Cosmic Slop

Funkadelic - Cosmic Slop

Cosmic Slop
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CD Details

Artist: Funkadelic
Edition: Music CD
Format: Original recording remastered
CD Release Date: 2005-11-01
Music Label: Westbound Records US
Soundtracks:
  1. Nappy Dugout
  2. You Can't Miss What You Can't Measure
  3. March to the Witch's Castle
  4. Let's Make It Last
  5. Cosmic Slop
  6. No Compute
  7. This Broken Heart
  8. Trash a Go Go
  9. Can't Stand the Strain
  10. Cosmic Slop [Single Version][*]

Music reviews of Cosmic Slop

Music Review: An underrated little gem
Rating: 4 Stars

"Cosmic Slop" is an unusual moment in the band's history. While it has elements of the radical social commentary and acid-influenced psychedelia of the earliest Funkadelic records and certainly some of the more danceable fare that was just around the corner, it is really not a part of either phase. Indeed, this album at times sounds like a different band altogether, if not for the recognizable voices. While it is not considered a definitive or important Funkadelic album (unlike say "Maggot Brain", "Standing On The Verge Of Getting It On" and "One Nation Under A Groove", the three critically acknowledged essential albums) it is nonetheless an excellent one. The half-speed bounce of "Nappy Dugout" is a terrific head-bobbin opener and "You Can't Miss What You Can't Measure" is both sweet and hard-rocking all at once ("Sting" Ray Davis's booming bass vocal is sure to elicit a grin from even the unfunkiest listeners)... Similar, surprisingly straight ahead soul songs are featured in the southern-tinged "Can't Stand The Strain" and a rare cover (the ballad "This Broken Heart", soulfully sung by Calvin Simon). While these songs are somewhat un-funkadelic, they are great tracks and they are performed with passion and played with unforced honesty, no irony or sarcasm. The title track is the only song from the album that was consistently played in later, more commercially successful times for the band. Gary Shider provides a sweet falsetto vocal to a song that recalls the band's earlier socio/political bent, dealing with a single mother forced to into prostitution by the lack of opportunities around her. It is a very moving song, complete with sighing, wailing guitars (courtesy of Shider and Ron Bykowski). "Let's Make It Last" is also a catchy song, though with a comparitively lighthearted subject matter (wanting more than just a one-night stand from relations) and the chorus sticks in your head like spilled orange juice on a countertop on a hot day... "March to the Witch's Castle", while lyrically significant, is to me a generally uninteresting track. Your viewpoint will depend on how much emphasis you place on lyrics, and how much patience you have. "No Compute" is the only outright DULL track on the album. While the opening riff is very catchy, it is wasted on George Clinton mostly mumbling/talking his way through it, it never goes anywhere. Overall, I think this is a really good record and I like it because it is so different. Those soulful numbers are reason enough to buy it. The band never sounded so unabashedly vulnerable before or after and it is a treat to hear how well they convey that feeling. And the more funkadelic-like numbers are terrific. Buy this one, you won't be sorry
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Description of Cosmic Slop

This classic Funkadelic album (from 1973) has been remastered from its original master tapes for the first time in 15 years. This is the first album with Gary Shider and marks the beginning of the tighter, more commercial, Funkadelic albums of the later Westbound years. It includes a number of dance floor favorites such as the title track Cosmic Slop and the much-sampled Nappy Dugout. This 2005 CD includes the full nine tracks of the original album plus the substantially different single edit of the title track. The in-depth sleeve notes by funk expert and series consultant Dean Rudland include details of the history of the band and this recording, including information taken from an exclusive interview with original Parliamentarian Fuzzy Haskins. The CD booklet includes a full color reproduction of Pedro Bell's classic album art and contemporary adverts, pictures and memorabilia. Westbound U.S.

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