Cloud Nine

George Harrison - Cloud Nine

Cloud Nine
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CD Details

Artist: George Harrison
Edition: Music CD
Format: Extra tracks, Original recording remastered
CD Release Date: 2004-02-24
Music Label: Capitol
Soundtracks:
  1. Cloud Nine
  2. That's What It Takes
  3. Fish On The Sand
  4. Just For Today
  5. This Is Love
  6. When We Was Fab
  7. Devil's Radio
  8. Someplace Else
  9. Wreck Of The Hesperus
  10. Breath Away From Heaven
  11. Got My Mind Set On You
  12. Shanghai Surprise (Bonus track)
  13. Zig Zag (Bonus track)

Music reviews of Cloud Nine

Music Review: Ultra-kill
Rating: 4 Stars

Cloud Nine is a likeable album that's also slightly melancholic. The music is professionally-constructed adult pop that would sound great on a long car journey, and I have no doubt that George Harrison was thrilled with it, and that the album was exactly what he wanted. It's much poppier and less pretentious than Harrison's earlier work, and slightly less interesting because of it. There's absolutely nothing about Krishna consciousness, and he doesn't try to sing about the human condition, or the problems that face the world; the album is a collection of vague love songs, with the exception of "When We Was Fab", which is a parody of The Rutles.

Way back in the 1970s Harrison was often criticised for sticking to a formula. His songs tended to have gloomy minor-key mid-tempo arrangements with slide guitar. The slide guitar is still present in Cloud Nine, but the songs are generally upbeat and often cheerful, which would have been unthinkable circa 1973. His voice has matured well and it is a shame he didn't record it more often. As any fule kno, this was George's first record for ages, and his last record until he died; he hid in a tree and sniped the 1980s. Headshot.

None of the songs are bad. "That's What it Takes" sticks out, because it sounds like The Thompson Twins or Cutting Crew, but on that level it works well. Compared to something from All Things Must Past it is cheesy, but All Things Must Past was seventeen years old in 1987. Most of the people buying Cloud Nine would have no memory of it. "Got My Mind Set on You" is one of those guilty pleasures that works best in short bursts. I'll put it this way; if you were listening to the album in your car, you'd nod your head to "Got My Mind", and sing along, but you'd make sure that it was not playing when you pulled in to the driveway. You'd skip to "Fish on the Sand" or the title track, both of which are fab. In fact the title track is a grower, and has the best guitar playing of all.

The production has dated, but well. It's definitely late-80s, but not cheesy late-80s, with the exception of some synth stabs on "This is Love". The drums reverberate in the Phil Collins style, and the arrangements are ultraprofessional and a bit fussy, but likeable. It's interesting to compare the album with Paul McCartney's Press to Play, which came out the year before. Conceptually, the two albums are similar; they are both big-budget late-80s pop records that were produced on huge automated digital mixing desks in top studios. Whereas Press to Play is offensively excessive, excessively offensive, tasteless, hollow, and smug, Cloud Nine is generally low-key, catchy, toe-tapping, tasteful, a bit shallow, but pleasant.

It's also interesting to compare Cloud Nine with David Bowie's Never Let Me Down, which came out the same year, but I am too tired for that.

In summary, Cloud Nine will never be on anybody's "ten best rock albums of all time" list, indeed it will probably never be on anybody's "ten best rock albums of 1987" list - it falls between too many stools - but I like it, and that's what counts.

Description of Cloud Nine

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