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Giuseppe Verdi: Otello (Complete Opera, 2 disc set) - Gwyneth Jones, James McCracken, Sir John Barbirolli (conductor)
CD DetailsPerformer: Alfredo Giacomotti Composer: Giuseppe Verdi Conductor: John Barbirolli Performer: Boys from Uptown House School Performer: Girls from Hammersmith County School Orchestra: Ambrosian Opera Chorus Orchestra: New Philharmonia Orchestra Performer: Florindo Andreolli Performer: Dietrich Fischer-Dieskau Performer: Gwyneth Jones Performer: James McCracken Performer: Anna di Stasio Performer: Glynne Thomas Performer: Piero dePalma Performer: Piero de Palma Edition: Music CD CD Release Date: 1994-09-13 Music Label: EMI - Capitol Soundtracks: Music CD 1- Una Vela Una Vela (Act1/Otello)
- Esultate!
- Roderigo, Ebben, Che Pensi?
- Fuoco Di Gioia
- Roderigo, Beviam!
- Inaffia L'ugola! Trinca, Tracanna!
- Capitano, V'attende La Fazione Ai Baluardi
- Abbaso Le Spade!
- Gia Nella Notte Densa
- Qunado Narravi L'esule Tua Vita
- Non Ti Crucciar
- Vanne, Lat Tua Meta Gia Vedo
- Credo In Un Dio Crudel
- Eccola...Cassio...A Tr
- Cio M'accora
- Dove Guardi Splendono Raggi
- D'un Uom Che Geme Sotte Il Tuo Disdegno
- Se INconscia COntro Te, Sposo
- Desdemona Rea!
- Ora E Per Sempre Addio
- Era La Notte
- Si, Pel Ciel Marmoreo Giuro!
Music CD 2- La Vedetta Del Porto Ha Segnalato
- Dio Ti Giocondi
- Esterrefatta Fisso
- Dio! Mio Potevi Scagliar
- Vieni, L'Aula E Deserta
- Questa E Una Ragna
- COme La Uccidero?
- Viva! Evviva! Viva Il Leon Di San Marco
- Messeri! Il Doge...
- A Terra!...Si...Nel Livido Fango...
- Fuggirmi Io Sol Non Sol...Sangue!
- Era Piu Calmo?
- Mia Madre Aveva Una Povera Ancella
- Piangea Cantando Nell'erma LAnda
- Ave MAria, Piena Di Grazia
- Chi E La? Othello?
- Apirte! Apirte!
- Quai Grida!
- Niun Mi Tema
Music reviews of Giuseppe Verdi: Otello (Complete Opera, 2 disc set) - Gwyneth Jones, James McCracken, Sir John Barbirolli (conductor)Music Review: McCracken's finest hour? Rating: 5 Stars
The main reason I'm writing this is because of the naysaying reviewer. (The other reviewers offer many good points.)
I agree with the naysayer that this may not be the best Otello on the market -- although I don't agree that I'm sure of it. I do feel the need to address some of his/her criticisms, not because the recording has no flaws but because these criticisms are so inappropriate. First and foremost, the reviewer mentions Jones's infamous wobble. Granted, and -- no question -- I also dispute the frequent praise of much of her work. But there's no wobble here, so why bring it up? She sings beautifully, and acts beautifully as well -- very much the "perfect Desdemona" approach, but with spirit as well as sensitivity. As to Fischer-Dieskau, I had him on almost all of my original Verdi recordings, and wasn't happy about it. But he performs extremely well, and, as to hectoring ... I guess the reviewer wanted to like Iago?
As to McCracken -- okay, I'll admit, this recording was my childhood introduction to Otello. I saw Domingo in the role on stage (three times), and Vickers on television (I think twice) -- and I was an avid fan of Vickers. But neither eclipsed McCracken's interpretation, for me. Just listening to it recently (on CD, not my original records), I was out-right shocked by how insane the man sounded, even from the start. (This makes the Horne anecdote of another reviewer seem apt.) So I picked up my Penguin Opera Guide and read how this volatility was a major change that Verdi and Boito made from the Shakespeare. Surely there's no question that it is apt, and well (vocally) acted. Since most listeners don't know McCracken either from disks or live performance (I did get to see him in Tannhauser and Prophete before he had his altercation with the Met -- over Otello), they owe it to themselves to get a hold of this recording, because it's McCracken at his top. Whether or not you like the top (I do).
As to Barbirolli, I've always found his Madama Butterfly too emphatic, and I've been amazed at other reviewers' adoration of the recording. But then, I'm amazed at the aforementioned reviewer's charge of lax tempos, which seems no-more-true in Otello than Madama Butterfly. The storm scene at the beginning (of Otello) is so vitriolic it overwhelms the capacity of the recording -- which IS a liability of this recording. Other tempos seems at least sufficiently fast for me, and always expressive. As other other reviewers have said, the rest of the cast is quite commendable.
So ... the best recording out there? I don't know. I know from in-person experience that Vickers and Domingo have a great deal to offer the role. Desdemona has been remarkably well served, in my experience (even by the eventually execrable Gilda Cruz-Romo). And Iago will undoubtedly have more mellifluous exponents elsewhere, but few better acted. But this is a highly powerful Otello that needs to be heard. And poor McCracken, who died fairly young and languished in undeserved obscurity during his final (vocally still potent) years, must be heard by anyone who treasures singing. And American singing. And MET singing. And singing actors. Despite its vivid but over-stuffed sonics, this is a document that must be both preserved and savored.
More Giuseppe Verdi: Otello (Complete Opera, 2 disc set) - Gwyneth Jones, James McCracken, Sir John Barbirolli (conductor) free music reviews: 1
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