Ottorino Respighi: The Ballad of the Gnomes / Adagio with Variations for Cello & Orchestra / Three Botticelli Pictures / Suite in G major for Strings & Organ - The Philharmonia / Geoffrey Simon
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Orchestra: Ottorino RespighiEdition: Music CD
CD Release Date: 2006-11-20
Music Label: Cala
Soundtracks:
- The Ballad Of The Gnomes (World Premiere Recording) - The Philharmonia/Geoffrey Simon
- Adagio With Vars - Alexander Baillie
- Thee Botticelli Pictures: I. Spring - The Philharmonia/Geoffrey Simon
- Thee Botticelli Pictures: II. The Adoration Of The Magi - The Philharmonia/Geoffrey Simon
- Thee Botticelli Pictures: III. The Birth Of Venus - The Philharmonia/Geoffrey Simon
- Ste in G: I. Prld - Leslie Pearson
- Ste in G: II. Aria - Leslie Pearson
- Ste in G: III. Pastorale - Leslie Pearson
- Ste in G: IV. Cantico - Leslie Pearson
Music reviews of Ottorino Respighi: The Ballad of the Gnomes / Adagio with Variations for Cello & Orchestra / Three Botticelli Pictures / Suite in G major for Strings & Organ - The Philharmonia / Geoffrey Simon
Music Review: If Fountains is your favorite, get this CD!
Rating: 5 Stars
I say this because the consummate master of orchestration, Ottorini Respighi, will not disappoint fans of his most popular works -- his Roman Triptych (Roman Festivals, Fountains of Rome, and Pines of Rome). My personal favorite is Fountains, and this brings me to the richly luminescent and awe-inspiring pieces contained in this recording. The world premiere recording of The Ballad of the Gnomes, was composed during the time of the triptych (1920s), and is very similar to those tone poems. However, the feel of this tone poem differs because its story-line is based on Carlo Clausetti's poem Ballata delle gnomidi; a myth-based story of an innocent male dying at the hands of some very amoral females (gnomes). Similar to the myth of the Sirens luring seamen to thier deaths. In this tone poem Respighi weaves a very sinister mood throughout a turbulent score that brings to mind the undulating waves of Debussy's La Mer. For this reason, this piece, and the third movement of his Three Botticelli Pictures, reminds me of Fountains of Rome. The Adagio with Variations for Cello and Orchestra (Alexander Baillie, cello) is an extraordinary piece. The piece in one movement is rather short but very evocative and mellow. The orchestration and Respighi's usual transparency of voice bring a lovely, fantasy quality; especially to the end of the piece. I was so inspired by the piece, that being a bassoon player myself, I transcribed the piece for bassoon and piano (after having found that Respighi had originally written it for cello and piano and was asked to expand it for orchestra by a cellist friend whom the piece is now dedicated). Mr. Baillie is a master of the nuances and intricacies of the piece and performs it exquisitely. The Three Botticelli Pictures is a rather well-known piece in three movements depicting three separate, yet equally famous paintings by the 15th-century master Sandro Botticelli. The first movement Spring is full of horn calls evocative of Roman Festivals or Beethoven's 6th Symphony. The light mood of the piece is portrayed through varying string tremolos and the dancing meters throuhgout the winds. The second movement is a depiction of The Adoration of the Magi. A very solemn, solo bassoon is heard throughout the piece, weaving his music into and out of harmony with oboes playing the familiar 'O Come, O Come, Emmanuel.' A brief rhythmic interlude of piano, celeste, and harp suggest the trek of the Magi en route to the Christ-child. As I mentioned before, the third movement bears a striking resemblance to The Fountains of Rome. However, here the Birth of Venus, is not as tumultuous as the middle movements of Fountains. The gentle strings give a tremulus birth to the goddess and in a very Respighian crescendo, the piece climaxes and the same undulating strings carry the beauty out to sea. The final piece on the album is The Suite in G Major for Strings and Organ. Very baroque and Bach-like, Respighi based this piece on the old-style concerto grosso. The Preludio is very straight forward in it's intent, but the flourish of Respighian orchestration makes one wonder what Bach may have composed if he lived with the large orchestras of today. The sweeping string scales and the grandeur of the organ's first entrance are a fitting segue into a beautifully somber Aria that is the second movement. The fugue-like quality of the third movement's Pastorale is rich with the luminescent string voicing that Respighi is known for. The striking first chord of the final movement's Cantico is similar to Saint-Saens' final movement of his 3rd Symphony. The interplay between string voicing and between strings and organ come to many an urgent front before the piece ends. The listener almost wishes Respighi had written this last movement to include a chorus. However the majesty of the entire composition is by no means diminished without one, due to Respighi's omnipresent skill in orchestration. I am sure that if you enjoy anything Respighi; from his large works like The Pines of Rome to his smaller orchestrations of Ancient Airs and Dances; there will be something to match every taste on this recording. I hope you enjoy it as much as I do.
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