Operatica: "O", Vol. 1

Operatica: "O", Vol. 1

Operatica: "O", Vol. 1
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CD Details

Composer: Giulio Caccini
Composer: Sergey Rachmaninov
Composer: Lord Vanger
Performer: Lord Vanger
Composer: Reynaldo Hahn
Composer: Christoph Willibald Gluck
Composer: Nikolai Rimsky-Korsakov
Composer: Antonio Vivaldi
Composer: Heitor Villa-Lobos
Performer: Alan Steinberger
Performer: Maureen O'Flynn
Edition: Music CD
Format: Import
CD Release Date: 2000-10-03
Music Label: E-Magine Records
Soundtracks:
  1. Ave Maria
  2. Vocalise
  3. Melancholy Rose
  4. L'Heure Exquise
  5. O Del Mio Dolce Ardor
  6. Charmed By A Rose
  7. In The City
  8. Get Off My Land
  9. Dite Oime
  10. Bachianas Brasileiras No.5
  11. Maria's Dream (Instrumental)
  12. Bonus Track

Music reviews of Operatica: "O", Vol. 1

Music Review: Adding To My List Of Vices: A Continuation
Rating: 5 Stars

When coupling sounds from two opposing polarities into one another and blending them into the perfect texturization of harmonics, one has to have a few things that fit nicely together in order to succeed. One has to first have a musical stylization that works when placed into an arena that isn't normally associated with its feel, making sure that the seams that could be ripe for the picking aren't taken advantage of. Next, one has to make sure that the voice behind the work, if there is a vocal combination in the work at all, is something that will work smoothly and will not let the vehicle of sense assailment down. Otherwise, the end result is painful and the art, it is merely noise. This is especially true when one is trying to fit a glove on the hand that isn't accustomed to wearing it, making certain that the fit is right and that the end result isn't too rudimentary because something was overlooked.

With Operatica: "O" Volume 1, the components come together fabulously and the seams don't really show at all except on the rarest of occasions (two songs out of eleven by my count, and perhaps that's more beat than anything), throwing a mixture of motions into a vocally moving ocean that would, on many occasions, be seen as items that wouldn't fit together. Here, the beautiful voice of Maureen O'Flynn mixes the operatic sounds I had never truly experienced into a sea of electronic beats, ambient rhythms, speaking pianos, and other vessels to compose the perfect structure. This takes a classical form and introduces it to a world that paints new scenes that couldn't have been painted otherwise, letting its audience ingest a spectrum of thoughts that they wouldn't intake normally. I, myself, was stunned to find that I was instantly addicted to the release, listening to it over and over again and wondering where Opera had been all of my life. Honestly, being a child of electronic music that drifts into heavier organisms of feeling, I never thought I would ever think such thoughts.

For people that can't bridge the span of biases and enjoy items that span gaps in tastes and in sensations, then this wouldn't be something that you would enjoy. There are many things within it, like the work itself, that aren't traditional and that a person looking for the flairless would find flavorless, from the sound clips used as accents to the beats that infest the sounds and make them dance through the mind with zeal. For someone that is looking for something that breaks outside the mundane drum and bass notions of music and that wants to hear an angelic voice pouring through synthetically fashioned skylines, then this might be something you'd look into tasting. Me, I never thought that something like this would find its way into my home, but it did more than that. It actually made me listen to things I hadn't really listened to, liking them for what might amount to a first time.

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