If It Should Please You
  2. Endless Wire
  3. Hangdog Hotel Room
  4. I'm Not Supposed To Care
  5. High & Dry
  6. The Wreck Of The Edmund Fitzgerald
  7. The Pony Man
  8. Race Among The Ruins
  9. Christian Island
  10. All The Lovely Ladies
  11. Alberta Bound
  12. Cherokee Bend
  13. Triangle
  14. Shadows
  15. Make Way (For The Lady)
  16. Ghosts Of Cape Horn
  17. Baby Step Back
  18. It's Worth Believin'

Music reviews of Gord's Gold 2

Music Review: Nuggets
Rating: 4 Stars

Funny thing about fandom. Even among casual fans, there are all kinds of gradations. I would admit to being only a casual fan of Gordon Lightfoot, but that's not to say that given world enough and time, I wouldn't be more of one. I'm certainly not like the (probably apocryphal) joker who once yelled out at a concert, "Play the Wreck of the Ella Fitzgerald!" Not quite that bad.

In fact, in my teens I had several of Gordo's earliest records (the ones on United Artists) and loved them. But then, in college I started hanging out with some acoustic musicians who were hard core Lightfoot FREAKS. And you know how it is, since you know you're going to get to hear your friends copies, you spend your own hard earned cash on something else. And it was true, to a degree. I certainly got to hear all of Lightfoot's early 70s Reprise albums at friends' places.

But did I really absorb them? I guess not. When I recently picked up on a used copy of GORD'S GOLD II--one with the inserts missing--I realized there were a large number of these "golden oldies" that I didn't know after all (must have come out after we graduated or something). And many seemingly obvious choices for inclusion (title tracks from his many albums, for instance) did not make the cut. And it probably does not speak well for me that it wasn't even clear to me until I started to peruse the reviews included on this Amazon, that these were, for the most part, RE-recordings of tracks from earlier albums. Hmmm, I THOUGHT there was something different.

And being only a casual fan, I scarcely realized the level of controversy I was entering into by purchasing this CD and actually liking it. I vaguely recall reading about Lightfoot's decision to do "live in the studio" re-recordings of these selected "gold standard" tracks. Seems like a valid artistic choice to me, but then, I try never to second guess any artist's decisions. Judging from some of the other reviews, I may be in a distinct minority.

I like the warm live sound of this recording--and I don't miss the audience response particularly either. Lightfoot is one performer I regret never having seen. This record gives me a taste of what I have been missing all these years. Without any distraction. Close your eyes and you almost have your litte personal house concert going on. And I can't say I miss the strings from some of those classic 70s albums exactly. I never objected to them, but the stripped down sound of most of the tracks here is preferable to me.

But of course, many people bought this album thinking they were getting something else, and I suppose they have every right to vent their spleen. Hopefully though, they'll satisfy their craving for collections of the original studio versions from among the several now available. But if they give GOLD II a second, third or umpteenth chance, they may find its laconically seductive charm creeping up on them.

It would be pointless to deny that Gordo's voice was already showing some wear by the mid-80s when this was recorded. But those who describe his singing as "horrible" here are surely exaggerating. A pro like Lightfoot doesn't just lose it totally. There's a frayed quality to some of the vocals, no question, but his expert phrasing more than makes up for that. As a performing artist he's got what TV newscasters everywhere would give their eyeteeth to have: gravitas.

Which is not to say he lacks humor or warmth. It's all there in spades. And his rapport with the band is remarkable. This is one tight ensemble. You don't get that quality with your typical studio production job. Now that it's been in release for close to 20 years--and now that other compilation packages are also available--it's time to drop the controversy re: this record. Just listen to it for what it is. And enjoy.

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