Puccini: Tosca (complete opera live 1964) with Maria Callas, Tito Gobbi, Carlo Felice Cillario, Orchestra & Chorus of the Royal Opera House, Covent Garden
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Canadian Music Store CD DetailsComposer: Giacomo PucciniConductor: Carlo Felice Cillario Orchestra: Royal Opera House Covent Garden Chorus and Orchestra Performer: Maria Callas Performer: Edgard Boniface Performer: Robert Bowman Performer: Renato Cioni Performer: Eric Garrett Performer: Tito Gobbi Performer: Victor Godfrey Performer: David Sellar Performer: Dennis Wicks Edition: Music CD Format: Live CD Release Date: 2003-11-04 Music Label: EMI Classics Soundtracks: Music CD 1
Music reviews of Puccini: Tosca (complete opera live 1964) with Maria Callas, Tito Gobbi, Carlo Felice Cillario, Orchestra & Chorus of the Royal Opera House, Covent GardenMusic Review: Last great Tosca from Callas
This live-performance was recorded in 1964 during the legendary run of the Zeffirelli-production of Puccini's Tosca featuring Maria Callas and Tito Gobbi. Unlike the studio-recording she made after this run this recording is a unique thrill with Callas and Gobbi burning up the stage. Both were past their primes then but still capable of electrifying performances. For example, listen to Callas' singing "Dillo ancora la parola chi consola... dillo ancora!" sounding enraptured, loving, glowing, beautiful... She portrays not only the diva Tosca but the tormented lover. Fragile, devoted, yet proud and sometimes spoiled but always loveable. In act one she creates an incredible tension as Scarpia plays cat and mouse with her, culminating in the outcry "GIURO!". So many details, one loses count, especially in the torment-scene of Act II. She shows that BREATHING can be a meaning of the drama, a lesson she learned from such greats as Serafin and Gui. Listen to "A mostro! AH..." How she takes a shocked, tortured breath underlining Tosca's fear... And so on. Yet there are problems too, as there always are with Callas after 1959. There's a wobble in some long phrases, the climactic B is unsteady and sometimes she's gasping for air. Still, her and Gobbi are as exciting as can be and there are many beauties to be found here too. If you wish to hear Callas' Tosca in her fullest prime buy the legendary recording she made in 1953, also issued by EMI. But this one deserves a special place in each and every opera-collection. As for the rest of the cast, you may know Cioni from Sutherland's first Lucia, he's an ardent, attractive Mario even though not as hot-blooded as di Stefano or Corelli. Cillario conducts wonderfully and the sound was cleaned up well by EMI. Not the best Tosca in the world but a damn good one!
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